{"title":"Politics and Society","description":"\u003cp\u003eThe impact of political and social change as presented through photography and art\u003c\/p\u003e","products":[{"product_id":"may-25-is-now-october-1","title":"May 25 is now October 1","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eThis publication has been used for display purposes, has been damaged in transport or has defects in printing or binding. Please note that returns and exchanges are not possible.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e・Used for display purposes\u003c\/p\u003e\n\u003cp\u003eWith more autonomy in 1974, Kosovo saw an upsurge in urban planning and architectural freedom, enabled by modernism and in turn expressed through competitive sports and a shift away from ethnic particularities, which signalled a shift West. This image collection by Bardhi Haliti is the result of seven years of research in Kosovar newspapers published between 1974 and 2018. The images have been variously cropped, zoomed, and paired by similarity. The choreography is not meant to render them valuable objects, but rather to help find their meaning beyond that which is found within the now unfashionable sports halls constructed throughout Kosovo during the Yugoslavian period.\u003cbr\u003e\u003cbr\u003ePages: 662\u003cbr\u003eDimensions: 170 × 240 mm \/ 6.6 × 9.4”\u003cbr\u003eBinding: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eDesign: Bardhi Haliti\u003cbr\u003ePublisher: Cpress\u003c\/p\u003e","brand":"Cpress","offers":[{"title":"Default Title","offer_id":31371635327061,"sku":"CPMA123","price":2000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_cab650e0-506d-46f4-863b-fbcba7550b10.jpg?v=1575389603"},{"product_id":"negatives-scans","title":"Negatives: Scans","description":"\u003cp\u003eXu Yong (b. China, 1954; lives and works in Beijing, China) makes art that scrutinizes the photographic medium and its documentary variants and interpretations. An autodidact with a background in advertising, the artist is fascinated by the influence that images have on our collective memories. In 1989, a 35-year-old Yong joined the protesters on Tiananmen Square and used his camera to record the events on celluloid. The publication Negatives: Scans is the second series he presents in the form of unprocessed film. As in the earlier Negatives series, released in 2014, Yong uncovers a censored history, testing the hypothesis that the photographic negative—a preliminary stage on the way to the photograph properly speaking—provides more cogent evidence than analog or digital photography. This focus makes his compilation of documentary pictures an analytical study in the power of images and their ability to shed light on cultural taboos and historical amnesia. With essays by Gérard A. Goodrow and Shu Yang.\u003c\/p\u003e\n\u003cp\u003ePages: 136\u003cbr\u003eDimensions: 260 x 340 mm \/ 10.2 × 13.4”\u003cbr\u003eLanguage: German, English\u003cbr\u003eBinding: Hardcover\u003cbr\u003eYear: 2019\u003cbr\u003ePublisher: Distanz\u003c\/p\u003e","brand":"Distanz","offers":[{"title":"Default Title","offer_id":31827259326549,"sku":"DZNS195","price":6600.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_7f8909b9-6926-44cf-a21e-99f21a7a6471.jpg?v=1583318815"},{"product_id":"its-urgent-a-luma-project-curated-by-hans-ulrich-obrist","title":"It’s Urgent! A Luma project curated by Hans Ulrich Obrist","description":"\u003cp\u003eProduced by Luma Foundation and conceived by curator and Serpentine Galleries Artistic Director Hans Ulrich Obrist, the book features all 153 original posters created by the 127 artists invited to participate in IT'S URGENT!, an open form touring exhibition which started in 2019 in Denmark's Heartland Festival hosted by Kunsthal Charlottenborg, during the election campaign for the European Parliament. The project expanded later at Luma Westbau in Zurich (Switzerland) in 2019\/2020. It was presented more recently at Luma Arles, in the Parc des Ateliers (Arles, France) in the summer of 2020, and we are confident it will continue to evolve in other venues around the world in the near future. IT'S URGENT! aims to make the artists' ideas available to all, open up to new audiences and insert them into public life and the community at large. Artists from all over the world responded to this invitation to address the most pressing themes of our times - ecology, inequality, common future, solidarity, anti-racism and social justice had a profound presence in this vast ensemble of creative endeavour.\u003c\/p\u003e\n\u003cp\u003ePages: 416\u003cbr\u003eDimensions: 250 × 250 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eYear: 2021\u003cbr\u003ePublisher: Walther König\u003c\/p\u003e","brand":"Walther König","offers":[{"title":"Default Title","offer_id":39333360861269,"sku":"WKIU415","price":6380.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_387c006c-384a-408d-8a76-00dcc41c61fc.jpg?v=1618938372"},{"product_id":"joseph-beuys-plakate-posters","title":"Joseph Beuys: Plakate. Posters","description":"\u003cp\u003eOne of the most important German postwar artists, Joseph Beuys is known for his drawings, performance art, activism, and teaching, influencing a generation of younger artists and expanding the concept of what art is. He had an ambitious goal for his art: to transform western culture into a more peaceful, democratic, and creative place. He also considered everyone to be an artist and that art and life should not be viewed separately. This book pulls together all of the avant-garde artist’s posters from his entire oeuvre. His earliest posters often announced exhibitions of his own performance art, while later posters expressed his philosophical and political opinions, such as those for Germany’s Green Party, which he was a founding member of. This book includes full page illustrations of Beuys’ most important posters, essays about Beuys’ influence, an extensive biography of the artist and a complete catalogue of all posters created under his guidance. No other medium expresses Beuys heartfelt beliefs better than his posters, which employ a style of graphic design all his own.\u003c\/p\u003e\n\u003cp\u003ePages: 208\u003cbr\u003eDimensions: 240 × 300 mm\u003cbr\u003eBinding: Hardcover\u003cbr\u003eYear: 2021\u003cbr\u003ePublisher: Prestel\u003c\/p\u003e","brand":"Prestel","offers":[{"title":"Default Title","offer_id":39466862313557,"sku":"PRJB455","price":6600.