{"title":"Book design","description":"\u003cp\u003eThe various perspectives presented by book design.\u003c\/p\u003e","products":[{"product_id":"guido-guidi-gerry-johansson-verso-nord","title":"Guido Guidi, Gerry Johansson: Verso Nord","description":"\u003cp\u003eIn 2019, Guido Guidi and Gerry Johansson – two of the great masters of analog photography in the 20\/21st century– took part in the „Verso Nord“ photography campaign, which was organized as part of the P=S+N project in Castelfranco, Veneto and the surrounding area. While Guidi focussed his attention on the historic centre of this small town, concentrating on architectural material in order to capture in detail, the layers of history and time, Johansson moved around the area of urban spread, assessing through photography the cultural imagination of northeastern Italy, where architecture and nature, residential buildings and space become special witnesses of a casual landscape, one with uncertain, mysterious features. Guido Guidi, by shifting his point of view – obtained through the use of a large format (8×10”) camera – identifies a tool for verifying reality, raising new questions about photography and its inherent codes. Gerry Johansson e×tracts the substance of the places he encounters through traditional black-and-white photography. He aims at recomposing the fragments of a public imagination composed of micro-landscapes, poised ambiguously between estrangement and objectivity.\u003c\/p\u003e\n\u003cp\u003eIn terms of editing, design, colour separation, choice of materials, printing and bookbinding we think this book is a graphic „Gesamtkunstwerk made in Veneto, Italy”. It was created in close cooperation with the photographers, the designer, the editors and one of the many outstanding local graphic companies not far from Castelfranco (Grafiche Antiga).\u003c\/p\u003e\n\u003cp\u003ePages: 2 x 48\u003cbr\u003eDimensions: 302 × 322 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2021\u003cbr\u003eDesign: Damiano Fraccaro\u003cbr\u003ePublisher: Hartmann Books\u003c\/p\u003e","brand":"Hartmann Books","offers":[{"title":"Default Title","offer_id":40158410342485,"sku":"HBGV683","price":10010.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_38f29d52-0880-4e92-8b2f-540790f6ff23.jpg?v=1658379121"},{"product_id":"goldwin-0-enquiry-1-2-3","title":"Goldwin 0: Enquiry #1, #2, #3","description":"\u003cp\u003eEnquiry #1, #2, #3 presents three catalogues in the form of a book project. Published alongside the wider Goldwin 0 project, it documents a series of activations within various spatial, sonic and material contexts that investigate the liminal space where design, technology and art co-exist in harmony with nature.\u003c\/p\u003e\n\u003cp\u003eThe book project is born from an intimate collaboration between various cultural practitioners, including musicians, dancers, choreographers, poets, architects, designers, writers, researchers and artists, continuing long-standing collaborations with Daniel Shea. Each enquiry tests the latent potential of true, uninhibited creative experiment, where research, process and outcome cannot come to be distinguished.\u003c\/p\u003e\n\u003cp\u003eHeld together in a washi paper sleeve, the book project comprises a large format interfolded visual research paper, a stab-stitch format made up of multiple embossed pages and a cinematic photobook featuring multiple plates, achieved through an exacting photographic print process. Though the formats may be considered independently, the book project functions as a whole, revealing a generative dialogue between the various approaches.\u003c\/p\u003e\n\u003cp\u003ePages: 16 (Book 1), 36 (Book 2), 80 (Book 3)\u003cbr\u003eDimensions: 297 × 430 mm (Book 1), 215 × 297 mm (Book 2), 297 × 215 mm (Book 3)\u003cbr\u003eFormat: 3 softcover\u003cbr\u003eLanguage: English, Japanese\u003cbr\u003eYear: 2022\u003cbr\u003ePublisher: InOtherWords\u003c\/p\u003e","brand":"InOtherWords","offers":[{"title":"Default Title","offer_id":40436128776277,"sku":"IOGE792","price":6380.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_1_5980c0d4-c575-47a3-b8bd-ad9e966604a0.jpg?v=1669870863"},{"product_id":"to-have-to-hold-2","title":"To Have \u0026 To Hold Issue 2: Museums","description":"\u003cp\u003eTo Have \u0026amp; To Hold is a series of editions exploring a collection of paper bag ephemera from a bygone era. These once ubiquitous items now provide us with a rare and timely insight, into our relatively recent consumer past. Ranging from the early 1900s to the present day. From the local corner shop to the high street department store, this is a reflection of a more innocent design era. A time of the logotype rather than the brand, the Filofax as opposed to the mobile, the fax machine instead of Facebook. When the word ‘virtual’ was not yet a reality.\u003c\/p\u003e\n\u003cp\u003ePages: 72\u003cbr\u003eDimensions: 148 × 200 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2022\u003cbr\u003eDesign: Tim Sumner\u003cbr\u003ePublisher: Paper Bag Archive\u003c\/p\u003e","brand":"Paper Bag Archive","offers":[{"title":"Default Title","offer_id":40477699178581,"sku":"PATH818","price":3520.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_99101e04-2004-4e18-be1e-ef6951096486.jpg?v=1674017880"},{"product_id":"catalog","title":"Catalog","description":"\u003cp\u003eInstead of making an artwork catalog, Catalog is edited in a way of commercial catalogs for hardware and chemicals, which are the essential materials the artist Luo Jr-Shin uses in most of his works. Luo Jr-Shin (b.1984-) born in Miaoli, now lives and works in Taipei, Taiwan. He often engages common objects in daily life. Through the richness of these objects, it then reproduces another kind of reality. From this alternative reality, the viewers are able to notice the trace of the daily life and the slight displacement from the origin, then to provoke with a sense of humor.\u003c\/p\u003e\n\u003cp\u003ePages: 48\u003cbr\u003eDimensions: 205 x 220 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, Chinese\u003cbr\u003eYear: 2018\u003cbr\u003ePublisher: dmp editions\u003c\/p\u003e","brand":"dmp editions","offers":[{"title":"Default Title","offer_id":40592478863445,"sku":"DECA902","price":3520.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_42f439b1-6205-4350-aea5-58213581044f.jpg?v=1682790704"},{"product_id":"shauba-log-3","title":"Shauba Log #3","description":"\u003cp\u003eA magazine named after the artist Shauba Chang, featuring trivial things around her life. The contents included random things happening around Shauba herself dated from a long time ago till recent days. A4 size, saddle-stitch bound in limited edition. With some typos.\u003c\/p\u003e\n\u003cp\u003ePages: 52\u003cbr\u003eDimensions: 210 x 297 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: Chinese\u003cbr\u003eYear: 2022\u003cbr\u003ePublisher: dmp editions\u003c\/p\u003e","brand":"dmp editions","offers":[{"title":"Default Title","offer_id":40592478994517,"sku":"DESL906","price":2090.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_4d1e1089-4c63-4bd8-8924-4ba5a2412247.jpg?v=1682790456"},{"product_id":"one-step-before-ending","title":"One step before ending","description":"\u003cp\u003eThere is a space about to take me in. It is not visible, but something vague. Countless invisible existences are shaping the landscape around me. When things emerge into light and dissolve into darkness, I call them “One step before ending”. People tend to pay attention to things that appear in light. What gives them light is the surrounding darkness. What exists now is the overlapping of what has been and what will be. Our surrounding landscape is this process, in endless cycles. — Rei\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.0-rei-0.com\" data-mce-href=\"https:\/\/www.0-rei-0.com\" target=\"_blank\"\u003e0-rei-0.com\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003ePages: 60\u003cbr\u003eDimensions: 260 x 168 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: Japanese, English\u003cbr\u003eYear: 2021\u003cbr\u003ePublisher: Rei\u003c\/p\u003e","brand":"Rei","offers":[{"title":"Default Title","offer_id":40629208416341,"sku":"REOS939","price":3850.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_10f11aa4-f98a-474b-b72e-9349413a3d32.jpg?v=1686037631"},{"product_id":"high-on-ebay-again","title":"Antwan Horfee: High on eBay Again","description":"\u003cp\u003eParisian artist Antwan Horfee reprises his 2017 ‘High on eBay’ (Wrong Culture editions), with another investigation of the magic of the now ubiquitous shopping platform. Compiling found ceramics with a new body of his own ceramic works, Horfee honors the aesthetic of eBay and brings focus to what he notes is ‘the format of amateur pictures.’\u003c\/p\u003e\n\u003cp\u003eFellow eBay fanatic Melchior Tersen offers thoughts via essay — a contextualizing of the culture of scrolling. Tersen's reflection touches on the charm of these amateur photographs and crude attempts to mark the \"genuine\" which are then mirrored by the framing Horfee brings to his documentation of new works within the book. ‘The fact that you watch so many of these pictures when you search for something that it becomes a style you are accustomed with,’ says Horfee.