{"title":"Bauhaus","description":"","products":[{"product_id":"mies-in-london","title":"Mies in London","description":"\u003cp\u003eA book about modernist architect Mies van der Rohe's only design for the UK, a bronze tower and grand plaza in the heart of London. After decades of struggle, Mies' plans for Mansion House Square were scuppered. In Thatcher's Britain, popular opinion turned against modernism, Prince Charles criticised the work, and the government feared new public spaces. Stopped dead by an Inquiry, and mired in controversy, Mies' masterpiece was all but erased. The book designed by London based design studio \u003ca href=\"http:\/\/www.ok-rm.co.uk\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eOK-RM\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eMies in London is the first book on this remarkable project, with 160 pages of unseen material.\u003c\/p\u003e\n\u003cp\u003e“I want you to go all the way,” Palumbo said. “I want the lot, inside and out. I want door handles, ashtrays, lettershoots.”\u003c\/p\u003e\n\u003cp\u003e“Very well,” Mies replied, “I'll do it.”\u003c\/p\u003e\n\u003cp\u003ePages: 160\u003cbr\u003eDimensions: 230 x 305 mm \/ 9 × 12”\u003cbr\u003eBinding: Hard Cover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2018\u003cbr\u003eDesign: OK-RM\u003cbr\u003ePublisher: REAL\u003c\/p\u003e","brand":"REAL","offers":[{"title":"Default Title","offer_id":21091830136917,"sku":"REMI65","price":13200.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_acca35ff-d776-4f85-8dd3-4b870573afb4.jpg?v=1543597159"},{"product_id":"bauhaus-journal-1926-1931","title":"bauhaus journal 1926–1931","description":"\u003cp\u003eOne hundred years after the founding of Bauhaus, it’s time to revisit bauhaus journal as significant written testimony of this iconic movement of modern art. In this journal, published periodically from 1926 to 1931, the most important voices of the movement are heard: masters of the Bauhaus, among others, Josef Albers, Walter Gropius, Wassily Kandinsky, Paul Klee, László Moholy-Nagy, and Oskar Schlemmer, as well as Herbert Bayer, Marcel Breuer, Ludwig Mies van der Rohe, Gerrit Rietveld, and many more.\u003c\/p\u003e\n\u003cp\u003eThey address the developments in and around the Bauhaus, the methods and focal points of their own teaching, and current projects of students and masters. At the time primarily addressed to the members of the “circle of friends of the bauhaus,” the journal published by Gropius and Moholy-Nagy makes tangible the authentic voice of this mouthpiece of the avant-garde. The facsimile reprint is intended to give new impetus to international discussion and research on the \u003cspan\u003eBauhaus\u003c\/span\u003e, its theories and designs.\u003c\/p\u003e\n\u003cp\u003eThe exact replica of all individual issues are accompanied by a commentary booklet including an overview of the content, an English translation of all texts, and a scholarly essay which places the journal in its historical context.\u003c\/p\u003e\n\u003cp\u003ePages: 412\u003cbr\u003eDimensions: 210 × 297 mm \/ 8.2 × 11.6”\u003cbr\u003eLanguage: English\u003cbr\u003eBinding: Softcover\u003cbr\u003eYear: 2019\u003cbr\u003eDesign: Integral Lars Müller\u003cbr\u003ePublisher: Lars Müller Publishers\u003c\/p\u003e","brand":"Lars Müller Publishers","offers":[{"title":"Default Title","offer_id":31606854582357,"sku":"LMBJ157","price":10395.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_764aeca8-53eb-4a6b-81a2-e1ce4e714fd2.jpg?v=1577870706"},{"product_id":"guidelines-and-standards-for-the-visual-design","title":"Guidelines and Standards for the Visual Design: The Games of the XX Olympiad Munich 1972","description":"\u003cp\u003eAlmost a quarter of a century after the end of National Socialism in Germany, Otl Aicher was commissioned to design the \"cheerful\" Olympic Games in Munich 1972. He systematically and scientifically approached this task and liberated visual communication from national pathos by reducing it to the essential in the Bauhaus sense: the use. The manual, completed in 1967, contains a flexible system of colors, forms and fonts that enabled Aicher's team and partners to \"play freely\" and saved \"unnecessary preparatory work and time-consuming detailed decisions\".