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_a3696126-3697-418e-9b68-cd7d6eb37f43.jpg?v=1626779571"},{"product_id":"christian-lutz-citizens","title":"Christian Lutz: Citizens","description":"\u003cp\u003eIn the wake of the financial and refugee crisis, economic and social insecurity, Brexit, the current coronavirus pandemic and its attendant economic and social upheavals, identitarian movements are gaining ground worldwide. Touting visions of impending doom and gloom, including overpopulation and social decline, they fan fears and peddle purportedly “common sense” solutions and promises that breed exclusion and intolerance. All of Europe is witnessing the political ascent of right-wing populist parties: UKIP in the UK, Dansk Folkeparti (DF) in Denmark, FPÖ in Austria, AfD in Germany, Vox in Spain and SVP in Switzerland, to name just a few.\u003c\/p\u003e\n\u003cp\u003eSwiss photographer Christian Lutz has documented right-wing populist people, movements and hot spots all over Europe for his latest series, Citizens. A far cry from the usual polarized coverage in the mass media, Lutz’s multi-layered photographic approach involves noiseless pictorial expressions of deep seated despair in the form of candid portraits of party leaders and followers alike and shots of their rallies, post-industrial landscapes, bars and hangouts.\u003c\/p\u003e\n\u003cp\u003ePages: 220\u003cbr\u003eDimensions: 200 × 290 mm\u003cbr\u003eBinding: Hardcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2021\u003cbr\u003eDesign: Pablo Lavalley\u003cbr\u003ePublisher: Edition Patrick Frey\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":39466862444629,"sku":"EPCI458","price":7150.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_aabbfd54-e07c-466b-89c3-5dc11bb6a3a6.jpg?v=1626679500"},{"product_id":"new-deal","title":"Jürgen Beck: New Deal","description":"\u003cp\u003eJürgen Beck’s book is a glancing portrayal of this most-filmed of cities. Yet instead of resorting to the familiar, this series of photographs straddles time to capture the city through certain historical contradictions, illuminated and expounded by two essays from architect Wendy Gilmartin, and art historian David Misteli.\u003c\/p\u003e\n\u003cp\u003eIt considers how to evoke the myriad ironies of time passing that the cityscape embodies. Complex fabrics of old hope and new failure, old failure and new hope. Nothing ever turns out the way it was supposed to. We start in the light. That famous LA light that gave birth to an industry is there in the not-quite whiteness of the cover’s uncanny glow. Drawling through traffic, a word-dense landscape that preys on the car-bound with advertising slogans promising this deal or that one. Please do not disembark your vehicle here.\u003c\/p\u003e\n\u003cp\u003eInterspersed with this street-view safari are eight images of the interior of the Bullocks Wilshire building. A cathedral of commerce that opened in 1929 and unwittingly morphed simultaneously into a golden calf. Designed to peddle high luxury to new money, with marble hallways built to flatter the acoustics of well-heeled feet. It opened its doors as the cash crashed. Capitalism’s first great falter exposed the failed promise of endless purchasing power and was a milestone on the way to better social security.\u003c\/p\u003e\n\u003cp\u003eThe building is present here only in exquisite swatches. We appreciate its extravagance better through small spoonfuls of rich creams and duck egg greens, geometric carpets and chevrons of rosewood veneer. Unlike the light-bleed of the exterior spreads, the interior photographs are framed by a display-case darkness, not black so much as the colour of shadows, the colour of a noir film, characterised by the same elegant nihilism. The silence and poise of this well-preserved interior is contrapuntal to the hazy uncurated din of present day Los Angeles where social security is again so clearly lacking.\u003c\/p\u003e\n\u003cp\u003eNew Deal then is both the new deal and a new deal. One was an earnest promise, in the wake of the Great Crash in 1929, the other is emblematic of the logic of late capitalism—which is no kind of logic really—where everything is new and everything is a deal until, like the Bullocks Wilshire, we realise there is nothing left to sell.\u003c\/p\u003e\n\u003cp\u003eLeila Peacock\u003c\/p\u003e\n\u003cp\u003ePages: 64\u003cbr\u003eDimensions: 245 × 320 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English\u003cbr\u003eDesign: Samuel Bänziger, Rosario Florio, Larissa Kasper\u003cbr\u003ePublisher: Jungle Books\u003c\/p\u003e","brand":"Jungle Books","offers":[{"title":"Default Title","offer_id":39486452596821,"sku":"JBJB468","price":4290.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_503933f1-def9-4edc-8cd8-bc7a10efd2b3.jpg?v=1628234115"},{"product_id":"poster-collection-ja-nein-yes-no-swiss-posters-for-democracy","title":"Poster Collection: Ja! Nein! Yes! No! Swiss Posters for Democracy","description":"\u003cp\u003eThe Swiss population is called upon to participate actively in political decision-making processes through regular campaigns. These campaigns are often concerned with issues that stir up heated emotions and lead to ideological battles. Campaign posters, which have influenced opinion-making since the beginning of the 20th century, bear testimony to direct democracy. This special form of political propaganda – prominently associated with Switzerland – is a sensitive indicator of socio-political moods and reflects both national mentalities and global tendencies.\u003c\/p\u003e\n\u003cp\u003eJa! Nein! Yes! No! Swiss Posters for Democracy reveals the visual argumentation strategies and rhetorical approaches that have shaped the Swiss campaign poster from 1918 to the present. Clichéd exaggerations, undifferentiated simplifications, a repertoire of drastic motifs and abridged slogans correspond to the laws of the medium, which is oriented towards a manipulative appeal to the masses. Appeals to a sense of unity focus primarily on emotionalization rather than rational enlightenment. Subtly condensed messages or graphically innovative language are hardly to be found in campaign posters. And yet many renowned designers created works that have inscribed themselves in the collective visual memory of the Swiss population and have become icons of Swiss poster design.\u003c\/p\u003e\n\u003cp\u003ePages: 96\u003cbr\u003eDimensions: 165 × 240 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, German\u003cbr\u003eYear: 2021\u003cbr\u003ePublisher: Lars Müller Publishers\u003c\/p\u003e","brand":"Lars Müller Publishers","offers":[{"title":"Default Title","offer_id":39492783079509,"sku":"LMPC480","price":4620.