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Featuring 160 concert lineups from a roster of artists, authors and daydreamers including Yoko Ono, Larry Clark, Quasimoto, Genesis P-Orridge and dozens of others, Imaginary Concerts: Volumes One and Two transport the reader into an uncannily evocative, nostalgia-tinged and personally revealing realm of musical what-ifs.\u003c\/p\u003e\n\u003cp\u003ePages: 166\u003cbr\u003eDimensions: 229 × 305 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2018\u003cbr\u003ePublisher: Anthology Editions\u003c\/p\u003e","brand":"Anthology Editions","offers":[{"title":"Default Title","offer_id":39492782948437,"sku":"AEIC476","price":5500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_c992f9b1-71fb-45e6-884d-4b9de790f144.jpg?v=1629104501"},{"product_id":"poster-collection-armin-hofmann","title":"Poster Collection: Armin Hofmann","description":"\u003cp\u003ePoster Collection 07 gathers the most important posters of Armin Hofmann, and shows them – corresponding to his fundamental importance as a graphic design teacher – in a context with works from his most famous students, who continued his methods. After completing an apprenticeship in lithography, Armin Hofmann (born 1920) began teaching his own typographic principles at the Basel School of Design in 1947. He and his colleagues who contributed to the development of Swiss international Style, advocated a belief in absolute and universal graphic expression. Hofmann has also taught at Yale and the Philadelphia Museum School of the Arts. 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These campaigns are often concerned with issues that stir up heated emotions and lead to ideological battles. Campaign posters, which have influenced opinion-making since the beginning of the 20th century, bear testimony to direct democracy. This special form of political propaganda – prominently associated with Switzerland – is a sensitive indicator of socio-political moods and reflects both national mentalities and global tendencies.\u003c\/p\u003e\n\u003cp\u003eJa! Nein! Yes! No! Swiss Posters for Democracy reveals the visual argumentation strategies and rhetorical approaches that have shaped the Swiss campaign poster from 1918 to the present. Clichéd exaggerations, undifferentiated simplifications, a repertoire of drastic motifs and abridged slogans correspond to the laws of the medium, which is oriented towards a manipulative appeal to the masses. Appeals to a sense of unity focus primarily on emotionalization rather than rational enlightenment. 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Connected by a passion for precision and detail, the two graduates of Allgemeine Gewerbeschule Basel share a creative attitude that continues and reformulates the legacy of Swiss Style.\u003c\/p\u003e\n\u003cp\u003eTheir posters manifest a reduced yet poetic-sensuous expression while challenging intellectually. In particular the posters advertising exhibitions convey complex contents in a puristic and timeless manner. The creations by Hamburger are characterized by a more pronounced adherence to tradition, while Staehelin’s experimental openness often leads to surprising results. The joint works of the two reveal the mutual appreciation and fruitfulness of their professional exchange. Their sensitively developed posters for the Museum für Gestaltung, Museum of Design, in Zurich reflect an inspiring combination of graphic design principles and a pure delight in creativity.\u003c\/p\u003e\n\u003cp\u003ePoster Collection is an ongoing series, which is realized in collaboration with the Museum für Gestaltung in Zurich. All posters featured in the series are part of the archive of the museum. Every edition is devoted to a specific subject or designer. This edition is the first one dedicated to two artists.