\u003c\/p\u003e\n\u003cp\u003eWith the use of this kind of visual grammar more than 100 design areas were developped. They were successfull to create an extraordinary broad impact of the appearance and set new standards for branding and corporate design. Munich 1972 is still regarded as the most successful design project of all the Olympic Games.\u003c\/p\u003e\n\u003cp\u003ePages: 44\u003cbr\u003eDimensions: 225 × 300 mm \/ 8.8 × 11.8”\u003cbr\u003eLanguage: German, English, French, Spanish\u003cbr\u003eBinding: Ring binder\u003cbr\u003eYear: 2019\u003cbr\u003ePublisher: Niggli\u003c\/p\u003e","brand":"Niggli","offers":[{"title":"Default Title","offer_id":31704558665813,"sku":"NIGS168","price":20790.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/2_f036af3e-503a-4246-b3be-28d07b5dfbe3.jpg?v=1712129630"},{"product_id":"max-bill-typography-advertising-book-design","title":"Max Bill: Typography. Advertising. Book Design","description":"\u003cp\u003eMax Bill (1908–1994) is primarily associated with the terms “Concrete Art” and “Environmental Design”. He was active in nearly every area of art and design, which were universal concepts for him. Furthermore, his theoretical publications have turned him into one of the most fruitful stimulators of Modern Concrete Art in post-war Europe among the Bauhaus generation of students. \u003c\/p\u003e\n\u003cp\u003eThis volume offers a comprehensive view into an area of his work that has so far received little attention: typography, advertising and book design. It shows for that almost everything that the Swiss Avantgarde movement accomplished during the 1930s was visualized in Bill's studio “bill-zürich reklame”. The reader discovers Max Bill as the tireless creator of highly individual types, commercial logos and advertisements as well as an exceedingly versatile designer who had an amazing command of “visual humor”. \u003c\/p\u003e\n\u003cp\u003ePages: 304\u003cbr\u003eDimensions: 230 × 280 mm \/ 9 × 11”\u003cbr\u003eLanguage: English, German\u003cbr\u003eBinding: Hardcover\u003cbr\u003ePublisher: Niggli\u003c\/p\u003e","brand":"Niggli","offers":[{"title":"Default Title","offer_id":31704582389845,"sku":"NIMB171","price":9680.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_52ee94b4-f510-413b-be3f-da76450662f0.jpg?v=1580444226"},{"product_id":"bauhaus-gesehen-von-seen-by-stefan-berg","title":"bauhaus: gesehen von \/ seen by Stefan Berg","description":"\u003cp\u003eThe Bauhaus will celebrate its centenary in 2019. It was founded in Weimar in 1919 and moved to Dessau in 1925 and then to Berlin in 1932, where it was shut down by the Nazis in 1933. Designed by Walter Gropius, the Bauhaus building in Dessau was designated as a UNESCO World Heritage Site in 1996 and now houses the Bauhaus Dessau Foundation. The art school and its teachers exerted such wide-ranging influence that the term “Bauhaus” is often used as virtually synonymous with modernism in architecture and design.\u003c\/p\u003e\n\u003cp\u003eWhen Stefan Berg (b. Bielefeld, 1971; lives and works in Berlin) taught photography at the Anhalt University of Applied Sciences in Dessau, he seized the opportunity to take photographs of the building’s façades and interiors. The principal interest guiding his lens was to render the structure’s graphical and design qualities so as to convey a vivid experience of the Bauhaus idea. Berg’s pictures illustrate how the asymmetrical outward aspect of the cubic volumes gives way to symmetry inside the building and how light filtering in melds exterior and interior spaces. 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In Thatcher's Britain, popular opinion turned against modernism, Prince Charles criticised the work, and the government feared new public spaces. Stopped dead by an Inquiry, and mired in controversy, Mies' masterpiece was all but erased. The book designed by London based design studio OK-RM.