\u003c\/p\u003e\n\u003cp\u003eBalancing his discoveries, inclusive of whimsical cookie jars and salt shakers, with the new works, Horfee reveals the intersection of internet culture, hobby and artistic practice which inform his output and worldview. With High on eBay Again, Horfee continues to build in a series of collection-based publications, each a stepping stone of autobiography as well as investigation of a distinct culture of ephemera.\u003c\/p\u003e\n\u003cp\u003ePages: 164\u003cbr data-mce-fragment=\"1\"\u003eDimensions: 170 × 240 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2023\u003cbr\u003ePublisher: Topsafe\u003c\/p\u003e","brand":"Topsafe","offers":[{"title":"Default Title","offer_id":40636535308373,"sku":"TSAH952","price":4070.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_3f20f0c0-efdb-47bc-a9af-e7dd4a9a7ebd.jpg?v=1687251143"},{"product_id":"2022-magazine-santiago-gonzalez","title":"2022* Magazine - Santiago González Cover","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eThis book has been used for display, or has been scratched or stained during transport, or has printing or binding defects. Please see below for information on the condition of the book. Please note that returns and exchanges are not possible.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e・Box damaged.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e2020* Magazine is an annual project started in the year 2020 with the idea of creating a yearbook made from different perceptions that represent the moment we are living and leave us a summary of the 20’s decade. Every year, they ask 12 authors from different branches to present their visions about the trends, ideas and feelings for the upcoming year. Each issue is presented in a completely different way, adapting every publication to the moment we’re living and covering a whole decade, from 2020 to 2029.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is not a premonitory issue like the previous ones, but a compilation of ideas about what just happened. They asked their contributors to rethink 2022 and put it into new “issue tissue” packaging. They wanted this issue to be super playful, the magazine itself is an object you can look at but also use. The images are presented in two different ways. One per page individually or as a poster in a bigger size created with several pages mounted as a puzzle. Every series is presented differently, with a code at the back to identify the editorial. All pages are duplex printing using mirror flipping.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eContributors:\u003cbr data-mce-fragment=\"1\"\u003eNose Compilation, Mar Suárez, Borja Llobregat, Hieu Duong, Sara Bastai, Caesar Arenas, Harry Chan, Santiago González, Alba Prado, Guillaume Blondiau, Daniel Jordán Pompa, Gaze Cast, + Alexis Ocón\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePages: 320\u003cbr data-mce-fragment=\"1\"\u003eDimensions: 140 × 220 mm\u003cbr data-mce-fragment=\"1\"\u003eFormat: Tissue Box Packaging\u003cbr data-mce-fragment=\"1\"\u003eLanguage: English\u003cbr data-mce-fragment=\"1\"\u003eYear: 2023\u003cbr data-mce-fragment=\"1\"\u003ePublisher: Hamien \u0026amp; Dirst\u003c\/p\u003e","brand":"Hamien \u0026 Dirst","offers":[{"title":"Default Title","offer_id":40655566209109,"sku":"HDTM976","price":5100.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_1_66624d49-ec56-4b18-8d08-d0fc35935b39.jpg?v=1690532373"},{"product_id":"swan-lake","title":"Swan Lake","description":"\u003cp\u003eTwo medical workers performed a ‘Swan Lake’ routine to celebrate COVID‑19 patients getting discharged. Through rearranging video clips to reflect the left-to-right sequence and the humor of the dancing piece. The book designed by Beijing based design studio \u003ca href=\"https:\/\/www.instagram.com\/sunxiaoxi_xiaoxisun\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ePAY2PLAY\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eBinding: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2020\u003cbr\u003eDesign: PAY2PLAY\u003cbr\u003ePublisher: PAY2PLAY\u003c\/p\u003e","brand":"PAY2PLAY","offers":[{"title":"Default Title","offer_id":40669848633429,"sku":"PPSL1001","price":4400.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_37dfd645-c27a-4537-ba41-b5356d0b11a7.jpg?v=1692870328"},{"product_id":"the-nanjing-yangtze-river-bridge-memory","title":"The Nanjing Yangtze Rive Bridge Memory","description":"\u003cp\u003eThe whole book restores the unique materials, temperament and connotation of that era. Through the re-editing of historical materials and images, we try to use the bridge as the entry point to restore the most authentic China to the world.\u003c\/p\u003e\n\u003cp\u003eIn the 1950s and 1960s，China was in the cold war period of the world-level two-tier structure and the great change period of Sino-Soviet relations. It was in the double dilemma of trying to defeat nature (the Yangtze River Tianzhu) and history (the poverty and weakness). In the self-reliance period of efforts to get rid of the Soviet restraint, the Nanjing Yangtze River Bridge inevitably stood in the position of miracle and became a symbol of the highly symbolized China that was irreplaceable in that historical period.\u003c\/p\u003e\n\u003cp\u003eFrom a contemporary perspective, the designer has given the book a sense of nostalgia in the historical era, while avoiding the simple listing of historical materials, thus realizing the interactive transformation and vivid contrast between the two clues of history and modernity.The red plastic cortex of the cover truly reproduces the irreplaceable China that was very rich and identifiable 50 years ago. In the era of building bridges, almost all of China's books were made of plastic covers. These books accurately conveyed the unique and collectivist Chinese spirit of that era just as same as the Nanjing Yangtze River Bridge.\u003c\/p\u003e\n\u003cp\u003eThe design of this book seeks to reproduce the “truthful and simple power of a monument” in the process of “taking a socialist road different from the Soviet Union.” Thereby, it evokes the Chinese memory of the “all the imaginable things have almost a bridge figure”.\u003c\/p\u003e\n\u003cp\u003eText from qqqqdesign.com\u003c\/p\u003e\n\u003cp\u003eDimensions: 131× 186 mm\u003cbr\u003eFormat: Softcover, Slipcase\u003cbr\u003eYear: 2019\u003cbr\u003eLanguage: Chinese\u003cbr\u003eDesign: Qu Minmin \u0026amp; Jiang Qian\u003cbr\u003ePublisher: Jiangsu Phoenix Fine Arts Publishing\u003c\/p\u003e","brand":"Jiangsu Phoenix Fine Arts Publishing","offers":[{"title":"Default Title","offer_id":40685034111061,"sku":"JPTN1022","price":10890.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_921332c8-19c6-4a3d-9648-2997312c99d2.jpg?v=1695227074"},{"product_id":"kd-26-a-magazine","title":"KD26 A Magazine","description":"\u003cp\u003eA publication about a handcrafted typographic kimono with two booklets in one; the end result with photography by Jesse Claus and the process with typographic sketches and material tests.\u003c\/p\u003e\n\u003cp\u003eKD26 A is a handcrafted kimono, created out of an upcycled 100% wool blanket, with the letter A integrated using a cotton cord. Inspiration was found in the traditional Japanese kimono and the initial application of the original material had a significant impact on the final design. The shape of the letter A moves from right to left in a repetitive way, guided by a grid, which makes the structured shape dynamic. The grid and the movement are integrated into the kimono by using an enlarged and evolved tufting technique. Thanks to the two contrasting sides of the original blanket and the unique tufting method, the outside has a different color and structure than the inside, allowing the kimono to be worn inside out as well. KD26 A is exclusive in both design and edition. The kimono is a result of extensive research into form, materials and systems. Experiment is of great importance as it allows KD26 to push boundaries.\u003c\/p\u003e\n\u003cp\u003eKD26 is a creative studio by Korinna van Balkom (1989) and Daan Rietbergen (1988). Van Balkom collaborates with various designers and artists to create limited edition fashion pieces, while Rietbergen specializes in timeless typographic systems that are brought to life in various ways. KD26 takes a critical look at the contemporary fashion industry, where mass production and environmental pollution are the norm. With their work, they aim to revalue fashion as a form of art, designing and crafting each item with respect and consideration for materials, craftsmanship, aesthetics and the environment.\u003c\/p\u003e\n\u003cp\u003ePages: 48\u003cbr\u003eDimensions: 210 × 280 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eYear: 2023\u003cbr\u003ePublisher: KD26\u003c\/p\u003e","brand":"KD26","offers":[{"title":"Default Title","offer_id":40738303115349,"sku":"KDKD1078","price":4840.