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_325503aa-7042-4687-87d7-4902a008f160.jpg?v=1629200455"},{"product_id":"watering-my-horse-by-a-spring-at-the-foot-of-the-long-wall","title":"Xiaoxiao Xu: Watering My Horse by a Spring at the Foot of the Long Wall","description":"\u003cp\u003eXiaoxiao Xu embarks on a journey of 25,000 kilometres to document the lives of the people along the foot of the Great Wall of China. Contrary to popular belief, the wall is not a single, continuous structure, but rather a collection of walls and fortifications built during various Chinese dynasties. Her images show that, despite its decline in some of these parts, a lively relationship remains between the wall and local populations who honour and protect it. In the process, Xu attempts to discover the impact of fast-growing China on this historic site. The villages along the Great Wall still live by ancient traditions, but these are gradually disappearing. She captures this visual transformation.\u003c\/p\u003e\n\u003cp\u003ePages: 112\u003cbr\u003eDimensions: 240 × 330 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2020\u003cbr\u003ePublisher: The Eriskay Connection\u003c\/p\u003e","brand":"The Eriskay Connection","offers":[{"title":"Default Title","offer_id":39510820946005,"sku":"ECRF494","price":6270.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_eee0abbe-845c-43fa-945d-2d31766b4458.jpg?v=1630688752"},{"product_id":"thomas-geiger-peeing-in-public","title":"Thomas Geiger: Peeing in Public","description":"\u003cp\u003ePeeing in public is a battle, played out on fields economical, political, technological and sexual. Moreover, it is one battle fought continuously within sphere of gender; gender equality, gender identity and gender-based violence. The question of when, where and how is certainly a preoccupation for all kinds of people. These range from the Roman Emperor Vespasian, who discovered that there is money in urine; to Xi Jinping, who announced the Toilet Revolution; or Hillary Clinton, who upon returning late to a televised debate, simply stated “well, it takes women longer”.\u003c\/p\u003e\n\u003cp\u003ePages: 96\u003cbr\u003eDimensions: 100 × 145 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2020\u003cbr\u003eDesign: Astrid Seme, Studio\u003cbr\u003ePublisher: Mark Pezinger Books\u003c\/p\u003e","brand":"Mark Pezinger Books","offers":[{"title":"Default Title","offer_id":40017333387349,"sku":"MPTP635","price":1760.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_dca2d072-21c9-474c-a37f-5da152ccb3ea.jpg?v=1650542895"},{"product_id":"spreadsheet-1-21-green","title":"Spreadsheet #1–21 (Green)","description":"\u003cp\u003eSpreadsheet is a collection of artist’s writings reflecting on the present moment. Spreadsheet brings together artists from across the globe to give glimpses into their research and thought processes; how these current global conditions can be understood and analyzed, and how to potentially overcome certain disruptive aspects of a hyper-connected time created. The series of writings was published throughout the year 2020 from different modes of isolation via tria’s website to download and print at home. Spreadsheet #1–21 brings together the collection of all 21 publications with an exclusive artist edition by Lotte Meret Effinger. Spreadsheet grew out of what feels like an unprecedented moment of uncertainty, amplified precarity, resurgent nationalism and national mindsets, and little or no assurance of what our collective futures might entail. By assembling multiple, overlapping voices, we are creating a collective voice of this time. We must listen together in and out of this time. \u003c\/p\u003e\n\u003cp\u003ePages: 88\u003cbr\u003eDimensions: 210 × 297 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2020\u003cbr\u003eDesign: Sonja Zagermann\u003cbr\u003ePublisher: tria publishing platform\u003c\/p\u003e","brand":"tria publishing platform","offers":[{"title":"Default Title","offer_id":40179835600981,"sku":"EFNP713","price":3850.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_3_34065c33-42a7-46d3-81a5-c2d55a057123.jpg?v=1659856677"},{"product_id":"spreadsheet-1-21-light-green","title":"Spreadsheet #1–21 (Light Green)","description":"\u003cp\u003eSpreadsheet is a collection of artist’s writings reflecting on the present moment. Spreadsheet brings together artists from across the globe to give glimpses into their research and thought processes; how these current global conditions can be understood and analyzed, and how to potentially overcome certain disruptive aspects of a hyper-connected time created. The series of writings was published throughout the year 2020 from different modes of isolation via tria’s website to download and print at home. Spreadsheet #1–21 brings together the collection of all 21 publications with an exclusive artist edition by Lotte Meret Effinger. Spreadsheet grew out of what feels like an unprecedented moment of uncertainty, amplified precarity, resurgent nationalism and national mindsets, and little or no assurance of what our collective futures might entail. By assembling multiple, overlapping voices, we are creating a collective voice of this time. We must listen together in and out of this time.\u003c\/p\u003e\n\u003cp\u003ePages: 88\u003cbr\u003eDimensions: 210 × 297 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2020\u003cbr\u003eDesign: Sonja Zagermann\u003cbr\u003ePublisher: tria publishing platform\u003c\/p\u003e","brand":"tria publishing platform","offers":[{"title":"Default Title","offer_id":40188307701845,"sku":"EFNP725","price":3850.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_1_836b0383-e98e-4cd2-9bbf-122abc89621d.jpg?v=1659856709"},{"product_id":"spreadsheet-1-21-yellow-green","title":"Spreadsheet #1–21 (Yellow Green)","description":"\u003cp\u003eSpreadsheet is a collection of artist’s writings reflecting on the present moment. Spreadsheet brings together artists from across the globe to give glimpses into their research and thought processes; how these current global conditions can be understood and analyzed, and how to potentially overcome certain disruptive aspects of a hyper-connected time created. The series of writings was published throughout the year 2020 from different modes of isolation via tria’s website to download and print at home. Spreadsheet #1–21 brings together the collection of all 21 publications with an exclusive artist edition by Lotte Meret Effinger. Spreadsheet grew out of what feels like an unprecedented moment of uncertainty, amplified precarity, resurgent nationalism and national mindsets, and little or no assurance of what our collective futures might entail. By assembling multiple, overlapping voices, we are creating a collective voice of this time. We must listen together in and out of this time.