\u003c\/p\u003e\n\u003cp\u003eMies in London is the first book on this remarkable project, with 160 pages of unseen material.\u003c\/p\u003e\n\u003cp\u003e“I want you to go all the way,” Palumbo said. “I want the lot, inside and out. I want door handles, ashtrays, lettershoots.”\u003c\/p\u003e\n\u003cp\u003e“Very well,” Mies replied, “I'll do it.”\u003c\/p\u003e\n\u003cp\u003ePages: 160\u003cbr\u003eDimensions: 225 x 300 mm \/ 8.9 × 11.8”\u003cbr\u003eBinding: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2018\u003cbr\u003eDesign: OK-RM\u003cbr\u003ePublisher: REAL\u003c\/p\u003e","brand":"REAL","offers":[{"title":"Default Title","offer_id":31854369374293,"sku":"REMI204","price":9680.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_761889c9-d2e1-47fb-ba6f-32fe5b411b90.jpg?v=1584172260"},{"product_id":"space-for-visual-research-2","title":"Space for Visual Research 2: Workshop, Manual and Compendium","description":"\u003cp\u003eThe Space for Visual Research was established at the Bauhaus University in Weimar in 2013 as a workshop and laboratory for experimental research into new graphic, abstract, and visual worlds. The Space’s mission is to support the exploratory urge for new aesthetics, in particular by empowering design students to create their own individual imagery. The resulting new Space for Visual Research 2 publication is the updated lab book, a log of visual experiments conducted using physics, chemistry, optics, and reproduction technology as the starting points for image production. Technical explanations open up possibilities for customized reproductions of each visual experiment presented here, while commissioned interviews and essays as well as a select bibliography render Space for Visual Research 2 a useful reference tool for visual research today. The first volume of Space for Visual Research was published by Spector Books in 2014.\u003c\/p\u003e\n\u003cp\u003eWith contributions by: Christoph Blankenburg, Florian Bräunlich, Dirk Fleischmann, Matthias Dörfelt, Julieta Gil, Sophia Gräfe, Ken Hollings, Katharina Hüttler, Verena Kalser, Franzi Kohlhoff, Sascha Krischock, Philotheus Nisch, Michael Ott, Elisabeth Pichler, Casey Reas, Cybu Richli, Johannes Rinkenburger, Max Salzborn, Anna Sinofzik, Samuel Solazzo, Karl Schawelka, Mathias Schmitt, Anna Teuber, Jakob Treß, Martin Venezky, Moritz Wehrmann, Robin Weißenborn, Markus Weisbeck, and David Wicks.\u003c\/p\u003e\n\u003cp\u003ePages: 248\u003cbr\u003eDimensions: 225 × 320 mm \/ 8.9 × 12.6”\u003cbr\u003eBinding: Hardcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2017\u003cbr\u003ePublisher: Spector Books\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":31986554044501,"sku":"SBSF208","price":5500.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_bc30f2b7-1a25-4a33-85b1-621f6e3864fb.jpg?v=1586323033"},{"product_id":"max-bill-no-beginning-no-end","title":"Max Bill: No Beginning, No End","description":"\u003cp\u003eSwiss artist, architect, and theorist Max Bill (1908–94) was an important proponent of concrete and constructive art and a key figure in twentieth-century European applied arts and design. Trained at the Bauhaus with eminent figures like Wassily Kandinsky, Walter Gropius, and Paul Klee, Bill displayed an early virtuosity across a diverse range of fields, including painting, sculpture, architecture, typography, and design. In the 1950s, he collaborated with Inge Scholl and Otl Aicher to found the legendary Ulm College of Design, where he carried on the Bauhaus legacy as both artist and teacher and made a decisive and lasting contribution to twentieth-century cultural life.\u003c\/p\u003e\n\u003cp\u003eFirst published to accompany a 2008 exhibition at the Museum Marta Herford in Herford, Germany, this handsome volume displays Bill’s wide-ranging work and sets him in the context of his cultural milieu by featuring works by his contemporaries, such as Kurt Schwitters, Wassily Kandinsky, and Donald Judd. Accompanying essays investigate Bill’s influence on other artists and the lasting importance of his oeuvre in the present.