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_caf431b9-5a60-4b8a-a310-96b81d90ff49.jpg?v=1702368032"},{"product_id":"dream-machine","title":"Ruben Lundgren: Dream Machine","description":"\u003cp\u003eWe can only imagine how mind-blowing it would have been to have witnessed the arrival of the first ever automobiles in China. Over a century ago, city folk and ordinary farmers must have stopped whatever they were doing to admire the mysterious vehicle which moved seemingly without human effort. Some said it was driven by ‘evil spirits’. But then, they had said the same about the invention of the camera and its magic mirror years before. Others, with a slightly better sense of humour, called it a ‘foreign house walking’, or even wittier, a ‘fart cart’, for the black smoke that invariably dissolved into the air behind it.\u003c\/p\u003e\n\u003cp\u003eIt’s a common mistake however to believe that by the early 1900s, the Chinese population was hostile towards foreign products or modernity. Generally speaking, they enthusiastically embraced new trends that were then pragmatically woven into the fabric of everyday life. Luxury imports were used by elites as visual evidence of social status, while cheap imitations satisfied the demand for new products among ordinary people: both were absorbed into a culture that without the tangible and craved the new. [1]\u003c\/p\u003e\n\u003cp\u003eIn Hangzhou for example, large crowds at the West Lake marvelled at photographic slide shows demonstrating that ‘the eyes can take the audience to many places’. By the 1930s, the city had dozens of photographers. Ordinary people could have their portrait taken in black and white while those with more cash had theirs painstakingly tinted by hand. Inside the photo studio, efforts were made to recreate a modern atmosphere with painted landscape backgrounds and foregrounds of the latest machinery in fashion. From the first motorcycles in the 1940s, to tanks in the 1950s, planes in the 1960s and televisions in the 1980s, the eagerness for new technology has proven to be a continuous cultural habit that can still be felt today.\u003c\/p\u003e\n\u003cp\u003eThis album consists of 35 photographs I collected at antique markets and via websites in China over the past decade. The colourful graphics are copied from an album originally produced in the 1960s which offers a historical tour along the banks of the famous West Lake. The portraits capture the futuristic appeal that machines like cars, planes or televisions once had. Like the invention of the internet, smartphone or e-bike in recent decades, most innovations slowly slip away into the common present.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e[\u003c\/span\u003e1\u003cspan\u003e]\u003c\/span\u003e Frank Dikötter, Exotic Commodities, Modern Objects and Everyday Life in China, Columbia University Press, New York, 2006\u003c\/p\u003e\n\u003cp\u003eBeijing based photographer and curator Ruben Lundgren graduated from China Central Academy of Fine Arts in 2011. He made a name within the conceptual photography duo WassinkLundgren with publications as ‘Empty Bottles’ (2007) and ‘Tokyo Tokyo’ (2010). FOAM showed a retrospect of their work in 2013. He works as a photojournalist for Dutch newspaper ‘De Volkskrant’ and as an independent curator of Chinese photography. Together with Martin Parr he co-edited ‘The Chinese Photobook’ (2015). Other publications include ‘Hlleo?’ (2018) and ‘MeNu’ (2018) a tasty collection of Chinese vernacular food photography. As a guest curator of BredaPhoto 2020 he curated ‘China Imagined’ offering 24 contemporary photography projects from China including the sticker album ‘Wow Taobao’. In 2021 he edited the book Ellen Thorbecke: From Peking to Paris, and published Real Dreams with his journalistic works made all over China. His photographs and books are collected by various private and public collections and have also been exhibited at international galleries and museums including FOAM photography museum (Amsterdam), The Archive of Modern Conflict (London) and Ullens Centre for Contemporary Art (Beijing).\u003c\/p\u003e\n\u003cp\u003ePages: 68\u003cbr\u003eDimensions: 180 × 255 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English, Chinese\u003cbr\u003eYear: 2023\u003cbr\u003ePublisher: Jiazazhi\u003c\/p\u003e","brand":"Jiazazhi","offers":[{"title":"Default Title","offer_id":40741954322517,"sku":"JIRD1083","price":7700.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_2e1bc95a-61e5-48d9-b5cf-4deb0a0592c8.jpg?v=1703668722"},{"product_id":"steles-huang-yi-project","title":"Taca Sui: Steles - Huang Yi Project","description":"\u003cp\u003eThe latest body of work collectively titled Steles focuses on the stone steles that have played such a crucial role in the documentation of the history of China. In this case Taca Sui was inspired by the late Qing dynasty imperial bureaucrat Huang Yi (1744 – 1802) who in his leisure time was also a dedicated amateur archaeologist, painter, poet and calligrapher. In the last years of the 18th century he made two trips in which the focus was on documenting steles mainly located in Shandong Province and Henan Province. Through his travel diaries, paintings, and rubbings, he provided an invaluable record of cultural artifacts that otherwise might have disappeared altogether through neglect. In planning his own trips, Taca consulted Huang Yi’s diaries, Diary on Visiting Steles near Mount Song and the Luo River and Diary on Visiting Historical Steles from Jining to Tai’an.\u003c\/p\u003e\n\u003cp\u003eLike Huang Yi 200 years before him, Taca embarked on expeditions to locate traces of the past as preserved in steles but whereas Huang Yi could still identify, describe and catalogue actual examples, Taca had to be satisfied with inscriptions that are largely erased through the passage of time or exist only in fragmentary state. Recognizing the futility of his task, he nonetheless perseveres in preserving whatever he can. At the opposite end of the spectrum from documentary photography, Taca’s images have a forlorn and timeless beauty that are simultaneously totally specific and yet evocative of the relentless passing of time.\u003c\/p\u003e\n\u003cp\u003eTo accomplish this, he uses silver barium sulfide photographic paper which contributes greatly to the effects he wants to convey. As a result of its intrinsic qualities, this type of photographic paper results in elusive images since unless seen from a specific angle, they dissolve into silver reflected light.\u003c\/p\u003e\n\u003cp\u003eTaca is the latest link in a chain that began with Huang Yi when he recorded his discoveries in his diaries and shortly before his death showed his painting to friends when they came to visit him, as well as sending them to Beijing and Hangzhou. Copies of the 400 or so rubbings he made were also widely circulated. Taca followed in Huang Yi’s footsteps and contributes to the ongoing dialogue not through additions to the scholarly record but through his own poetic insights.\u003c\/p\u003e\n\u003cp\u003ePages: 224\u003cbr\u003eDimensions: 170 × 224 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English, Chinese\u003cbr\u003eYear: 2022\u003cbr\u003ePublisher: Jiazazhi\u003c\/p\u003e","brand":"Jiazazhi","offers":[{"title":"Default Title","offer_id":40741954355285,"sku":"JITS1084","price":7700.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_a2b731c4-97c8-4bd5-8631-784af617f6ce.jpg?v=1703668532"},{"product_id":"a-hometown","title":"Zhang Xiao: A Hometown","description":"\u003cp\u003eSince 2011, Zhang has shifted all his work to the hometown he knows best, a place closely associated with his growth and memory. At the beginning, he created a series of works through polaroid emulsion lift, as a metaphor for the process of tearing and repairing himself and his hometown, and through these collage images, to find a balance between memory and reality.\u003c\/p\u003e\n\u003cp\u003eAnd the Zhang Xiao at that time, to the hometown, is more like a wandering kid in the village, aimlessly looking for the hometown “ruins” in the reflective coins. He dumped all the old stuff out of the old drawers of his house, rummaged through his relatives‘ old photo albums, roamed the photo studios hidden in the market, and even borrowed the village council‘s rural cooperative medical certificate for everyone in the village in order to get a portrait of all villagers.\u003c\/p\u003e\n\u003cp\u003eIn his work on hometown, Zhang Xiao quotes Fei Xiaotong in His work Rural China : “Every specific living group has its special language, and there are many words and phrases that cannot be translated in other languages. These images of hometown are just some language that projects the complex relations in the local society into the flat consumption ideology and aesthetic logic.”\u003c\/p\u003e\n\u003cp\u003eDuring the research of his hometown, Zhang Xiao gradually built up, or rediscovered the rural “aesthetics” surrounding him at his early ages, that various kinds of visual perception, schema, text, color which is in compatible to the urban, fashionable, modern, however, to some extent, sources from people’s imagination to the city, the authority and yearning of a better life .