\u003c\/p\u003e\n\u003cp\u003ePages: 96\u003cbr\u003eDimensions: 165 × 240 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, German\u003cbr\u003eYear: 2017\u003cbr\u003ePublisher: Lars Müller Publishers\u003c\/p\u003e","brand":"Lars Müller Publishers","offers":[{"title":"Default Title","offer_id":39492783112277,"sku":"LMPC481","price":4620.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_203754d0-45c3-4d60-8c4d-de5288c41a47.jpg?v=1629200498"},{"product_id":"poster-collection-josef-muller-brockmann","title":"Poster Collection: Josef Müller-Brockmann","description":"\u003cp\u003eJosef Müller-Brockmann’s graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Poster campaigns for longtime clients such as the Tonhalle concert hall in Zürich or the Automobile Club of Switzerland follow strict functional criteria–and yet exhibit a variety of design solutions and exciting, dynamic compositions. 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Most of them were designed by Swiss designers, though there are some exceptions by international artists, giving the collection a global profile.\u003c\/p\u003e\n\u003cp\u003eEver since the 1910s, Zurich’s Kunstgewerbemuseum – which was founded in 1875 and is known today as the Museum für Gestaltung Zürich – has been focusing on producing high-quality posters. They serve to project the museum’s visual identity into the public space while at the same time documenting the variety of themes represented. The posters' high recognition factor is achieved not through rigid corporate design but by means of graphical quality, versatile design approaches, and meticulous printing.\u003c\/p\u003e\n\u003cp\u003eThe collection can be regarded as a brief history of both Swiss poster and Swiss graphic design. The whole range is covered: From the pictorial scenes used in the 1920s and the graphic and typographic solutions following the lead of the Russian Constructivists to the Swiss Style, which dominated the Swiss cultural poster until the 1960s, and more experimental approaches from the 70s. 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Designers could enter poster designs from the past year, a jury of ex- perts awarded prizes for the best works. From 1966 onwards, there was such an annual competition in the GDR too. Many of the commended works from that time are today amongst the canon of German and international design histroy.\u003c\/p\u003e\n\u003cp\u003eThe book tells the eventful history of the competitions and their changing shape over the decades. The picture section shows over 250 posters from 1949 to 2000 from a total of almost 4.000 award-winning works. 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In the early 1950s, while still a student, Hillmann began designing posters for the newly founded film distributor Neue Filmkunst Walter Kirchner. With little or no intervention by the client he had the freedom to create unique graphic design solutions. He used drawing, photography and typography in a complemen- tary interaction and quickly gained international recognition. In his twenty years of work for Neue Filmkunst, he revolutionized poster design for independent movies and became one of the trailblazers of modern graphic design in Germany after the Second World War.\u003c\/p\u003e\n\u003cp\u003eThis book shows, for the first time, all of Hans Hillmann’s film posters. Unpublished sketches and drafts from his estate along with commentary from conversations and interviews provide an insight into the creative process of the award-winning designer. 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Moreover the publication is linked to the bands and their posters, enabling the reader to listen to the corresponding sound while deep diving into the artworks.\u003c\/p\u003e\n\u003cp\u003eThree essays by Arne Hübner (booking Merlin, designer and DJ), Niklaus Troxler (poster designer and founder of the Jazz festival Willisau) and Das bisschen Totschlag (Brunchpop-Band) contextualise this stimulating symbiosis of visual communication, music and popular culture.