\u003c\/p\u003e\n\u003cp\u003ePages: 200\u003cbr\u003eDimensions: 200 x 290 mm\u003cbr\u003eBinding: Softcover\u003cbr\u003eLanguage: English, German\u003cbr\u003eYear: 2018\u003cbr\u003ePublisher: Scheidegger \u0026amp; Spiess\u003c\/p\u003e","brand":"Scheidegger \u0026 Spiess","offers":[{"title":"Default Title","offer_id":32442073481301,"sku":"SSMB226","price":7810.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_aaddb358-c458-4ee7-882e-d6f2c7a73834.jpg?v=1592215832"},{"product_id":"bauhaus-documenta-vision-and-brand","title":"Bauhaus \/ Documenta: Vision and Brand","description":"\u003cp\u003eBauhaus and documenta are two globally successful cultural brands, representing a modern Germany that is both cosmopolitan and innovative. They both came into being at a time when civilization was in a state of collapse, and they both exemplify the idea of the liberating power of art and culture. Looking at them in parallel brings out their similarities and differences and reveals that to some extent they serve to complement one another: for the one, the focus is on mass-produced articles and their everyday usage; the idea of universalism; and the design of consumer goods; for the other, encounters with unique artworks; the experience of diversity; and the critiquing of capitalist consumerism. In a series of critical essays, bolstered by a selection of original material, the publication examines fundamental, yet frequently overlooked aspects of the two cultural brands, whose profile is now once again a controversial subject of debate. The book is published in conjunction with the exhibition presented at the Neue Galerie Kassel from 24 May to 8 September 2019.\u003c\/p\u003e\n\u003cp\u003ePages: 304\u003cbr\u003eDimensions: 237 × 324 mm\u003cbr\u003eBinding: Hardcover\u003cbr\u003eYear: 2020\u003cbr\u003eLanguage: English\u003cbr\u003ePublisher: Spector Books\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":32680193359957,"sku":"SBBD288","price":6600.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_d3fa8fa6-a5f3-47d0-89c0-2dd52b5408f0.jpg?v=1598944707"},{"product_id":"jan-tschichold-and-the-new-typography","title":"Jan Tschichold and the New Typography","description":"\u003cp\u003eAn original account of the life and work of legendary designer Jan Tschichold and his role in the movement in Weimar Germany to create modern graphic design.\u003c\/p\u003e\n\u003cp\u003eRichly illustrated with images from Jan Tschichold’s little-known private collection of design ephemera, this important book explores a legendary figure in the history of modern graphic design through the artists, ideas, and texts from the Bauhaus that most influenced him. Tschichold (1902–1974), a prolific designer, writer, and theorist, stood at the forefront of a revolution in visual culture that made printed material more elemental and dynamic. His designs were applied to everyday graphics, from billboard advertisements and business cards to book jackets and invoices.\u003c\/p\u003e\n\u003cp\u003eThis handsome volume offers a new understanding of Tschichold’s work, and of the underlying theories of the artistic movement he helped to form, by analyzing his collections: illustrations, advertisements, magazines, and books by well-known figures, such as Kurt Schwitters, El Lissitzky, Aleksandr Rodchenko, and László Moholy-Nagy, and lesser-known artist-designers, including Willi Baumeister, Max Burchartz, Walter Dexel, and Piet Zwart. This book also charts the development of the New Typography, a broad-based movement across Central Europe that included “The Ring,” a group formed by Schwitters in 1927. Tschichold played a crucial role in defining this movement, documenting the theory and practice in his most influential book, The New Typography (1928), still regarded as a seminal text of graphic design.