\u003c\/p\u003e\n\u003cp\u003eIn his scattered exploration of his hometown, the symbol “Apple” is of more significance to Zhang Xiao than other works. If all of Zhang Xiao’s works about his hometown are spread out on a map, we will find that Zhang Xiao‘s works about apples, as if in the center of such a village, build an orchard. He said: \"From the macro perspective of ‘Them’ and ‘Coastline’, to the return to my hometown, and then to Apple, my creation has a process from ‘surface’ to ‘line’, from ‘line’ to ‘point’. 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Paired with a distinctive collection of boat names, Motors shifts the focus from the city’s celebrated iconography towards the often overlooked driving forces underlying the floating city. Draped in repurposed textiles commonly found in Venetian households, Motors renders the dirty boat engines as soft and abstract sculptures. In the increasingly fragile fossil fuel era, De Belle’s images complicate the city’s enduring romanticism while quietly pointing towards its uncertain future.\u003c\/p\u003e\n\u003cp\u003ePages: 100\u003cbr\u003eDimensions: 183 × 260 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eYear: 2023\u003cbr\u003eDesign: HelloMe\u003cbr\u003ePublisher: Meter\u003c\/p\u003e","brand":"Meter","offers":[{"title":"Default Title","offer_id":40794989854805,"sku":"MTLM1124","price":22330.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_cbcb0fff-d24a-4710-899d-9b0efd5a9bc1.jpg?v=1710228287"},{"product_id":"repetition-repetition","title":"Anni’s: Repetition, Repetition,","description":"\u003cp\u003erepetition, repetition, is a publication compiled, edited and designed by *Anni’s. The process started as a study on how the grid – as a system, structure or blank space – operates as a phenomenon: how it persists and utilises constellations within craft-making, art, architecture and design. First initiated in 2016, the publication has manifested to a self-reflexive, rigorous journey on the inner workings of a graphic designer. **While researching the book, Anni’s visited various specialist libraries in Europe, as well as the book shelves and archives of friends.\u003c\/p\u003e\n\u003cp\u003eAnni’s (founded in 2002) is a moniker for graphic designer Anni Vestergaard, who is based in Copenhagen and specialises in art books and printed matter.\u003c\/p\u003e\n\u003cp\u003eEach page is reproduced 1:1 and corner aligned bottom right while retaining source pagination.\u003c\/p\u003e\n\u003cp\u003ePages: 352\u003cbr\u003eDimensions: 125 × 190 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2023\u003cbr\u003eDesign: Anni's\u003cbr\u003ePublisher: Bom Dia Boa Trade Boa Noite\u003c\/p\u003e","brand":"Bom Dia Boa Trade Boa Noite","offers":[{"title":"Default Title","offer_id":40804712906837,"sku":"BDAR1133","price":6050.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_df3d7bd3-b588-4353-970e-4692f6d88e03.jpg?v=1711703920"},{"product_id":"london-vertical","title":"Horst Hamann: London Vertical","description":"\u003cp\u003eWith his Vertical series, photographer Horst Hamann goes against the standards in architectural photography and convinces. After his great success “Paris Vertical” and “New-York Vertical”, the new coffee table book “London Vertical” is now published. In it, Hamann presents well-known sights from a completely new perspective, namely upright, and thus amazes his fans with a completely new view of these buildings and landmarks of the world-famous metropolis on the Thames.\u003c\/p\u003e\n\u003cp\u003eThe passionate photo artist was born in Mannheim in 1958 and discovered the camera for himself at the age of eleven. Having grown up on two continents, Europe and America, he began an intensive artistic exploration of the extreme format of panorama photography in 1985. But it was not until 1991 that what Hamann's followers adore about him today happened: He turned his camera to portrait format for the first time at the intersection of 41st Street and Avenue of the Americas and has since been called the \"inventor\" of vertical photography among insiders. His photographs not only testify to his great skill and compositional talent, Hamann manages in a unique way to stage well-known motifs in a completely new way. As a reader, you look at his pictures with curiosity and look forward anew to recognising the sights in each photo.\u003c\/p\u003e\n\u003cp\u003e“London Vertical” is a delight both for lovers of the British capital and for fans of Hamann's work. Whether Big Ben, Tower Bridge, London Eye or The Shad, Hamann presents all these sights, which have already been photographed thousands of times, in his own creative way and thus creates something completely new. It is fun to pick up this illustrated book again and again, because the unusual approach to the motifs is interesting for the eye and brings new details to the fore.\u003c\/p\u003e\n\u003cp\u003ePages: 188\u003cbr\u003eDimensions: 180 × 380 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English, German\u003cbr\u003eYear: 2023\u003cbr\u003ePublisher: teNeues\u003c\/p\u003e","brand":"teNeues","offers":[{"title":"Default Title","offer_id":40829382950997,"sku":"TNHL1169","price":10450.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_8a63bd2a-5f62-40f9-89fe-9c6974267b5c.jpg?v=1715762527"},{"product_id":"a-house-of-clay","title":"Erik Gustafsson: A House of Clay","description":"\u003cp\u003eThe birdsong of everyday life interacts with cycles of darkroom creation and destruction in Gustafsson's expressive monograph.\u003c\/p\u003e\n\u003cp\u003eIn A House of Clay, Gustafsson places his conceptual and contextual photographic process in dialogue with a simple premise, a truism of photography: to elevate the everyday, to find meaning and take seriously the smallest of occurrences in ordinary life, and to invoke a sense of gratitude and wonder toward consciousness, sensing and feeling. Sometimes excessively normal, elsewhere tender and intimate, later dense and complex, Gustafsson's warm slices of life are digested in the darkroom, where the technical processes of photography fall in on themselves, becoming embedded in the image: cycles of photographing, printing, failing, dodging rules, repeating and scanning.\u003c\/p\u003e\n\u003cp\u003eBalancing consciousness and coincidence, Gustafsson's moments of magical realism speak of a permanence, a perpetual present, where the continually unfinished image can always be, at a later stage, altered, manipulated — and rewritten. In A House of Clay, even the finality of the printed page is punctured; images flip and rotate across the page, sequences accumulate and stack up heady with visual (dis)association, only to dissolve and fold, the print submerged again in the chemicals, the house of clay reshaped again.\u003c\/p\u003e\n\u003cp\u003ePages: 152\u003cbr\u003eDimensions: 288 × 203 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2024\u003cbr\u003ePublisher: Loose Joints\u003c\/p\u003e\n\u003c!----\u003e","brand":"Loose Joints","offers":[{"title":"Default Title","offer_id":40844125962325,"sku":"LJEA1188","price":11000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_951e3e3c-ace6-488c-9e5e-f3c6194e84e0.jpg?v=1717753403"},{"product_id":"narumi-aoki-tab","title":"Tab","description":"\u003cp\u003ePhotographs by Japanese photographer Narumi Aoki on the theme of fluctuating consciousness. The title ‘Tab’ refers to the ‘Tabulator’ on the computer keyboard.\u003c\/p\u003e\n\u003cp\u003eNarumi Aoki\u003cbr\u003e\u003ca href=\"https:\/\/www.instagram.com\/nrchi\/\" target=\"_blank\" rel=\"noopener\"\u003eInstagram\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003ePages: 20\u003cbr\u003eDimensions: 182 × 257 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: Japanese\u003cbr\u003eYear: 2023\u003cbr\u003eText: Eri Kunimatsu\u003cbr\u003eDesign: Kaito Kubo\u003cbr\u003ePublisher: Narumi Aoki\u003c\/p\u003e\n\u003c!----\u003e","brand":"青木成美","offers":[{"title":"Default Title","offer_id":40849782603861,"sku":"NATA1196","price":2200.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_70790d16-661a-4888-a8a1-194bdb353a0b.jpg?v=1718272326"},{"product_id":"lens-and-landscape","title":"Maleonn Ma \u0026 Tonje Bøe Birkeland: Lens and Landscape","description":"\u003cp\u003eLens and Landscape is a photo book (or, strictly speaking, a pair of photo books) by Shanghai-based photographer Maleonn Ma (b.1972) and Bergen-based photographer Tonje Bøe Birkeland (b.1985). They were supposed to meet each other and work together, but due to the pandemic, they haven’t had the chance to meet yet. The book contains a conversation between the two artists and their most important works. They discussed five topics,  from more general ideas about photography and identities to their favourite stage prop - suitcases, and more personal topics, f.eg., parenting as an artist. In the end, they concluded the book with concerns and hopes for the future. Their photographic works stand side by side on each four-page spread and, following their words, constitute a visual conversation.