\u003c\/p\u003e\n\u003cp\u003e“The present publication shows an impressive annual production by a design team that draws on unlimited with high design standards.” Niklaus Troxler\u003c\/p\u003e\n\u003cp\u003ePages: 192\u003cbr\u003eDimensions: 210 × 297 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: German\u003cbr\u003eYear: 2020\u003cbr\u003ePublisher: Prima.Publikationen\u003c\/p\u003e","brand":"Prima.Publikationen","offers":[{"title":"Default Title","offer_id":39998146936917,"sku":"PPTM626","price":6380.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_56eac734-4f3e-406d-8c29-675edac02022.jpg?v=1649393003"},{"product_id":"design-shifts","title":"Design Shifts – Talks, Diskurse, Typo-\/Grafische Plakate","description":"\u003cp\u003eThe book 'Design Shifts – Talks, Discourse, Typo–\/Graphic Posters' documents 10 years of various talks in the Media Design programme at DHBW Ravensburg, Germany. 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The poster compilation is supplemented by short descriptions of all lectures, as well as five contemporary essays by selected former speakers: Sarah Boris, Nina Juric, Sarah Owens, Florian Pfeffer, Roland Stieger.\u003c\/p\u003e\n\u003cp\u003ePages: 248\u003cbr\u003eDimensions: 198 × 297 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, German\u003cbr\u003eYear: 2021\u003cbr\u003ePublisher: Prima.Publikationen\u003c\/p\u003e","brand":"Prima.Publikationen","offers":[{"title":"Default Title","offer_id":39998146969685,"sku":"PPDS627","price":6600.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_4bff19ef-4ae4-41b2-9646-18c428213024.jpg?v=1649309549"},{"product_id":"grob-specimen","title":"Gröb (Specimen)","description":"\u003cp\u003eA riso printed type specimen of Gröb typeface by Benoît Bodhuin, a type and graphic designer based in France.\u003c\/p\u003e\n\u003cp\u003eDimensions: 420 x 594 mm\u003cbr\u003ePrint: Risograph\u003cbr\u003ePublisher: Benoît Bodhuin\u003c\/p\u003e","brand":"Benoît Bodhuin","offers":[{"title":"Default Title","offer_id":40306721161301,"sku":"BBGR748","price":2420.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/2_76b4a72b-454f-4dca-895d-b14f30781bf4.jpg?v=1752564619"},{"product_id":"bilibot-specimen","title":"Bilibot (Specimen)","description":"\u003cp\u003eA riso printed type specimen of Bilibot typeface by Benoît Bodhuin, a type and graphic designer based in France.\u003c\/p\u003e\n\u003cp\u003eDimensions: 420 x 594 mm\u003cbr\u003ePrint: Risograph\u003cbr\u003ePublisher: Benoît Bodhuin\u003c\/p\u003e","brand":"Benoît Bodhuin","offers":[{"title":"Default Title","offer_id":40306721194069,"sku":"BBBI749","price":2420.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/2_c5cd2055-cae2-4cad-b532-60f2847dd9a2.jpg?v=1752564908"},{"product_id":"standard-specimen-2","title":"Standard (Specimen, New Colors)","description":"\u003cp\u003eA riso printed type specimen of Standard typeface by Benoît Bodhuin, a type and graphic designer based in France.\u003c\/p\u003e\n\u003cp\u003eDimensions: 420 x 594 mm\u003cbr\u003ePrint: Risograph\u003cbr\u003ePublisher: Benoît Bodhuin\u003c\/p\u003e","brand":"Benoît Bodhuin","offers":[{"title":"Default Title","offer_id":40331667112021,"sku":"BBST750","price":2420.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_2e667e1f-bd93-4eb9-a3ed-42965b37fb75.jpg?v=1663660676"},{"product_id":"100-beste-plakate-21","title":"100 Beste Plakate 21","description":"\u003cp\u003eEvery year the association 100 Beste Plakate e. V. recognizes the most innovative and trendsetting poster designs from Germany, Austria, and Switzerland in its annual awards. Its yearbook has become the established go-to source for graphic artists, designers, and advertisers. Even today, the traditional printed poster is still regarded as the ultimate challenge in the graphic arts.