\u003c\/p\u003e\n\u003cp\u003ePages: 88\u003cbr\u003eDimensions: 210 × 297 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2020\u003cbr\u003eDesign: Sonja Zagermann\u003cbr\u003ePublisher: tria publishing platform\u003c\/p\u003e","brand":"tria publishing platform","offers":[{"title":"Default Title","offer_id":40188307734613,"sku":"EFNP726","price":3850.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_2_0d0cf931-9842-45af-abf6-0c4df38d28b4.jpg?v=1659856729"},{"product_id":"jan-kempenaers-belgian-colonial-monuments-2","title":"Jan Kempenaers: Belgian Colonial Monuments 2","description":"\u003cp\u003eThis book is a continuation on the 2019 publication by Jan Kempenaers, ‘Belgian Colonial Monuments’. Kempenaers researched, sought out, and photographed another 60 monuments related to Belgium’s colonial past. To date, all of them can be found in the public space. The photographs raise certain questions, as Phillip Van den Bossche writes in the introduction, “How can you make the moments when you enter the public space (with countless monuments accumulated over time) ‘acceptable’ for as many people as possible? Why have no legal principles been elaborated… with regard to memorials and monuments? Why don’t they have an expiration date?”\u003c\/p\u003e\n\u003cp\u003ePages: 80\u003cbr\u003eDimensions: 220 × 220 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, Dutch\u003cbr\u003eYear: 2022\u003cbr\u003ePublisher: Roma Publications\u003c\/p\u003e","brand":"Roma Publications","offers":[{"title":"Default Title","offer_id":40448685113429,"sku":"RPBP801","price":5280.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_0fc2def5-0217-4e13-80fa-f232ae58b51e.jpg?v=1671375028"},{"product_id":"jens-liebchen-la-crossing","title":"Jens Liebchen: L.A. Crossing","description":"\u003cp\u003eThousands of kilometers by car and camera through Los Angeles – dream or nightmare? In his long-term project L.A. Crossing, which has been in the making since 2010, Jens Liebchen shows us the capital of unconditional automotive mobility like most of its inhabitants prefer to look at it: through the windows of their cars. Out of the moving car, Liebchen looks at a city that embodies the opposites of utopia and dystopia. L.A. Crossing itself sounds like the title of a movie, accordingly the street becomes a stage and the photography becomes a kind of still image. Bathed in the beguiling Californian light, the city appears fictitious and real at the same time. An icon of photographic art, Stephen Shore’s image »La Brea\/Beverly« serves as a theoretical starting point for Liebchen’s work. Beginning with the »La Brea Matrix Project«, which was centered around said photo, Liebchen has reversed the common view and now looks back from the street to the city. Neither does he stop, like Lee Friedlander (in “America by Car”), nor does follow a strict gird like Ed Ruscha (in “Every Building on the Sunset Strip”). Liebchen drives and drives and drives. From the privileged and air-conditioned perspective of the driver’s seat, the City of Angels lights and shadows are revealed.\u003c\/p\u003e\n\u003cp\u003eJens Liebchen (*1970) has been working as a freelance photographer since his studies of ethnology. His works and have been exhibited worldwide and can be found, among others, in the collection of the DZ BANK Kunstsammlung in Frankfurt a.M. and the Museum of Contemporary Art, Los Angeles. Liebchen lives and works in Berlin. He is represented by Springer Gallery.\u003c\/p\u003e\n\u003cp\u003ePages: 96\u003cbr\u003eDimensions: 280 x 320 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English, German\u003cbr\u003eYear: 2022\u003cbr\u003eDesign: Florian Lamm\u003cbr\u003ePublisher: Hartmann Books\u003c\/p\u003e","brand":"Hartmann Books","offers":[{"title":"Default Title","offer_id":40569568526421,"sku":"HBJL872","price":9900.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_eef6a412-a623-4dfb-b76b-3b637b23ce4a.jpg?v=1681464422"},{"product_id":"wolfgang-bellwinkel-vast-land","title":"Wolfgang Bellwinkel: Vast Land","description":"\u003cp\u003eBetween the year 849 and the present, Myanmar has had an astounding 22 capitals, while the seat of government has changed 39 times. Vast Land by Wolfgang Bellwinkel is a photographic study of the country‘s last three capitals: Mandalay (1857–1885), Yangon (1885–2005) and Naypyitaw (since 2005). All of them were planned on the drawing board; all are shaped by the political aspirations and the self-image of those who built them. Using these three cities as case studies, Bellwinkel tells the story of a country where one tragedy follows the next, from colonial oppression to the current state of emergency. World war, civil war, natural disasters, military dictatorship, ethnic conflicts, and displacement have left their marks of the capitals’ cityscapes. In contrast to the drama of rapidly unfolding events, Bellwinkel‘s images are sober and precise photographs that reveal the character and various historical layers of the three cities. In doing so, Bellwinkel undertakes nothing less than an archaeology of Myanmar‘s recent history. Complementing the photographs, the 20-page essay by sociologist Heinz Schütte offers an in-depth look at the history and present of the featured cities.\u003c\/p\u003e\n\u003cp\u003eWolfgang Bellwinkel (*1959) completed his degree in photography at the Folkwang University of the Arts in Essen in 1994 with a project on the war in Bosnia. Urbanization, social upheaval, political ­violence – but also his personal position in the world – are the major themes of the projects Bellwinkel realizes and exhibits internationally. Bellwinkel teaches at universities in Germany and Asia, living and working both there and in Berlin.\u003c\/p\u003e\n\u003cp\u003ePages: 144\u003cbr\u003eDimensions: 240 x 315 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English, German\u003cbr\u003eYear: 2022\u003cbr\u003eDesign: Sebastian Bissinger, BANK™\u003cbr\u003ePublisher: Hartmann Books\u003c\/p\u003e","brand":"Hartmann Books","offers":[{"title":"Default Title","offer_id":40569568591957,"sku":"HBWV875","price":8470.