\u003c\/p\u003e\n\u003cp\u003eDimensions: 240 × 340 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: Chinese, English\u003cbr\u003eYear: 2023\u003cbr\u003ePublisher: Kinakaal forlag\u003c\/p\u003e\n\u003c!----\u003e","brand":"Kinakaal forlag","offers":[{"title":"Default Title","offer_id":40869465587797,"sku":"KFML1214","price":18700.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_3575831c-fe10-40c4-931b-e18c687b63e2.jpg?v=1721212341"},{"product_id":"jokker-book","title":"Jokker BOOK","description":"\u003cp\u003eThis specimen embraces the world of Joker, a character from comics and playing cards, represented here by 14 styles of Jokker typeface. The original comic book character was created in 1940 and has been known by a number of nicknames since then, including Prince of Pranksters, Ace of Knaves and Patient 0.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/displaay.net\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDisplaay Type Foundry\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePages: 240\u003cbr\u003eDimensions: 170 × 120 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003ePublisher: Displaay Type Foundry\u003c\/p\u003e","brand":"Displaay Type Foundry","offers":[{"title":"Default Title","offer_id":40902607372373,"sku":"DTJB1267","price":4070.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_e77326ff-6fb6-467a-8288-530289f8be98.jpg?v=1727685450"},{"product_id":"documan-newspaper","title":"Documan NEWSPAPER","description":"\u003cp\u003eWho is DocuMan? Is it a person or a job where you have to sift through piles of obscure and unnecessary documents and papers on a daily basis?\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe specimen of Documan Family is a typographical analogy to bureaucracy, job titles, office and corporate slang. It is conceived as a now unfashionable medium, the newspaper. When was the last time you read a newspaper?\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/displaay.net\" target=\"_blank\"\u003eDisplaay Type Foundry\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003ePages: 40\u003cbr\u003eDimensions: 297 × 420 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003ePublisher: Displaay Type Foundry\u003c\/p\u003e","brand":"Displaay Type Foundry","offers":[{"title":"Default Title","offer_id":40902607405141,"sku":"DTDN1268","price":3190.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_38af7081-ccdc-4102-91b5-659020f642ec.jpg?v=1727685392"},{"product_id":"deponie","title":"Tobias Kruse: Deponie","description":"\u003cp\u003eDeponie is a publication by photographer Tobias Kruse, exploring feelings of fear, anger and aggression in contemporary East German society, reminiscent of Tobias’ own youth, growing up in 1990s East Germany after the fall of the Berlin Wall. The title Deponie (Deposit) refers to the toxic-waste dump Ihlenberg near the city of Schwerin, where both the former Eastern and Western Governments would dispose of their toxic waste.\u003c\/p\u003e\n\u003cp\u003eThe newspaper format publication, both edited, designed and published by HelloMe, breathes new life into one of the most disposable forms of print publishing. This limited, signed and numbered edition is published on the occasion of a series of exhibitions held at Deichtorhallen Hamburg, Fotoforum Frankfurt and FOAM Amsterdam.\u003c\/p\u003e\n\u003cp\u003ePages: 16\u003cbr\u003eDimensions: 320 × 480 mm\u003cbr\u003eFormat: Newspaper\u003cbr\u003eLanguage: English, German\u003cbr\u003eYear: 2020\u003cbr\u003eDesign: HelloMe\u003cbr\u003ePublisher: HelloMe\u003c\/p\u003e","brand":"HelloMe","offers":[{"title":"Default Title","offer_id":40915410747477,"sku":"HMTD1292","price":2090.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_28da1801-cfdc-4492-a24f-72a8caca772c.jpg?v=1729893701"},{"product_id":"the-very-nature-of-materiality-is-an-entanglement","title":"The Very Nature of Materiality is an Entanglement","description":"\u003cp\u003e“As with all journeys, ours began with a yearning towards a new horizon of possibilities. We sought to test out new modes and practices of collaborative work, to create forms that would be enriching to us and our communities and participants, and which would set off a generative cycle of extended learning.”\u003c\/p\u003e\n\u003cp\u003eFrom 2021 to 2024, OK-RM assembled a group of artists, designers, architects, researchers, musicians, and dancers to create new propositions for collective working and making. The very nature of materiality(…), therefore, a report from an archive of research and process work, alongside outcomes in all forms of media that have been edited into this arrangement. The book also features an exploration of alternative forms of design writing which seek to investigate the inner realm of the pursuit of meaning through the project. There are five stages of exploratory research—Enquiries— in which the collaborators pursued a dynamic synthesis of creativity, practice, and communication through the creation of films, performances, publications, poetry, images, sculptures, and musical compositions. Exploring alternative methods of publication and design, it is guided by the principle of ‘orchestration’: the act of creating a single project from the choreography of multiple parts.\u003c\/p\u003e\n\u003cp\u003eThe book’s materiality embodies the Enquiries’ working methods of transparency, hybrid combinations, lightness, curiosity, and participation. Printed in silver and constructed as a single, circular object, the reader is invited to engage with the book as an open-ended, non-linear experience, and to become a participant in its spirit of enquiry.\u003c\/p\u003e\n\u003cp\u003ePages: 296\u003cbr\u003eDimensions: 110 × 175 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2024\u003cbr\u003ePublisher: InOtherWords\u003c\/p\u003e","brand":"InOtherWords","offers":[{"title":"Default Title","offer_id":40916885110869,"sku":"IOTV1300","price":6600.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_0750e82d-6f43-49cf-ba92-f2b5a676e8e8.jpg?v=1730863317"},{"product_id":"the-best-dutch-book-designs-2023","title":"The Best Dutch Book Designs 2023","description":"\u003cp\u003eFor its 2023 edition, The Best Dutch Book Designs catalogue was designed by Studio Another Day. Besides an introduction discussing developments and trends from the past year, the catalogue offers assessments of the 33 selected books by the jury and a tribute by philosopher and author Stine Jensen, who is also, as it happens, a book lover. A detailed technical specification of each book completes the presentation of these outstanding publications. The catalogue was printed by six different printers and bound by Van Hees-Patist. Each year the selection is exhibited at the Stedelijk Museum Amsterdam and a number of other venues in and outside of the Netherlands.\u003c\/p\u003e\n\u003cp\u003ePages: 584\u003cbr\u003eDimensions: 110 × 150 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English, Dutch\u003cbr\u003eYear: 2024\u003cbr\u003eDesign: Studio Another Day\u003cbr\u003ePublisher: Cpnb\u003c\/p\u003e","brand":"Cpnb","offers":[{"title":"Default Title","offer_id":40926646829141,"sku":"CPBD1310","price":6600.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_94a1b788-3514-4c79-8063-2fc7269828ce.jpg?v=1732091652"},{"product_id":"others-segment-2-3","title":"Ikuhisa Sawada and Marc Nagtzaam OTHERS : Segment 2, 3","description":"\u003cp\u003eStanding in parallel with the first book of the OTHERS project, which saw two distant artists merge together as they travelled along crossing lines towards ends which were both shared and separate, this new book makes clear the relationship between these two ends, which were realized as two distant exhibitions, one in Tokyo and the other in Antwerp, built by each artist in isolation yet through the accumulating influence of the other, forming an intricate structure which spanned space and time.\u003c\/p\u003e\n\u003cp\u003eThe book as a single object is built through the combination of two intact distinct objects. These two objects differ in material and content, each representing one of the two exhibitions. Beginning as flat sheets, layer by layer these two objects are merged together in an alternating but random order. After being fully combined, these sheets are folded in half, and suddenly the two exhibitions become intertwined, juxtaposed and connected—transcending vast distance to reveal their existence as reflections of one another, walls blending together, lines drawn by different hands joining trajectories, like two parallel instances of the same state of being, the collaboration in visualized and made tangible.