\u003c\/p\u003e\n\u003cp\u003ePages: 272\u003cbr\u003eDimensions: 179 × 224 mm\u003cbr\u003eBinding: Softcover\u003cbr\u003eYear: 2019\u003cbr\u003ePublisher: Yale University Press\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":32762192560213,"sku":"YUJT293","price":6270.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_05fae997-3211-4fd2-92f3-5cca8085f698.jpg?v=1601017916"},{"product_id":"the-spirit-of-the-bauhaus","title":"The Spirit of the Bauhaus","description":"\u003cp\u003e‘Architects, sculptors, painters, we all must return to the crafts!’ declared the architect Walter Gropius in his Bauhaus manifesto. Founded as an art school in 1919 and forced to close in 1933 by the Nazis, the Bauhaus established itself as a major influence on 20th-century art and design that continues to this day. Students were taught by some of the most celebrated artists of the time, including Paul Klee, Lyonel Feininger and Wassily Kandinsky. The school moved from Weimar to Dessau in 1922, under its radical new director Hannes Meyer, and to Berlin in 1932 under architect Ludwig Mies van der Rohe. In 1933 the Gestapo forced the Bauhaus to close for the last time.\u003c\/p\u003e\n\u003cp\u003eThis volume uncovers the sources of inspiration that brought the Bauhaus into existence, from medieval cathedrals of Europe and Hokusai prints to William Morris and the Arts and Crafts movement. Each of the various workshops and courses at the Bauhaus is explored in detail, illustrating the extraordinary wealth of experimentation in every field: ceramics, woodwork, metalwork, textiles, glass-painting, sculpture, mural, printing and binding, typography and publicity, theatre, architecture and photography.\u003c\/p\u003e\n\u003cp\u003eThis accessible guide to the Bauhaus, its history and turbulent political context, provides the key to understanding why it is recognized as the most durable and influential source of modern ideas about art, design and craft.\u003c\/p\u003e\n\u003cp\u003ePages: 264\u003cbr\u003eDimensions: 237 × 302 mm\u003cbr\u003eBinding: Hardcover\u003cbr\u003eYear: 2018\u003cbr\u003ePublisher: Thames \u0026amp; Hudson\u003c\/p\u003e","brand":"Thames \u0026 Hudson","offers":[{"title":"Default Title","offer_id":32762192724053,"sku":"THTS298","price":7700.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_9dbeee57-e290-4545-b2cf-1c17cc33459f.jpg?v=1601017828"},{"product_id":"the-bauhaus-brand-1919-2019","title":"The Bauhaus Brand 1919-2019: The Victory of Iconic Form Over Use","description":"\u003cp\u003eThe Bauhaus was distinguished neither by function nor by use but rather by symbolism. Whether square, triangle, or circle; whether Wilhelm Wagenfeld’s lamp, Oskar Schlemmer’s “Kopf” (head), or white cubes with flat roofs: the Bauhaus created iconic visual symbols and a style that is neither functional nor social but visually striking.\u003c\/p\u003e\n\u003cp\u003eWalter Gropius, founder of the Bauhaus, from the outset sought to develop the school into a brand—and he succeeded. More than eight decades after its forced closure, the Bauhaus is more present than ever before in consumerism, politics, and culture alike. It has become a participative brand that escapes centralized control entirely. It has been, and continues to be, forged collectively by countless designers, manufacturers, and consumers. Yet its founders initial pledge for functionality and social commitment remains unfulfilled.\u003c\/p\u003e\n\u003cp\u003eIn this book, Philipp Oswalt, former director of Foundation Bauhaus Dessau, explores the development of the Bauhaus brand and its use around the world, illustrated with some 950 images that highlight the vast range of Bauhaus appearances from a century.\u003c\/p\u003e\n\u003cp\u003ePages: 336\u003cbr\u003eDimensions: 200 × 280 mm\u003cbr\u003eBinding: Softcover\u003cbr\u003eYear: 2019\u003cbr\u003eDesign: 1kilo\u003cbr\u003ePublisher: Verlag Scheidegger and Spiess\u003c\/p\u003e","brand":"Scheidegger \u0026 Spiess","offers":[{"title":"Default Title","offer_id":32879214198869,"sku":"SSTB311","price":7700.