\u003c\/p\u003e\n\u003cp\u003eEven though cultural life was still affected by the pandemic in 2021, museums and theaters kept their doors open most of the time to brighten people’s lives with exhibitions and performances. As a result, the advertisements and announcements designed for these shows made up the bulk of the entries for the competition. They provide an overview of the hottest trends and finest designs in poster art in German-speaking countries. Posters for cultural events explore the scope of imaginative image creation by using graphic, typographic, and photographic elements in exciting ways.\u003c\/p\u003e\n\u003cp\u003eIn addition to shedding light on design trends, the award-winning posters also address issues of historical and topical concern that were relevant to the world of culture in 2021. Thus, the pioneering silent movies The Cabinet of Dr. Cagliari and Nosferatu were released 100 years ago, and the 50th anniversary of the introduction of women’s suffrage offered a welcome opportunity to give visual expression to questions about the progress of gender equality.\u003c\/p\u003e\n\u003cp\u003ePages: 704\u003cbr\u003eDimensions: 165× 240 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, German\u003cbr\u003eYear: 2022\u003cbr\u003ePublisher: Verlag Kettler\u003c\/p\u003e","brand":"Verlag Kettler","offers":[{"title":"Default Title","offer_id":40436128972885,"sku":"VKBP798","price":7260.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_4ba0360d-9373-4cbc-8ad0-1525869b4136.jpg?v=1669623415"},{"product_id":"international-poster-book-2022","title":"International Poster Book 2022","description":"\u003cp\u003eThe International Poster Book 2022 is a limited edition 256 page full colour, perfect-bound book including all posters selected for 2022 International Poster Exhibition\/Competition. 164 posters by 130 designers, 10 interviews, jury’s comments and a discussion on Poster, Artwork, or both? Designed by Warriors Studio and printed by Pureprint Group on G.F Smith paper.\u003c\/p\u003e\n\u003cp\u003ePages: 256\u003cbr\u003eDimensions: 210 x 292 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2022\u003cbr\u003eDesign: Warriors Studio\u003cbr\u003ePublisher: INTL\u003c\/p\u003e","brand":"INTL","offers":[{"title":"Default Title","offer_id":40544232276053,"sku":"INIP880","price":6270.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_6fe137dd-eb96-456f-ab93-6ce37b9a977e.jpg?v=1680159884"},{"product_id":"jan-tschichold-s-the-new-typography-its-roots-and-impact-on-national-scenes","title":"Jan Tschichold’s The New Typography: Its Roots and Impact on National Scenes","description":"\u003cp\u003ePoster for an international conference “\u003ca href=\"https:\/\/die-neue-bibliographie.ch\/conference\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eJan Tschichold's The New Typography: Its Roots and Impact on National Scenes\u003c\/a\u003e” at ECAL. The poster designed by \u003ca href=\"http:\/\/www.federicobarbon.com\" target=\"_blank\"\u003eFederico Barbon\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eRelated poster\u003cbr\u003e\u003ca href=\"https:\/\/www.northeastshop.com\/products\/togliere-i-libri-di-tschicold-dalle-casse\"\u003eTogliere i libri di Tschichold dalle casse\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.northeastshop.com\/collections\/objects\/products\/tschicholds-bibliotheek-uitgepakt\"\u003eTschicholds bibliotheek uitgepakt\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: 895 x 1280 mm\u003cbr\u003eDesign: Federico Barbon\u003c\/p\u003e","brand":"Federico Barbon","offers":[{"title":"Default Title","offer_id":40627744178261,"sku":"FBJT938","price":12100.