\u003c\/p\u003e\n\u003cp\u003eOTHERS : The project comprises of three regional exhibitions and a series of publications that recreate the entire project in book form. The exhibitions were held in Tokyo (The White) in June of 2023, in Antwerp (FRED\u0026amp;FERRY) in September of the same year, and in Shanghai in November of 2024 (Archipelago Books). The theme of the exhibition is communication through artwork and the resulting expansion of said artwork. For each exhibition, the artist will first send a piece of work to the other artist based in the respective city, who then interprets it and proposes a venue configuration. The plan is then shared among all participants. The exhibition space is constructed interactively, incorporating each artist's response, including adding new works and updates to the installation. By actively incorporating unexpected elements that arise between the artists and others, elements such as misunderstandings and discrepancies brought about by their interpretations, we hope that others will intrude into the work and that this will ultimately trigger an organic metamorphosis of the work that transcends the artist's original intentions.\u003c\/p\u003e\n\u003cp\u003eMarc Nagtzaam : (b. 1968), based in Hoofdplaat, The Netherlands. Marc Nagtzaam has been producing a body of work that is based on one main subject: the idea of pattern, the repetition. He draws lines, grids, circles, words or sentences as in an endless search for new combinations and structures. The repetition and the graphic structure of his works seems reminiscent of minimal and conceptual aesthetics. Most of Marc Nagtzaam's drawings consist of darkly filled in graphite surfaces. Abstracted elements from architecture, graphic design, details from found photographs, or parts from previous drawings are starting points for every series of works. This source material is being reduced, with basic, elementary means: dots, lines and flat surfaces, to construct a sort of structure. Recent solo exhibitions include; 2020: Various, Elsewhere, Ongoing, [‘ka:jeta:n], Raum für Kunst, Berlin(DE)\/ 2019: Regular Features, art3, Valance(FR)and Regular Features. Archiv, Zürich(CH). Duo exhibitions: 2021: Dialogue(with Meryem Bayram), Fred \u0026amp; Ferry, Antwerp(B)\/ 2019: Regular Features(with Mark Manders). Enter Enter, Space for Books, Amsterdam and group exhibitions: 2023: 2003 - 2023, ProjecteSD, Barcelona(ES)\/ 2022: Unboxing Aspen 5 + 6, Estrany-de la Mota. Barcelona(ES)\/ 2020: Regular Features and Borrowed Space(curated by M.N.)ProjecteSD, Barcelona(ES)\/ 2021: One way or another(with Hans Demeulenaere), SMAK, Ghent(B)\/ Doppelgänger(with Hans Demeulenare). De Garage, Mechelen(B)\/ Minstens 1 ½ uur en terug. De Warande, Turnhout(B)\/ Kajetan Presents: [‘ka:jeta:n], Raum für Kunst, Berlin(DE). Recent publications: 2023: Present, Roma Publications 438 \/ 2022: Farben, Roma Publications 416 \/ 2019: Borrowed Space. Roma Publications 376.\u003c\/p\u003e\n\u003cp\u003eIkuhisa Sawada : (b.1970), based in Tokyo.\u003cbr\u003ePhotographer and the director of the alternative space \"The White\" from 2014 to the present. He participated in the Osamu Kanemura workshop. Sawada uses the recording and mechanical properties of the camera to discover new ways of looking at things unrecognized by everyday vision. He has been working continuously on the \"closed circuit\" project since 2011. He makes large prints of photographs taken in public places (train stations) familiar to many people. He displays them in a layered manner in the exhibition space. As viewers walk among the photographs, the images interfere with each other. The artist attempts to create a new landscape by deconstructing and reconstructing relationships. Significant exhibitions include \"αM Project 2017 - Mirrors and Holes - Photography into Sculpture.\" vol. 2 (curator: Yuri Mitsuda\/2017\/αM\/Tokyo), \"space\/guide\/volume\" (2021\/CAVE-AYUMIGALLERY \/Tokyo), \"Export\/Import\" supported by the Royal Netherlands Embassy (2021\/The White\/Tokyo and ps. K_o_t_\/Amsterdam and the Royal Netherlands Embassy\/Tokyo) a year-long series of monthly exhibitions titled \"closed circuit, monthly vol.1- vol12\" (The Gallery\/Tokyo) and ”Biennale de l'image tangibles\" (2021\/Paris). 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Originally conceived to host 360 stickers as a printed synthesis of its cinematic counterpart, Giller reinterprets its configuration offering a new narrative proposition.\u003c\/p\u003e\n\u003cp\u003eIn Productions, none of the characters are suitably introduced, confrontations take place without explanation and the resolution is left unresolved. What remains is a broken-up storyboard, a slimmed-down tale told through drawings, the characters becoming innocuous, with their voices from the original film and their emotional journeys entirely absent. It becomes as much about the processes of production as it is about the story, Giller exposes the limits of how entertainment is made, when all is reduced to its core.\u003c\/p\u003e\n\u003cp\u003eLenard Giller (b. 1997, Munich) studied at Camberwell College of Art, London between 2016 and 2019. His most recent body of work DreamWorks, is currently on view at Petrine, Paris. 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It was made and remade as an idea of itself: versions of it were spoken aloud, thought through, dismissed. It began to manifest in text before it had any material specifications. Its happening as an exhibition, in Hangzhou, concentrated it and gave it structure. Negotiation of its production as an industrial design object, with DZA in Altenburg, gave its pages gravity and specificity. In its final phase it became a collective pursuit of synchronicity, its sequences of technical parameters brought into rhythm with its content.\u003c\/p\u003e\n\u003cp\u003eThis book is A Meaningful Order by OK-RM. Across its 328 pages it holds a new history of the distributed realities of design. It depicts designed objects on their own terms to give an account of vision, material, and curiosity—representing a selection of the vast archive of more than 16 years of work from OK-RM through an orchestration of the lithographic process with a special set of colours.\u003c\/p\u003e\n\u003cp\u003eIt is a site for committed study and experimentation, away from the structures of academe. It generates examples, prototypes, and models. It stages a dialogue rendered in a designerly writing through 26 alphabetised chapters (A–Z). It is unashamedly performative in its play with language, direction, and story. It captures the ongoing, open-ended conversation between the editors, who are makers and thinkers of design, including a long form discussion in the form of an interview with long term collaborator Jack Self and is introduced by poet Lila Matsumoto.\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eIn this social arena, the book is considered as everyday object and object of art. It examines designed objects and their meanings, which emerge from the interplay of form and context. What does it do? Why does it do it? How does it do it? It lays out new ideas about how designed objects relate to the cultures that they are borne from and the cultures they can create. 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Noda observes with the patience of someone listening rather than looking. His images are delicate, almost ephemeral, often existing right at the edge of perception. The book unfolds across twelve carefully structured sequences, each a distinct composition of images that drift between abstraction and the familiar.\u003c\/p\u003e\n\u003cp\u003eDesigned and edited by Any Other Name, the book thoughtfully mirrors Noda’s nuanced approach. Select pages are folded or cut to create intentional visual collisions, encouraging readers to engage physically with the content. These interventions introduce unexpected rhythms, transforming the act of viewing into a tactile, almost performative experience.\u003c\/p\u003e\n\u003cp\u003ePages: 220\u003cbr\u003eDimensions: 195 × 280 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2025\u003cbr\u003ePublisher: Self Titled\u003c\/p\u003e","brand":"Self Titled","offers":[{"title":"Default Title","offer_id":41519248048213,"sku":"STYS1551","price":18700.