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Shoplifters doesn’t have a single identity, it’s size, paper, typography, and tone changes each time it’s published. Designed, and published by \u003ca href=\"https:\/\/actualsource.work\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eActual Source\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003eFeatures: Folder Studio, April Greiman, Aaron Jupin, Scott Barry, Studio Ella, Chris Svensson, Inventory Press, Norma\u003c\/p\u003e\n\u003cp\u003eStudio Visits: Public Library, Kohshin Finley, Lux Typo, Family Book Store, Forest, Michael John Kelly, Mandujano Cell\u003c\/p\u003e\n\u003cp\u003eOtis College Residency: Jan en Randoald, Stephanie Specht, Allie Ball \u0026amp; Nic Sanchez, All the Way to Paris, The Rodina\u003c\/p\u003e\n\u003cp\u003ePages: 296\u003cbr\u003eDimensions: 190 × 285 mm \/ 7.5 × 11.25”\u003cbr\u003eBinding: Soft Cover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2018\u003cbr\u003ePublisher: Actual Source\u003cbr\u003eOrigin: Lithuania\u003c\/p\u003e","brand":"Actual Source","offers":[{"title":"Default Title","offer_id":12491868504149,"sku":"ASSH86","price":4972.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_fd83bc2d-1260-49e5-86d0-dfa32060960d.jpg?v=1540276589"},{"product_id":"crayonograph","title":"Fraser Muggeridge studio: Crayonograph","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eThis publication has been used for display purposes, has been damaged in transport or has defects in printing or binding. Please note that returns and exchanges are not possible.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHow does an image translate through different graphic mediums? How many different variations can be produced of the same graphic form and how does this change our emotional understanding and thoughts in this regard?\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e'Crayonograph' shows 160 works produced by \u003ca href=\"http:\/\/pleasedonotbend.co.uk\" target=\"_blank\"\u003eFraser Muggeridge studio\u003c\/a\u003e (\u003ca href=\"https:\/\/www.instagram.com\/frasermuggeridgestudio\/\" target=\"_blank\"\u003eInstagram\u003c\/a\u003e) over the last 15 years, crayoned by \u003ca href=\"http:\/\/imabbie.com\" target=\"_blank\"\u003eAbbie Freeman\u003c\/a\u003e (\u003ca href=\"https:\/\/www.instagram.com\/imabbie\/\" target=\"_blank\"\u003eInstagram\u003c\/a\u003e). Partly inspired by Crosby\/ Fletcher\/ Forbes 1966 article in Typographica 14, 'A book of matches', in which they describe 'An Exercise, to take a simple object and within the limitation of black and white still reproduction, to explore some of the graphic means possible to illustrate it. even within our chosen subject, matches, there are many variations.' 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