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_fdb9be2b-e5d6-49d3-90c0-879456346aa3.jpg?v=1685335002"},{"product_id":"the-nest-the-calarts-poster-archive-print","title":"The Nest—The CalArts Poster Archive Print","description":"\u003cp\u003eThe Nest is a book about process—the process of designing, and how it changes both what we make and who we are. It is also a book about memory, how memory builds up in layers and influences our experiences, as well as the things we make. The focus of the book is a series of posters created in celebration of the exhibition Inside Out \u0026amp; Upside Down: Posters from CalArts 1970–2019. The book documents Scott Massey’s use of appropriation, collage, layering and re-working to generate 200 unique and vibrant compositions that each tell a different story about creative discovery. Using elements that represent the history and range of the storied CalArts poster archive, this project is an exploration of aesthetic strategies brought to life by blending both digital and analog processes. Layer by layer, step by step, the author closely examines each phase of designing those 200 posters. It is a celebration of process and a deep dive into the ever-evolving design values that guide one along the creative process. The Nest is full of personal narratives, conversations about process, the always difficult journey of making, and how memories can guide and inspire.\u003c\/p\u003e\n\u003cp\u003ePages: 272\u003cbr\u003eDimensions: 220 × 290 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2022\u003cbr\u003ePublisher: Slanted Publishers\u003c\/p\u003e","brand":"Slanted Publishers","offers":[{"title":"Default Title","offer_id":40658899009621,"sku":"SPTN982","price":7810.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_54ba1f68-0075-420a-bc0a-ac3043f0708b.jpg?v=1690905422"},{"product_id":"100-beste-plakate-22","title":"100 Beste Plakate 22","description":"\u003cp\u003eEvery year, the 100 Beste Plakate e. V. association awards prizes to the creators of the most innovative and groundbreaking poster designs from Germany, Austria, and Switzerland. The yearbook, which is developed by different graphic designers and design studios each year, presents all the winners and their designs in detail. It has become the key indicator of trends for creatives and advertisers alike.\u003c\/p\u003e\n\u003cp\u003eStudio lindhorst-emme+hinrichs has designed the current yearbook as an ever-changing, unique volume. Ten different colored papers are used in different combinations: as a result, the cover as well as the front and back endpapers never have the same color, and each copy is unique.\u003c\/p\u003e\n\u003cp\u003eThe central focus of the book is on the poster designs for the art and culture center Neubad in Lucerne, some of which have reached an iconic status. Over the years, the Swiss province has become a hotbed of avantgarde design. More than 80 graphic designers have created around 550 posters for the Neubad to date; 23 of them have received awards in recent years, being ranked among the 100 best posters.\u003c\/p\u003e\n\u003cp\u003ePages: 328\u003cbr\u003eDimensions: 165× 240 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English, German\u003cbr\u003eYear: 2023\u003cbr\u003eDesign: Studio lindhorst-emme+hinrichs\u003cbr\u003ePublisher: Verlag Kettler\u003c\/p\u003e","brand":"Verlag Kettler","offers":[{"title":"Default Title","offer_id":40671075303509,"sku":"VKBP1003","price":9130.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_46088358-6327-40f3-825d-fbf0836fd9cd.jpg?v=1692979387"},{"product_id":"togliere-i-libri-di-tschicold-dalle-casse","title":"Togliere i libri di Tschicold dalle casse","description":"\u003cp\u003ePoster for the exhibition “\u003ca href=\"https:\/\/die-neue-bibliographie.ch\/exhibitions\" target=\"_blank\"\u003eTogliere i libri di Tschichold dalle casse\u003c\/a\u003e” curated by Davide Fornari at ISIA U with the support of ECAL. The poster designed by \u003ca href=\"http:\/\/www.federicobarbon.com\" target=\"_blank\"\u003eFederico Barbon\u003c\/a\u003e, and typeset with Neue Aurora Grotesk designed by Davide Tomatis.