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_fb290bf4-6b6f-489b-804f-ea83d8b65c8f.jpg?v=1752484220"},{"product_id":"ortner-etc","title":"Ortner etc.","description":"\u003cp\u003eA sequence of images offers a glimpse into various works and scenes by the Austria-based design studio \u003ca href=\"https:\/\/ortneretc.com\" target=\"_blank\"\u003eOrtner etc\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eDie Presse, Independent Austrian Newspaper, TV\/ Cinema Commercials, Campaign\u003cbr\u003eMraz + Sohn, 2-Star Michelin Restaurant\u003cbr\u003eVienna Holzer Original, Hong Kong \u003cbr\u003eVitra, Area, Club Office\u003cbr\u003eLentos Kunstmuseum, Museen der Stadt Linz \u003cbr\u003ewerc GmbH\u003cbr\u003eDie Presse, Independent Austrian Newspaper, Outdoor \u003cbr\u003eJ Fritz, Pinot Noir Rosé, Blanc de Noir 2\u003cbr\u003e2k Pizza, Rossbarth Restaurant \u003cbr\u003eThomas Albdorf, Body Double \u003cbr\u003eCopyright by Steiermark, Flagship Store\u003cbr\u003eArea 10® \u003cbr\u003edie architektur \u003cbr\u003eArea Essentials, Magazine\u003cbr\u003eEric Asamoah, The Day After Tomorrow\u003cbr\u003eVitra, Area, New Reality\u003cbr\u003eUniversity of Arts Linz, Best Off, curated by Angela Stief\u003cbr\u003eJutta Ambrositsch\u003cbr\u003eHeinz Wäger, Vorarlberg Museum, Quadrart Dornbirn, vai vorarlberger architektur institut \u003cbr\u003eMo.Co. Montpellier, Healthy Boy Band, Best Copyshop\u003cbr\u003eThe Healthy Times Magazine\u003cbr\u003eMAK Museum of Applied Arts Vienna, The Fest\u003cbr\u003e99 Solutions but 1 Problem, Cookbook \u003cbr\u003eAdrian Sauer, OÖ Kultur GmbH, Francisco Carolinum \u003cbr\u003eeiler Store\u003cbr\u003eJRE Jeunes Restaurateurs\u003cbr\u003eConcrete\u003cbr\u003eState of Tirol Re-Design, Competition winner, not implemented \u003cbr\u003eEisenberger vs. Eisenberger\u003cbr\u003eMocking Kitzbühel\u003cbr\u003eEngel\u003cbr\u003eKonanna Pétillant Naturel\u003cbr\u003eVolkstheater Wien, Lost Pitch\u003cbr\u003eHe Yunchang, Golden Sunshine, curated by Ai Weiwei and Alfred Weidinger\u003c\/p\u003e\n\u003cp\u003eDimensions: 130 × 175 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eYear: 2025\u003cbr\u003ePublisher: Ortner etc.\u003c\/p\u003e","brand":"Ortner etc.","offers":[{"title":"Default Title","offer_id":41639549141077,"sku":"OTOT1584","price":5720.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_e0ae3eb9-f695-4516-8963-e12a0fcb5ae5.jpg?v=1755685186"},{"product_id":"mitani","title":"MITANI \/ I did nothing other than to tell them to smile","description":"\u003cp\u003e“Hot soup on the table, cotton clothes, a television set that never turns off.”\u003cbr data-mce-fragment=\"1\"\u003eThese are the things that make up a traditional Chinese family.\u003c\/p\u003e\n\u003cp\u003eMy parents got married on November 7, 1990, and celebrated their 30th wedding anniversary in 2020. In China, this milestone is referred to as the \"Pearl Wedding.\" In today's society, spending 30 years together is something many people deeply admire.\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eOne day, my parents said, “We’ve never taken wedding photos before. Since you’re studying photography, could you take some for us?” This simple request became the starting point for this project.\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eThe inspiration for this work came from the aesthetics of family albums and snapshots from the Kodak Brownie camera era. As a result, I named the project I did nothing other than to tell them to smile.\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eLike most family portraits, the subjects in my photos would create smiles in front of the camera and say “cheese” to me. However, there were moments when the shutter failed to capture the perfect timing, leaving their crafted smiles frozen or their eyes caught mid-blink.\u003c\/p\u003e\n\u003cp\u003eYet, the joy embedded in those fleeting moments was always genuine.\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e—Wei Zihan\u003c\/p\u003e\n\u003cp\u003eWei Zihan\u003cbr\u003eBorn 1994 in Shandong, China. Now based in Tokyo. Graduated as master degree from Musashino Art University, major in Imaging Arts and Sciences. Currently in postgraduate school of Tokyo University of the Arts major in Inter-media Art. Her works are mainly based on ordinaries in daily life, about the relationship between individuals and spaces, also the surroundings. To deliver the concept, She mainly focused on photographic installation to discover the balance within interdependence and mutual explanation. Her work has been exhibited at galleries and museums in Japan and abroad.\u003cbr\u003e\u003ca href=\"https:\/\/www.xibaow.com\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ewww.xibaow.com\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePages: 36\u003cbr\u003eDimensions: 175 × 205 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: Japanese, Chinese, English\u003cbr\u003eYear: 2025\u003cbr\u003ePublisher: Place M\u003c\/p\u003e","brand":"Place M","offers":[{"title":"Default Title","offer_id":41639549173845,"sku":"PMMI1585","price":4400.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_de4d3b89-2c6d-4564-a650-c85f8fb242ce.jpg?v=1755684869"},{"product_id":"daniel-shea-distribution","title":"Daniel Shea: Distribution (Signed)","description":"\u003cp\u003eThis vast artist’s book began with a deceptively simple question: how do you photograph a forest? Daniel Shea found that forests presented a revealing challenge: that of capturing the whole – the immersive totality of being in nature – when photography so relentlessly pulls us to the fragment. Over several years and across varied geographies, he made photographs with deliberately constrained methods – rendering dense woodlands with a telephoto lens, capturing cities only through the window of a moving car – as if to invert the old adage about not seeing the forest for the trees. These working constraints foregrounded what resists representation: ecological complexity, social entanglement, and the architectures that influence both.\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eThe resulting book, Distribution, explores the tension between environments that overwhelm with density and patterns that slowly emerge through repetition, accumulation, and framing. It opens with a series of portraits of Jessica, a woman who represents the statistical median of a person living in the United States, before expanding outward to surfaces, buildings, trees, and eventually groups of people. It asks how we locate subjects and attendant problems in a world shaped by competing density and dispersion.\u003c\/p\u003e\n\u003cp\u003eIncludes a short story by Catherine Lacey.\u003c\/p\u003e\n\u003cp\u003ePages: 392\u003cbr\u003eDimensions: 215 × 270 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2025\u003cbr\u003ePublisher: MACK\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":41717588230229,"sku":"MADD1618","price":18700.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_7e4286e8-202d-477f-a538-31cfeba0fae2.jpg?v=1758964973"},{"product_id":"han-gao-badland","title":"Han Gao: Badland","description":"\u003cp\u003eBadland is graphic designer Han Gao’s first solo show in Shanghai. During his daily walks, he’s often drawn to puddles, mud, and overlooked corners, capturing these “dirty” scenes with his camera.\u003c\/p\u003e\n\u003cp\u003eIn this show, Han explores the textures he’s observed over time. The photos and design elements are arranged intuitively, layered like a graphic design interface — messy, yet rhythmic.\u003c\/p\u003e\n\u003cp\u003ePages: 32\u003cbr\u003eDimensions: 210 × 280 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eYear: 2025\u003cbr\u003ePublisher: Same Paper\u003c\/p\u003e","brand":"Same Paper","offers":[{"title":"Default Title","offer_id":41729147273301,"sku":"SPHB1624","price":3300.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_1aba465c-c62a-44fa-970d-fac094bbdf15.jpg?v=1759465927"},{"product_id":"potsdamer-strasse-50-berlin","title":"Ulrich Schwarz: Potsdamer Straße 50 Berlin","description":"\u003cp\u003ePotsdamer Strasse 50, Berlin. This prosaic address hides an icon of modern architecture, the Neue Nationalgalerie Berlin. Built between 1962 and 1968, it is the only structure Mies van der Rohe built in Europe after the Second World War. Despite the radically minimal floor plans, it is a complex spatial continuum realized with what only appears to be a simple set of tools. Mies van der Rohe’s staging is designed to fluidly shape and define the transitions between city and museum, public and non-public, interior and exterior, subject and object.\u003c\/p\u003e\n\u003cp\u003eAs a trained architect who has been photographing architecture for decades, Ulrich Schwarz looks for ways to translate space into sequences of images. To this end, he uses precise axial camera shifts to trace movements in space, image by image. When looking at the sequences in the book, each photograph is overwritten by the following variation; the motifs build on each other and eliminate each other at the same time. This strictly conceptual book questions our viewing habits and spatial experiences in a fascinating way.\u003c\/p\u003e\n\u003cp\u003ePages: 228\u003cbr\u003eDimensions: 305 × 220 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eYear: 2025\u003cbr\u003eLanguage: English, German\u003cbr\u003eDesign: Helmut Völter\u003cbr\u003ePublisher: Hartmann Books\u003c\/p\u003e","brand":"Hartmann Books","offers":[{"title":"Default Title","offer_id":41746640306261,"sku":"HBUP1630","price":17600.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_7e10eab7-8d04-42d3-9956-327748bfd52f.jpg?v=1760433722"},{"product_id":"we-were-in-the-kitchen-we-refer-to","title":"w\/System of Culture: we were in the kitchen, we refer to…","description":"\u003cp\u003eThis catalog compiles two exhibitions held simultaneously in 2025, a collaboration between the architecture label W\/ and the photography collective System of Culture. Both exhibitions explore the theme of reference in architecture and photography. The first, titled We Were in the Kitchen, comprises combinations of photographs and drawings, while the second, titled We Refer to…, features mosaic tile patterns embedded within wooden frames.