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_84a6c8bb-8cfe-4071-a0ed-603eaae058a5.jpg?v=1605628266"},{"product_id":"inspiration-and-process-in-design","title":"Herbert Bayer: Inspiration and Process in Design","description":"\u003cp\u003eHerbert Bayer (1900-1985) was one of the most influential graphic designers of the twentieth century, with a prolific career spanning more than six decades and two continents. 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Richard Nixon used it for his presidential campaign, as did Hillary Clinton. Indeed, Futura is one of the most used fonts in the world today---the typeface of modern design---more so even than Helvetica. This fascinating book explores the cultural history and uses of a face that's so common you might not notice, until you start looking, and then you can't escape it. Douglas Thomas traces Futura from its Bauhaus-inspired origin in Paul Renner's 1924 design, to its current role as the go-to choice for corporate work, logos, motion pictures, and advertisements. Never Use Futura is illuminating, sometimes playful, reading, not just for type nerds, but for anyone interested in how typefaces are used, take on meaning, and become a language of their own.\u003c\/p\u003e\n\u003cp\u003eDouglas Thomas is a graphic designer, writer, and historian. He holds an MA in history from the University of Chicago and an MFA in graphic design from the Maryland Institute College of Art, where he also taught. 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Josef Albers in Mexico reveals the profound link between the art and architecture of ancient Mesoamerica and Albers’ abstract works on canvas and paper. With his wife, the artist Anni Albers, Albers toured pre-Columbian archeological sites and monuments during his 12 or more trips to Mexico and other Latin American countries between 1935 and 1968. On each visit, Albers took black-and-white photographs of pyramids, shrines, sanctuaries and landscapes, which he later assembled into rarely seen photo collages. The resulting works demonstrate Albers’ continued formal experimentation with geometry, this time accentuating a pre-Columbian aesthetic.\u003c\/p\u003e\n\u003cp\u003eJosef Albers in Mexico brings together photographs, photo collages, prints and significant paintings from the Variants\/Adobe (1946–66) and Homage to the Square (1950–76) series from the collections of the Solomon R. Guggenheim Museum and the Anni and Josef Albers Foundation. 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Today, just over 100 years after the Bauhaus’s opening in 1919, the school’s visual hallmarks have come to define modernity as it appears on the printed page.\u003c\/p\u003e\n\u003cp\u003eThe official catalog for Letterform Archive’s inaugural gallery exhibition, Bauhaus Typography at 100 explores the school’s legacy in graphic and typographic design through artifacts of its own making—its books, magazines, course materials, product catalogs, stationery, promotional fliers and other ephemera.\u003c\/p\u003e\n\u003cp\u003eFrom the book’s beautifully designed pages, readers learn of typographic masters László Moholy-Nagy, Herbert Bayer and Joost Schmidt, who channeled Constructivism’s geometric forms and optimism for industry into printed vehicles for the school’s teachings. 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Lavishly illustrated, carefully researched and written, and accompanied by an in-depth introduction from noted Bauhaus expert, author and curator Ellen Lupton, Bauhaus Typography at 100 is a must-have for any fan of modern design.\u003c\/p\u003e\n\u003cp\u003ePages: 280\u003cbr\u003eDimensions: 191 × 241 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2021\u003cbr\u003ePublisher: Letterform Archive\u003c\/p\u003e","brand":"Letterform Archive","offers":[{"title":"Default Title","offer_id":40729147080789,"sku":"LABT1064","price":9790.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_3ad5ed87-aca7-4c6c-ac1d-bf8006b7dfeb.jpg?v=1701420087"},{"product_id":"mies","title":"Mies","description":"\u003cp\u003eThe classic and definitive monograph on iconic architect Mies van der Rohe.