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_5af47dbf-c24c-4e73-8e77-dafcd0c90f38.jpg?v=1681464512"},{"product_id":"letter-callus-post-war","title":"Letter·Callus·Post-war","description":"\u003cp\u003eLetter·Callus·Post-war, this project starts with several journeys between Taiwan and the Indonesian archipelago. There is a lasting connection between these two countries in regard to their histories and current social situations. The colonies had been governed by different colonial regimes. Their native languages were eliminated. And the identity and feelings for the motherland were purposefully diluted. Moreover, whenever the governing body changes, the understanding of history and geography of a nation would be replaced by a new set of knowledge. In the post-war era, many cultural groups and individuals who are put at a disadvantage due to lack of discursive or militant power seem invisible. Yet their voices and memories might still be there despite that they choose to forget. In this exhibition, artists collect fragments of the past, research carefully on traces left in nature, cultural practice and personal micro-histories, and further dig out more means to articulate a discourse beyond the existing definition of politics and geography. What’s absurd and intriguing at the same time is that the residues of the past which could not be properly documented in written history have actually been passed on from generation to generation. They travel in the shadowed rifts, mutating and transforming into similar yet different manifestations in varied regions to be shared and divided.\u003c\/p\u003e\n\u003cp\u003ePages: 112\u003cbr\u003eDimensions: 185 x 255 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, Chinese\u003cbr\u003eYear: 2020\u003cbr\u003ePublisher: dmp editions\u003c\/p\u003e","brand":"dmp editions","offers":[{"title":"Default Title","offer_id":40592478896213,"sku":"DELC903","price":4070.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_3d69ba3a-43b3-4bf3-9599-c8ee714af6bb.jpg?v=1682790596"},{"product_id":"in-tropical","title":"In Tropical,","description":"\u003cp\u003eMilitary dependents’ village is a unique cultural landscape and a product of structural historical factors in Taiwan. After the Kuomintang (KMT) party retreated to Taiwan in 1949, housing for soldiers and their dependents were built hastily in enclosed areas. These provisional communities ended up becoming permanent settlements due to political and historical circumstances. Since the passage of the Act for Rebuilding Old Quarters for Military Dependents in 1996, however, many of them faced being relocated or torn down. These immigrant communities slowly turned into marginalized urban heterotopias, eventually becoming fragmented wastelands.\u003c\/p\u003e\n\u003cp\u003eThe book In Tropical, documents artists Lu Yi-Lun and Lin Yi-Chi’s “Zuoying Project,” a longterm project running from 2011 to 2016 in which a migration narrative about life in a military dependents’ village in tropical Zuoying is presented. During these five years, artists witness the rise and fall of many villages —from populated communities to ghost towns as people move away; from ghost towns to desolate historical sites after teardowns. Their creative trajectories and fieldwork in heterotopic wastelands are reflected in their journaling and a large amount of visual documentation.\u003c\/p\u003e\n\u003cp\u003eMoreover, the idea, “tropical,” highlights the range of two climates in Taiwan. Tropical and subtropical climates shape different ways of life in the South and the North. When someone travels into the tropical area, not only their geographical location changes but also their bodily senses adapt, which results in an indescribable intimate resonance between artists and Zuoying.\u003c\/p\u003e\n\u003cp\u003ePages: 280\u003cbr\u003eDimensions: 140 x 200 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, Chinese\u003cbr\u003eYear: 2019\u003cbr\u003ePublisher: dmp editions\u003c\/p\u003e","brand":"dmp editions","offers":[{"title":"Default Title","offer_id":40592478961749,"sku":"DEIT905","price":4070.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_2e1fdbf5-cd6f-4791-a0bd-75d3e85e4011.jpg?v=1682790642"},{"product_id":"the-history-of-the-concave-and-the-convex","title":"The history of the concave and the convex","description":"\u003cp\u003eCumulating via oversea residency projects and local researches these years, the artist Liu Yu has woven out a creative project themed with gold mine, presented in a form of solo exhibition The History of the Concave and the Convex. Mining industry moves people, gathers mining population, and alters landscapes drastically. Nevertheless, villages are desolated as soon as the mines depleted, lining up strings of ghost towns on the U.S soil. In Taiwan, thanks to the difference in population density, some are transformed into tourist attractions, while the others return to the Nature, blending themselves into the subtropical landscape. The book is a spinoff from the exhibition as well as an extensive reading material by offering passages of random daily trivia and datas regarding to key words and events. With pages cut into half in single coil binding, the book has been constructed in a fragmental style, leaving trails and clues to the readers to follow, to complete the stories.\u003c\/p\u003e\n\u003cp\u003ePages: 80\u003cbr\u003eDimensions: 135 x 205 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, Chinese\u003cbr\u003eYear: 2018\u003cbr\u003ePublisher: dmp editions\u003c\/p\u003e","brand":"dmp editions","offers":[{"title":"Default Title","offer_id":40592479060053,"sku":"DETH908","price":1980.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_e6d2c958-96ca-45ca-9654-eab24b3cecfb.jpg?v=1682790746"},{"product_id":"infinity-complex-landscape","title":"Yoshie Itasaka: Infinity Complex Landscape, Journey through the East Ukraine","description":"\u003cp\u003eIt is impossible for one nation to assimilate the culture of another nation completely. Life and development of culture has various patterns. The Culture of a creator and the culture of a borrower will continue to develop, but in different directions. All of this is often complicated by differing conditions and types. It is wrong to identify the merger of cultures with the assimilation of a foreign culture. As a general rule, only a mixture of cultures is possible. However, despite this impossibility, many nations exert immense effort in pursuit of such assimilation.\u003c\/p\u003e\n\u003cp\u003ePages: 32\u003cbr\u003eDimensions: 182 x 257 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2022\u003cbr\u003ePublisher: Yoshie Itasaka\u003c\/p\u003e","brand":"Yoshie Itasaka","offers":[{"title":"Default Title","offer_id":40629208481877,"sku":"YIIC940","price":1760.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_7913b5c2-f259-4361-ac0c-85f1af7c5c5b.jpg?v=1686129377"},{"product_id":"one-persons-utopia-is-anothers-dystopia","title":"Yoshie Itasaka: One Person’s Utopia is Another’s Dystopia, Journey through the Land of Israel-Palestine","description":"\u003cp\u003e“Every constructed reality is a myth, and the more people carry it on, the more real it becomes. Until you manage to look behind the surface.”