\u003c\/p\u003e\n\u003cp\u003eThe catalog consists of three parts, bound together as three booklets of different sizes. The A4-sized booklet documents the ‘We Refer to…’ exhibition at Plateau Books, while the B5-sized booklet documents the ‘We Were in the Kitchen’ exhibition at Cage Gallery. The book design illustrates how these were independent exhibitions that were also complexly interrelated. Specifically, the two exhibition records are bound in an alternating pattern. If we designate the A4 booklet as “A” and the B5 booklet as “B”, then this catalog contains pages labelled “A”, “B”, and “A or B”. These pages serve as a ‘window’ for images common to both exhibitions. The design allows readers to gain an intuitive ‘door’ to the works placed in the exhibition space and bring the idea of referential relationships―the exhibition’s theme―into the catalogue as a ‘house’.\u003c\/p\u003e\n\u003cp\u003eThe A5 booklet also features contributions by an architectural photography researcher and photographer―‘Collaboration and Systems’ by Chika Kato and ‘Reference Subjects Are Reference Sources’ by Gottingham―along with the artist’s own explanatory text, ‘On Reference and Collaboration’, which serves as a viewing guide.\u003c\/p\u003e\n\u003cp\u003eThis catalog documents the architects’ and photographers’ exploration of a new collaborative system and serves as an attempt to re-examine the nature of two seemingly autonomous creative entities.\u003c\/p\u003e\n\u003cp\u003ePages: 44\u003cbr\u003eDimensions: 225 x 297 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003ePhotography: System of Culture, CAGE GALLERY\u003cbr\u003eDrawings: w\/\u003cbr\u003eText: Chika Kato, Gottingham, w\/\u0026nbsp;\u003cbr\u003eBook design: Masayuki Makino\u003cbr\u003eYear: 2025\u003cbr\u003ePublisher: w\/\u003c\/p\u003e","brand":"w\/","offers":[{"title":"Default Title","offer_id":41783461085269,"sku":"WSWW1652","price":3300.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_00ac9c52-7f23-4c7b-b003-120c9d49b0ed.jpg?v=1761555189"},{"product_id":"pov-1-sharp-pencil","title":"Yui Takada: POV #1 Sharp Pencil","description":"\u003cp\u003eThe POV (Point of View) series of books documents Yui Takada’s ongoing artistic activities outside of his design work. The first volume in the series, titled Sharp Pencil, presents a curated selection of Takada’s hand-whittled, colorful pencil sculptures, each one unique. The book also includes a poetic text by Takada at the end, offering insight into the motivations behind the Sharp Pencil series.\u003c\/p\u003e\n\u003cp\u003eYui Takada:\u003cbr\u003eBorn in 1980 in Tokyo. Graduated from Kuwasawa Design School. Director of Allright Inc., which consists of Allright Graphics, and Allright Printing. He is an associate professor at Tokyo Zokei University, a member of JAGDA, and a member of AGI.\u003cbr\u003e\u003ca href=\"http:\/\/www.allrightgraphics.com\" target=\"_blank\" rel=\"noopener\"\u003ewww.allrightgraphics.com\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003ePages: 33\u003cbr\u003eDimensions: 288 x 103 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eYear: 2025\u003cbr\u003eLanguage: English, Chinese, Japanese\u003cbr\u003ePublisher: ori.studio\u003c\/p\u003e","brand":"ori.studio","offers":[{"title":"Default Title","offer_id":41874005983317,"sku":"OSMM1684","price":2200.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_96c38dda-ebde-4d34-a984-ad4ef3aa460a.jpg?v=1763613966"},{"product_id":"capsule-4-the-architecture-of-dsm","title":"Capsule Issue 4 – The Architecture of DSM","description":"\u003cp\u003eA hybrid between a magazine and a book, paying homage to a lineage of Italian radical design publications while indulging in a lavish physicality, Capsule is released annually during Milan Design Week. Delving into the world of design in its broader definition through a genre-bending line up of designers, architects, and creators.\u003c\/p\u003e\n\u003cp\u003eAlso featured in this issue: Philippe Starck, Dover Street Market, Ruth Rogers, Franz West, NM3, Geoponika, Cinzia Ruggeri, sub, Osaka Expo ’70, All Conditions Architecture, Robert Wilson, Collector Walls c\/o Sammlung Boros, WET.\u003c\/p\u003e\n\u003cp\u003ePages: 188\u003cbr\u003eDimensions: 310 x 340 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eYear: 2025\u003cbr\u003eLanguage: English\u003cbr\u003ePublisher: Capsule\u003c\/p\u003e","brand":"Capsule","offers":[{"title":"Default Title","offer_id":41921422983253,"sku":"CACT1712","price":13200.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_a_f16243f7-1061-41bc-8e80-9529c57e323b.jpg?v=1764842459"},{"product_id":"capsule-4-philippe-starck","title":"Capsule Issue 4 – Philippe Starck: Brave New World","description":"\u003cp\u003eA hybrid between a magazine and a book, paying homage to a lineage of Italian radical design publications while indulging in a lavish physicality, Capsule is released annually during Milan Design Week. Delving into the world of design in its broader definition through a genre-bending line up of designers, architects, and creators.\u003c\/p\u003e\n\u003cp\u003eAlso featured in this issue: Philippe Starck, Dover Street Market, Ruth Rogers, Franz West, NM3, Geoponika, Cinzia Ruggeri, sub, Osaka Expo ’70, All Conditions Architecture, Robert Wilson, Collector Walls c\/o Sammlung Boros, WET.\u003c\/p\u003e\n\u003cp\u003ePages: 188\u003cbr\u003eDimensions: 310 x 340 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eYear: 2025\u003cbr\u003eLanguage: English\u003cbr\u003ePublisher: Capsule\u003c\/p\u003e","brand":"Capsule","offers":[{"title":"Default Title","offer_id":41921423016021,"sku":"CACP1713","price":13200.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_b_861e5cb7-7510-4a61-a68a-ccd797b50260.jpg?v=1764842544"},{"product_id":"capsule-4-sub","title":"Capsule Issue 4 – sub: Spatial Intelligence","description":"\u003cp\u003eA hybrid between a magazine and a book, paying homage to a lineage of Italian radical design publications while indulging in a lavish physicality, Capsule is released annually during Milan Design Week. Delving into the world of design in its broader definition through a genre-bending line up of designers, architects, and creators.\u003c\/p\u003e\n\u003cp\u003eAlso featured in this issue: Philippe Starck, Dover Street Market, Ruth Rogers, Franz West, NM3, Geoponika, Cinzia Ruggeri, sub, Osaka Expo ’70, All Conditions Architecture, Robert Wilson, Collector Walls c\/o Sammlung Boros, WET.\u003c\/p\u003e\n\u003cp\u003ePages: 188\u003cbr\u003eDimensions: 310 x 340 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eYear: 2025\u003cbr\u003eLanguage: English\u003cbr\u003ePublisher: Capsule\u003c\/p\u003e","brand":"Capsule","offers":[{"title":"Default Title","offer_id":41921423048789,"sku":"CACS1714","price":13200.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_c_ec264274-e1bd-4b2f-b85b-12b07bfffcea.jpg?v=1764842593"},{"product_id":"eleven-second-painting-a","title":"Jonathan Monk: Eleven second painting (white, antique white, pink, lemon yellow, light green, dark green, purple, red, yellow, black, silver) 2025 (Cover A)","description":"\u003cp\u003eAn artist’s book by British artist Jonathan Monk, published on the occasion of his exhibition at SKAC (SKWAT KAMEARI ART CENTRE), held from November to December 2025. Limited edition of 300 copies in total.\u003c\/p\u003e\n\u003cp\u003eThis publication translates the eponymous edition work into book form, realised as a concertina volume with two cover variations. In COVER A, the artwork is reproduced on the front cover; once opened, the backs of the ten works—revealing the raw canvas beneath—unfold across the pages. As the book is printed on both sides, removing the transparent cover and flipping the volume allows the reader to view the COVER B version as well.\u003c\/p\u003e\n\u003cp\u003eThe edition on which this book is based belongs to Monk’s ongoing series of spray paintings and is executed using eleven spray-paint colours—White, Antique White, Pink, Lemon Yellow, Light green, Dark green, Purple, Red, Yellow, Black, and Silver.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/collections\/books\/products\/eleven-second-painting-b\"\u003eCover B\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003ePages: 20\u003cbr\u003eDimensions: 128 x 175 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eYear: 2025\u003cbr\u003ePublisher: Twelvebooks\u003c\/p\u003e","brand":"Twelvebooks","offers":[{"title":"Default Title","offer_id":41921423114325,"sku":"TWJE1716","price":4400.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_a_1b8e055a-8f14-4762-bddf-2663328bfa5a.jpg?v=1764842857"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/collections\/1_85e20f80-a57d-47c6-a260-2f8b769c6668.jpg?v=1768932612","url":"https:\/\/www.northeastshop.com\/collections\/book-design.oembed?page=2","provider":"North East","version":"1.0","type":"link"}