\u003c\/p\u003e\n\u003cp\u003eThis is the most readable, comprehensive, and beautiful book ever published on one of the twentieth century’s most influential architects, now available with a stunning new cover. Known for the beauty and purity of his work, Ludwig Mies van der Rohe built remarkable houses, skyscrapers, museums, and multibuilding campuses. Accompanied by more than 700 drawings, photographs, plans, and diagrams.\u003c\/p\u003e\n\u003cp\u003eMertins’ rich and highly readable text traces the aesthetic and intellectual context for all of Mies van der Rohe’s work, with in-depth discussions of his most important buildings and projects. The clarity of Mies’s architecture belies the diversity of his interests, which included philosophy and science as well as design, and Mertin’s rigorous and accessible text gives the reader a clear description of all the most important of Mies’s buildings as well as the intellectual contexts for their design.\u003c\/p\u003e\n\u003cp\u003eIncludes such buildings as: the Barcelona Pavilion in Spain; the Tugendhat House in Brno, Czech Republic; S. R. Crown Hall at the Illinois Institute of Technology in Chicago, USA; and the New National Gallery in Berlin, Germany.\u003c\/p\u003e\n\u003cp\u003ePages: 544\u003cbr\u003eDimensions: 238 × 305 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2024\u003cbr\u003ePublisher: Phaidon\u003c\/p\u003e\n\u003c!----\u003e","brand":"Phaidon","offers":[{"title":"Default Title","offer_id":40863086248021,"sku":"PHMI1205","price":29700.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_08db8c72-b7ea-4f3a-b01c-aa7b1843c644.jpg?v=1719995805"},{"product_id":"moholy-nagy-and-the-new-typography","title":"Moholy-Nagy and the New Typography: A-Z","description":"\u003cp data-mce-fragment=\"1\"\u003eIn 1929, ten years after the Bauhaus was founded, Berlin’s Martin-Gropius-Bau launched the exhibition “New Typography.” László Moholy-Nagy, who had left Dessau the previous year and had earned a reputation as a designer in Berlin, was invited to exhibit his work together with other artists. He designed a room—entitled “Wohin geht die typografische Entwicklung?” (“Where is typography headed?”)—where he presented 78 wall charts illustrating the development of the “New Typography” since the turn of the century and extrapolating its possible future. To create these charts, he not only used his own designs, but also included advertising prints by colleagues associated with the Bauhaus.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe functional graphic design, initiated by the “New Typography” movement in the 1920s, broke with tradition and established a new advertising design based on artistic criteria. It aimed to achieve a modern look with standardized typefaces, industrial DIN norms, and adherence to such ideals as legibility, lucidity, and straightforwardness, in line with the key principles of constructivist art.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor the first time, this comprehensive publication showcases Moholy-Nagy’s wall charts which have recently been rediscovered in Berlin’s Kunstbibliothek. Renowned authors provide insights into this treasure trove by each contributing to this alphabetized compilation starting with “A” for “Asymmetry” and ending with “Z” for “Zukunftsvision”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePages: 256\u003cbr\u003eDimensions: 240 × 300 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2019\u003cbr\u003ePublisher: Verlag Kettler\u003c\/p\u003e","brand":"Verlag Kettler","offers":[{"title":"Default Title","offer_id":40896531169365,"sku":"VKMN1258","price":16940.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_101f64ba-49a9-4aab-8900-72daa0438ce5.jpg?v=1726559171"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/collections\/1_ec7694db-139f-48a1-9aa0-3d706b883c36.jpg?v=1748672474","url":"https:\/\/www.northeastshop.com\/en\/collections\/bauhaus.oembed","provider":"North East","version":"1.0","type":"link"}