\u003c\/p\u003e\n\u003cp\u003eAll current problems stem from past history. The recognition of facts may be disorderly due to differences in the historical perceptions of each country, historical revisions during each era, conflicts within each era and the communication of personal memories (histories) by immigrants (personal experiences) during war. Differences in terms of perceptions of morality may occur according to differences in religious and ethnic views. We must constantly recognise each change in era. (shifts in the beliefs of the country due to government changes, changes in world affairs). There are still conflicting worldviews, beliefs and religions in this world.\u003c\/p\u003e\n\u003cp\u003eIs it possible to have a utopia in which everyone’s ideals are realised. Our generation will have to rethink the true history and move on from the past.\u003c\/p\u003e\n\u003cp\u003ePages: 32\u003cbr\u003eDimensions: 182 x 257 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2019\u003cbr\u003ePublisher: Yoshie Itasaka\u003c\/p\u003e","brand":"Yoshie Itasaka","offers":[{"title":"Default Title","offer_id":40629208514645,"sku":"YIOP941","price":1760.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_627a5e73-ca96-45bb-a102-2e7de4ac185b.jpg?v=1686129399"},{"product_id":"voyage-voyage","title":"Voyage Voyage","description":"\u003cp\u003eVoyage Voyage forms an essential portrait of travel and commerce in the height of consumerism. By the 1970s mass tourism was accessible for hundreds of thousands of people and with it came the promotional T-shirt – a perfect souvenir for an era of mass globetrotting. The book collects Parisian photographer Melchior Tersen’s treasure trove of tourist T-shirts. The sheer volume of Tersen’s miscellany, formed as it is by various types of souvenir shirt may reflect Tersen’s obsession with mass consumerism but also, more importantly, gives us an insight into the artist’s psyche – he writes that sleeping in a tourist T-shirt allows him to dream.\u003c\/p\u003e\n\u003cp\u003ePages: 424\u003cbr\u003eDimensions: 170 x 220 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2023\u003cbr\u003ePublisher: Topsafe\u003c\/p\u003e","brand":"Topsafe","offers":[{"title":"Default Title","offer_id":40636535275605,"sku":"TSVV951","price":8140.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_33590ba6-09e6-4cfe-b0e9-117314d18a89.jpg?v=1687249098"},{"product_id":"heads-together","title":"David Jacob Kramer: Heads Together. Weed and the Underground Press Syndicate 1965–1973","description":"\u003cp\u003eThe youth uprising, now simply called “The Sixties,” was fed by one of the greatest booms in publishing history. The Underground Press Syndicate (UPS) began as a loose confederation of five papers in 1966, and within a few years swelled to over 500 across the world, reaching millions of readers. They “spread like weed,” said the UPS director, weed-dealer, and eventual founder of High Times, Tom Forcade. The metaphor was apt: the UPS spurred the legalization movement, and weed became its totem.\u003c\/p\u003e\n\u003cp\u003eWeed was so pervasive it became a helpful means for government agencies to crack down on the UPS. Weed came to emblematize activist groups, and added a touch of flair to the mastheads of UPS titles. Weed permeated UPS pages, with gaps in text crammed with weed-inspired “spot illustratios”.\u003c\/p\u003e\n\u003cp\u003eHeads Together collects these drawings, shining a light on lesser-known names in the stoner-art canon, and many who weren’t names at all, as no signature was attached. It also compiles guides for growing weed from the period that were treated like contraband by the CIA. Activist-oriented, psychedelic rolling papers are showcased too.\u003c\/p\u003e\n\u003cp\u003eAs pot now fast-tracks toward legalization in the U.S. and beyond, its once incendiary status is brought into odd relief. Pot’s profiteers of the corporate market today do not reflect those who fought for legalization, or the Black and Latino populations strategically criminalized for pot well before hippies were targeted, and long after.\u003c\/p\u003e\n\u003cp\u003eThe art in this book speaks to a time when pot was smoked with optimism, as something potentially good for society and people, capable of activating profound transformation in the face of corrupt and powerful forces.\u003c\/p\u003e\n\u003cp\u003ePages: 556\u003cbr\u003eDimensions: 190 × 250 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2023\u003cbr\u003ePublisher: Edition Patrick Frey\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":40644981063765,"sku":"EPDH945","price":8800.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_3a2172c1-5b65-48ce-8661-b932c1a3dd3b.jpg?v=1688714798"},{"product_id":"through-the-mines-of-iglesias","title":"G. Meloni, G. Peghin: Travels in Sardinia - Through the Mines of Iglesias","description":"\u003cp\u003e‘Voyages en Sardaigne (Travels in Sardinia)’ is a collection of unconventional thematic guides on this island in the middle of the Mediterranean. They offer to the reader different ways of observation and restitution of its territory, always characterized by an uncertain temporality: the present and the past merge to build a unique landscape, far from the convulsive setting of the contemporaneity.\u003c\/p\u003e\n\u003cp\u003e‘Nelle miniere di Iglesias \/ Through the Mines of Iglesias’ is the first part of an exploration that focuses on soil, excavations, incisions, mutations, transpositions and silence of Sulcis-Iglesiente, a territory marked by an industrial history. A wandering through time and space of a region «built», transformed, crossed by different types of works, infrastructures, relationships between things. These signs, these scars, are today the distinctive features of an extraordinary mining landscape. A space to discover through visual and textual narration. \u003c\/p\u003e\n\u003cp\u003ePages: 128\u003cbr\u003eDimensions: 240 × 270 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, French, Italian\u003cbr\u003eYear: 2022\u003cbr\u003eDesign: Spassky Fischer\u003cbr\u003ePublisher: Caryatide\u003c\/p\u003e","brand":"Caryatide","offers":[{"title":"Default Title","offer_id":40648753545301,"sku":"CATT973","price":5500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_b03baef3-21c0-43ca-a825-78a7d7e632b5.jpg?v=1689842647"},{"product_id":"sem-langendijk-haven","title":"Sem Langendijk: Haven","description":"\u003cp\u003eSem Langendijk witnessed the disruptive effects of gentrification during his upbringing in a peripheral area of a large city. For nearly 30 years, he lost his connection to the place where he lived. His work therefore involves examining the identity of a place and the relation people have with their environment. His first book, ‘Haven’, tells the coming of age story of a boy in a rapidly changing place – a long-term research project into shifting demographics, waterfront development, and the dynamics of gentrification. Here Langendijk looks at the environments of different port cities in a documentary fiction, emphasising the transformation of disused docklands and the communities that reside there.