\u003c\/p\u003e\n\u003cp\u003eThe exhibition features the corpus of bibliographical sources cited by the graphic designer Jan Tschichold in his work Die neue Typographie (The New Typography, 1928). This founding text of modernist graphic design has been at the centre of debates, while the sources cited by its author have often been overlooked.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAll the books have been identified and collected in original, reprint or facsimile, including the production of new facsimile editions.\u003c\/p\u003e\n\u003cp\u003eThe books on display allow to explore their impact and their relationship with the principles set out in The New Typography.\u003c\/p\u003e\n\u003cp\u003eThus, Bauhaus books, works by Le Corbusier, Futurist manifestos, German standards on printed matter find their place in this exhibition, which is the result of a research project carried out at ECAL between 2019 and 2022.\u003c\/p\u003e\n\u003cp\u003evia \u003ca rel=\"noopener noreferrer\" href=\"https:\/\/die-neue-bibliographie.ch\/exhibitions\" target=\"_blank\"\u003eThe Sources of Jan Tschichold’s The New Typography\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eRelated poster\u003cbr\u003e\u003ca href=\"https:\/\/www.northeastshop.com\/products\/jan-tschichold-s-the-new-typography-its-roots-and-impact-on-national-scenes\"\u003eJan Tschichold’s The New Typography: Its Roots and Impact on National Scenes\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.northeastshop.com\/collections\/objects\/products\/tschicholds-bibliotheek-uitgepakt\"\u003eTschicholds bibliotheek uitgepakt\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: 700 x 990 mm\u003cbr\u003eDesign: Federico Barbon\u003c\/p\u003e","brand":"Federico Barbon","offers":[{"title":"Default Title","offer_id":40736447987797,"sku":"FBTI1070","price":12100.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_d558f2d9-f3e0-4b2f-9f17-b0a10669aa3d.jpg?v=1703180030"},{"product_id":"harber-a2-specimen","title":"Harber A2 (Specimen)","description":"\u003cp\u003eA riso printed type specimen of Harber typeface by Benoît Bodhuin, a type and graphic designer based in France.\u003c\/p\u003e\n\u003cp\u003eDimensions: 420 x 594 mm\u003cbr\u003ePrint: Risograph\u003cbr\u003ePaper: Munken white 115g\u003cbr\u003ePublisher: Benoît Bodhuin\u003c\/p\u003e","brand":"Benoît Bodhuin","offers":[{"title":"Default Title","offer_id":40754153128021,"sku":"BBHA1091","price":2860.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_0c8f8c67-9403-4431-ba1d-c02db4a8f558.jpg?v=1706072920"},{"product_id":"harber-a3-specimen","title":"Harber A3 (Specimen)","description":"\u003cp\u003eA riso printed type specimen of Harber typeface by Benoît Bodhuin, a type and graphic designer based in France.\u003c\/p\u003e\n\u003cp\u003eDimensions: 297 x 420 mm\u003cbr\u003ePrint: Risograph\u003cbr\u003ePaper: Munken white 90g\u003cbr\u003ePublisher: Benoît Bodhuin\u003c\/p\u003e","brand":"Benoît Bodhuin","offers":[{"title":"Default Title","offer_id":40754153160789,"sku":"BBHA1092","price":1760.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_b74be4f5-60c8-4a87-9217-3e56e00fb4b5.jpg?v=1706072943"},{"product_id":"moki-specimen","title":"Moki (Specimen)","description":"\u003cp\u003eA riso printed type specimen of Moki typeface by Benoît Bodhuin, a type and graphic designer based in France.\u003c\/p\u003e\n\u003cp\u003eDimensions: 297 x 420 mm\u003cbr\u003ePrint: Risograph\u003cbr\u003ePaper: Munken white 90g\u003cbr\u003ePublisher: Benoît Bodhuin\u003c\/p\u003e","brand":"Benoît Bodhuin","offers":[{"title":"Default Title","offer_id":40754153193557,"sku":"BBMO1093","price":1760.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_e14e7f59-4570-4dd7-bfdb-0d8dbf0891a4.jpg?v=1706072959"},{"product_id":"tokyto-specimen","title":"Tokyto (Specimen)","description":"\u003cp\u003eA riso printed type specimen of Tokyto typeface by Benoît Bodhuin, a type and graphic designer based in France.\u003c\/p\u003e\n\u003cp\u003eDimensions: 297 x 420 mm\u003cbr\u003ePrint: Risograph\u003cbr\u003ePaper: Munken white 90g\u003cbr\u003ePublisher: Benoît Bodhuin\u003c\/p\u003e","brand":"Benoît Bodhuin","offers":[{"title":"Default Title","offer_id":40754153226325,"sku":"BBTO1094","price":1760.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_76db3fd2-9f5e-4f66-b2f6-b3bc9010130d.jpg?v=1706072981"},{"product_id":"100-beste-plakate-23","title":"100 Beste Plakate 23","description":"\u003cp\u003eThe motto of this year’s 100 Beste Plakate is enticing and delivers on its promise: Every year, the association 100 Beste Plakate e. V. honors the most outstanding and creative poster designs from Germany, Austria, and Switzerland. The accompanying yearbook has long established itself as the standard reference for creators in the graphic and design scene and is now being published for the first time by Slanted Publishers.\u003c\/p\u003e\n\u003cp\u003eThe 2023 yearbook presents all 100 winning posters from the 100 Beste Plakate 23 competition in large-format images, along with information on their content aspects and the context in which they were created. It discusses current poster design and highlights trends. The jury’s introduction by Toan Vu-Huu, alongside a foreword by Fons Hickmann, an essay by Helene Roolf, presentation of the jury, and a contact register with credits of all designers, clients, and printers, completes the publication.\u003c\/p\u003e\n\u003cp\u003eThe book’s theme, “X out of 100 \/ Expect Nothing—Appreciate Everything,” ensures equal presentation of all 100 works, avoiding any impression of ranking. Each poster\/series is treated equally, marked as one of the 100 nominated by the jury.\u003c\/p\u003e\n\u003cp\u003ePages: 256\u003cbr\u003eDimensions: 165 × 240 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English, German\u003cbr\u003eYear: 2024\u003cbr\u003ePublisher: Slanted Publishers\u003c\/p\u003e","brand":"Slanted Publishers","offers":[{"title":"Default Title","offer_id":40881978310741,"sku":"SPBP1230","price":6490.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_baef4294-9b7a-437f-8fb9-e7de2be68afc.jpg?v=1723660350"},{"product_id":"das-plakat-isst-eine-flache","title":"Das Plakat isst eine Fläche.","description":"\u003cp\u003eAre posters still surfaces that catch the eye? Can they tell a continuous story, a “Poster Novel,” as the original design working title was called?\u003c\/p\u003e\n\u003cp\u003eDüsseldorf University of Applied Sciences looks back on a diverse and lively tradition of posters. Starting in 1968 with Uwe Loesch’s corrugated cardboard posters, through the typographic excellence of Helfried Hagenberg, Fons Hickmann, and Andreas Uebele, to contemporary works by talented students, that sometimes extend into digital space and augmented reality.\u003c\/p\u003e\n\u003cp\u003eSome of the posters shown in this book have continued their lives beyond the university: they are part of collections such as the MoMA in New York, or the Museum für Gestaltung Zürich. Recognized for their exemplary design, many have received numerous awards.\u003c\/p\u003e\n\u003cp\u003eNow these posters have been brought together: Das Plakat isst eine Fläche. (a German wordplay for “The poster eats\/is a surface”). Like in a galley proof, texts and images are set on a continuous strip, to be later cut and bound into a book—a poster novel.\u003c\/p\u003e\n\u003cp\u003eThis book contains posters from Düsseldorf University of Applied Sciences since 1968. Featuring works by Inga Albers, Heribert Birnbach, Dieter Fuder, Wolf Erlbruch, Hilde Gahlen, Tino Graß, Fons Hickmann, Holger Jacobs, Wilfried Korfmacher, Anika Kunst, Laurent Lacour, Uwe Loesch, Alexander Mainusch, Jens Müller, Stephanie Passul, Charlotte Rohde, Lilo Schäfer, Thomas Spallek, Philipp Teufel, Andreas Uebele, Piotr Zapasnik, and many more.\u003c\/p\u003e\n\u003cp\u003ePages: 236\u003cbr\u003eDimensions: 120 × 230 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: German\u003cbr\u003eYear: 2024\u003cbr\u003ePublisher: Slanted Publishers\u003c\/p\u003e\n\u003c!