\u003c\/p\u003e\n\u003cp\u003ePages: 152\u003cbr\u003eDimensions: 220 × 300 mm\u003cbr\u003eBinding: Hardcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2022\u003cbr\u003ePublisher: The Eriskay Connection\u003c\/p\u003e","brand":"The Eriskay Connection","offers":[{"title":"Default Title","offer_id":40661924347989,"sku":"ECSH996","price":6600.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_a5de98fa-7dba-483a-bb67-9239352c08d4.jpg?v=1692186374"},{"product_id":"swan-lake","title":"Swan Lake","description":"\u003cp\u003eTwo medical workers performed a ‘Swan Lake’ routine to celebrate COVID‑19 patients getting discharged. Through rearranging video clips to reflect the left-to-right sequence and the humor of the dancing piece. The book designed by Beijing based design studio \u003ca href=\"https:\/\/www.instagram.com\/sunxiaoxi_xiaoxisun\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ePAY2PLAY\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eBinding: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2020\u003cbr\u003eDesign: PAY2PLAY\u003cbr\u003ePublisher: PAY2PLAY\u003c\/p\u003e","brand":"PAY2PLAY","offers":[{"title":"Default Title","offer_id":40669848633429,"sku":"PPSL1001","price":4400.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_37dfd645-c27a-4537-ba41-b5356d0b11a7.jpg?v=1692870328"},{"product_id":"the-nanjing-yangtze-river-bridge-memory","title":"The Nanjing Yangtze Rive Bridge Memory","description":"\u003cp\u003eThe whole book restores the unique materials, temperament and connotation of that era. Through the re-editing of historical materials and images, we try to use the bridge as the entry point to restore the most authentic China to the world.\u003c\/p\u003e\n\u003cp\u003eIn the 1950s and 1960s，China was in the cold war period of the world-level two-tier structure and the great change period of Sino-Soviet relations. It was in the double dilemma of trying to defeat nature (the Yangtze River Tianzhu) and history (the poverty and weakness). In the self-reliance period of efforts to get rid of the Soviet restraint, the Nanjing Yangtze River Bridge inevitably stood in the position of miracle and became a symbol of the highly symbolized China that was irreplaceable in that historical period.\u003c\/p\u003e\n\u003cp\u003eFrom a contemporary perspective, the designer has given the book a sense of nostalgia in the historical era, while avoiding the simple listing of historical materials, thus realizing the interactive transformation and vivid contrast between the two clues of history and modernity.The red plastic cortex of the cover truly reproduces the irreplaceable China that was very rich and identifiable 50 years ago. In the era of building bridges, almost all of China's books were made of plastic covers. These books accurately conveyed the unique and collectivist Chinese spirit of that era just as same as the Nanjing Yangtze River Bridge.\u003c\/p\u003e\n\u003cp\u003eThe design of this book seeks to reproduce the “truthful and simple power of a monument” in the process of “taking a socialist road different from the Soviet Union.” Thereby, it evokes the Chinese memory of the “all the imaginable things have almost a bridge figure”.\u003c\/p\u003e\n\u003cp\u003eText from qqqqdesign.com\u003c\/p\u003e\n\u003cp\u003eDimensions: 131× 186 mm\u003cbr\u003eFormat: Softcover, Slipcase\u003cbr\u003eYear: 2019\u003cbr\u003eLanguage: Chinese\u003cbr\u003eDesign: Qu Minmin \u0026amp; Jiang Qian\u003cbr\u003ePublisher: Jiangsu Phoenix Fine Arts Publishing\u003c\/p\u003e","brand":"Jiangsu Phoenix Fine Arts Publishing","offers":[{"title":"Default Title","offer_id":40685034111061,"sku":"JPTN1022","price":10890.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_921332c8-19c6-4a3d-9648-2997312c99d2.jpg?v=1695227074"},{"product_id":"a-carpenter-and-his-taiwan-exposition-2nd-edition","title":"A Carpenter and His Taiwan Exposition (2nd Edition)","description":"\u003cp\u003eA collection of “Taiwan Expo” held in Taiwan during the Japanese colonial period in 1935. It contains a copy of “Taiwan Expo Bird‘s Eye View” and “Taipei City Street Map” and record of 300 memorial seals of the time. The book designed by Taiwanese leading graphic designer Wang Zhi-Hong.\u003c\/p\u003e\n\u003cp\u003ePages: 384\u003cbr\u003eDimensions: 148 × 210 mm\u003cbr\u003eBinding: Softcover\u003cbr\u003eLanguage: Chinese\u003cbr\u003eYear: 2023\u003cbr\u003eDesign: Wang Zhi-Hong\u003cbr\u003ePublisher: Rye Field Publications\u003c\/p\u003e","brand":"Rye Field Publications","offers":[{"title":"Default Title","offer_id":40694744973397,"sku":"RFAC1028","price":5500.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_b2721297-bf9e-4829-8db7-d65946eef6ff.jpg?v=1695886444"},{"product_id":"the-presidents-relatives","title":"The President’s Relatives: Uncovering the Umbilical Relationship and Nepotism of Taiwan’s Rich and Powerful Families","description":"\u003cp\u003eThe book describes the kinship networks of powerful and influential families in Taiwan. Using over 4,000 obituaries and marriage announcements, as well as books and genealogies provided by various sources, it reveals the nepotism of Taiwan's powerful and influential families. The book designed by Taiwanese graphic designer Wang Zhi-Hong.\u003c\/p\u003e\n\u003cp\u003ePages: 560\u003cbr\u003eDimensions: 148 × 210 mm\u003cbr\u003eBinding: Softcover\u003cbr\u003eLanguage: Chinese\u003cbr\u003eYear: 2022\u003cbr\u003eDesign: Wang Zhi-Hong\u003cbr\u003ePublisher: Rye Field Publications\u003c\/p\u003e","brand":"Rye Field Publications","offers":[{"title":"Default Title","offer_id":40694745006165,"sku":"RFTP1029","price":3740.