----\u003e","brand":"Slanted Publishers","offers":[{"title":"Default Title","offer_id":40881978343509,"sku":"SPDP1231","price":5390.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_96c81fdf-139e-4982-b8e1-972a77ae3771.jpg?v=1723660404"},{"product_id":"tschicholds-bibliotheek-uitgepakt","title":"Tschicholds bibliotheek uitgepakt","description":"\u003cp\u003ePoster for the exhibition “\u003ca rel=\"noopener\" href=\"https:\/\/die-neue-bibliographie.ch\/exhibitions\" data-mce-href=\"https:\/\/die-neue-bibliographie.ch\/exhibitions\" target=\"_blank\"\u003eTschicholds bibliotheek uitgepakt\u003c\/a\u003e” at KASK \u0026amp; Conservatorium with the support of ECAL. The poster designed by \u003ca rel=\"noopener\" href=\"http:\/\/www.federicobarbon.com\" data-mce-href=\"http:\/\/www.federicobarbon.com\" target=\"_blank\"\u003eFederico Barbon\u003c\/a\u003e, and printed by Lezard Graphique.\u003c\/p\u003e\n\u003cp\u003eThe exhibition features the corpus of bibliographical sources cited by the graphic designer Jan Tschichold in his work Die neue Typographie (The New Typography, 1928). This founding text of modernist graphic design has been at the centre of debates, while the sources cited by its author have often been overlooked.\u003c\/p\u003e\n\u003cp\u003eAll the books have been identified and collected in original, reprint or facsimile, including the production of new facsimile editions.\u003c\/p\u003e\n\u003cp\u003eThe books on display allow to explore their impact and their relationship with the principles set out in The New Typography.\u003c\/p\u003e\n\u003cp\u003eThus, Bauhaus books, works by Le Corbusier, Futurist manifestos, German standards on printed matter find their place in this exhibition, which is the result of a research project carried out at ECAL between 2019 and 2022.\u003c\/p\u003e\n\u003cp\u003eIn Ghent, the exhibition is complemented with a selection of Belgian magazines, such as La Cité (1919–1935) and Het Overzicht (1921–1925) from the collection of the Kunstenbibliotheek, as well as the results of a four-day workshop held by BINGO (Belgian Institute for Graphic Design) with graphic design students from KASK \u0026amp; Conservatorium. Students interpreted the historical material to make it their own as a contemporary and local response to the exhibition.\u003c\/p\u003e\n\u003cp\u003evia \u003ca rel=\"noopener\" href=\"https:\/\/die-neue-bibliographie.ch\/exhibitions\" data-mce-href=\"https:\/\/die-neue-bibliographie.ch\/exhibitions\" target=\"_blank\"\u003eThe Sources of Jan Tschichold’s The New Typography\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eRelated poster\u003cbr\u003e\u003ca href=\"https:\/\/www.northeastshop.com\/products\/jan-tschichold-s-the-new-typography-its-roots-and-impact-on-national-scenes\" data-mce-href=\"https:\/\/www.northeastshop.com\/products\/jan-tschichold-s-the-new-typography-its-roots-and-impact-on-national-scenes\"\u003eJan Tschichold’s The New Typography: Its Roots and Impact on National Scenes\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.northeastshop.com\/collections\/objects\/products\/togliere-i-libri-di-tschicold-dalle-casse\"\u003eTogliere i libri di Tschicold dalle casse\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: 700 x 100 mm\u003cbr\u003eDesign: Federico Barbon\u003cbr\u003ePrinting: Screen Printing\u003c\/p\u003e\n\u003c!----\u003e","brand":"Federico Barbon","offers":[{"title":"Default Title","offer_id":40884416741461,"sku":"FBTB1234","price":11000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_1a804023-5c82-4aab-95e2-b2b140fd6574.jpg?v=1724148923"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/collections\/1_7cb4e1ce-a818-4e76-b4b2-01810d6038a2.jpg?v=1657795728","url":"https:\/\/www.northeastshop.com\/collections\/poster-design.oembed?page=2","provider":"North East","version":"1.0","type":"link"}