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_7c277ad7-8698-4c5b-bb21-d94e60f079be.jpg?v=1695886557"},{"product_id":"dream-machine","title":"Ruben Lundgren: Dream Machine","description":"\u003cp\u003eWe can only imagine how mind-blowing it would have been to have witnessed the arrival of the first ever automobiles in China. Over a century ago, city folk and ordinary farmers must have stopped whatever they were doing to admire the mysterious vehicle which moved seemingly without human effort. Some said it was driven by ‘evil spirits’. But then, they had said the same about the invention of the camera and its magic mirror years before. Others, with a slightly better sense of humour, called it a ‘foreign house walking’, or even wittier, a ‘fart cart’, for the black smoke that invariably dissolved into the air behind it.\u003c\/p\u003e\n\u003cp\u003eIt’s a common mistake however to believe that by the early 1900s, the Chinese population was hostile towards foreign products or modernity. Generally speaking, they enthusiastically embraced new trends that were then pragmatically woven into the fabric of everyday life. Luxury imports were used by elites as visual evidence of social status, while cheap imitations satisfied the demand for new products among ordinary people: both were absorbed into a culture that without the tangible and craved the new. [1]\u003c\/p\u003e\n\u003cp\u003eIn Hangzhou for example, large crowds at the West Lake marvelled at photographic slide shows demonstrating that ‘the eyes can take the audience to many places’. By the 1930s, the city had dozens of photographers. Ordinary people could have their portrait taken in black and white while those with more cash had theirs painstakingly tinted by hand. Inside the photo studio, efforts were made to recreate a modern atmosphere with painted landscape backgrounds and foregrounds of the latest machinery in fashion. From the first motorcycles in the 1940s, to tanks in the 1950s, planes in the 1960s and televisions in the 1980s, the eagerness for new technology has proven to be a continuous cultural habit that can still be felt today.\u003c\/p\u003e\n\u003cp\u003eThis album consists of 35 photographs I collected at antique markets and via websites in China over the past decade. The colourful graphics are copied from an album originally produced in the 1960s which offers a historical tour along the banks of the famous West Lake. The portraits capture the futuristic appeal that machines like cars, planes or televisions once had. Like the invention of the internet, smartphone or e-bike in recent decades, most innovations slowly slip away into the common present.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e[\u003c\/span\u003e1\u003cspan\u003e]\u003c\/span\u003e Frank Dikötter, Exotic Commodities, Modern Objects and Everyday Life in China, Columbia University Press, New York, 2006\u003c\/p\u003e\n\u003cp\u003eBeijing based photographer and curator Ruben Lundgren graduated from China Central Academy of Fine Arts in 2011. He made a name within the conceptual photography duo WassinkLundgren with publications as ‘Empty Bottles’ (2007) and ‘Tokyo Tokyo’ (2010). FOAM showed a retrospect of their work in 2013. He works as a photojournalist for Dutch newspaper ‘De Volkskrant’ and as an independent curator of Chinese photography. Together with Martin Parr he co-edited ‘The Chinese Photobook’ (2015). Other publications include ‘Hlleo?’ (2018) and ‘MeNu’ (2018) a tasty collection of Chinese vernacular food photography. As a guest curator of BredaPhoto 2020 he curated ‘China Imagined’ offering 24 contemporary photography projects from China including the sticker album ‘Wow Taobao’. In 2021 he edited the book Ellen Thorbecke: From Peking to Paris, and published Real Dreams with his journalistic works made all over China. His photographs and books are collected by various private and public collections and have also been exhibited at international galleries and museums including FOAM photography museum (Amsterdam), The Archive of Modern Conflict (London) and Ullens Centre for Contemporary Art (Beijing).\u003c\/p\u003e\n\u003cp\u003ePages: 68\u003cbr\u003eDimensions: 180 × 255 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English, Chinese\u003cbr\u003eYear: 2023\u003cbr\u003ePublisher: Jiazazhi\u003c\/p\u003e","brand":"Jiazazhi","offers":[{"title":"Default Title","offer_id":40741954322517,"sku":"JIRD1083","price":7700.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_2e1bc95a-61e5-48d9-b5cf-4deb0a0592c8.jpg?v=1703668722"},{"product_id":"steles-huang-yi-project","title":"Taca Sui: Steles - Huang Yi Project","description":"\u003cp\u003eThe latest body of work collectively titled Steles focuses on the stone steles that have played such a crucial role in the documentation of the history of China. In this case Taca Sui was inspired by the late Qing dynasty imperial bureaucrat Huang Yi (1744 – 1802) who in his leisure time was also a dedicated amateur archaeologist, painter, poet and calligrapher. In the last years of the 18th century he made two trips in which the focus was on documenting steles mainly located in Shandong Province and Henan Province. Through his travel diaries, paintings, and rubbings, he provided an invaluable record of cultural artifacts that otherwise might have disappeared altogether through neglect. In planning his own trips, Taca consulted Huang Yi’s diaries, Diary on Visiting Steles near Mount Song and the Luo River and Diary on Visiting Historical Steles from Jining to Tai’an.\u003c\/p\u003e\n\u003cp\u003eLike Huang Yi 200 years before him, Taca embarked on expeditions to locate traces of the past as preserved in steles but whereas Huang Yi could still identify, describe and catalogue actual examples, Taca had to be satisfied with inscriptions that are largely erased through the passage of time or exist only in fragmentary state. Recognizing the futility of his task, he nonetheless perseveres in preserving whatever he can. At the opposite end of the spectrum from documentary photography, Taca’s images have a forlorn and timeless beauty that are simultaneously totally specific and yet evocative of the relentless passing of time.\u003c\/p\u003e\n\u003cp\u003eTo accomplish this, he uses silver barium sulfide photographic paper which contributes greatly to the effects he wants to convey. As a result of its intrinsic qualities, this type of photographic paper results in elusive images since unless seen from a specific angle, they dissolve into silver reflected light.\u003c\/p\u003e\n\u003cp\u003eTaca is the latest link in a chain that began with Huang Yi when he recorded his discoveries in his diaries and shortly before his death showed his painting to friends when they came to visit him, as well as sending them to Beijing and Hangzhou. Copies of the 400 or so rubbings he made were also widely circulated. Taca followed in Huang Yi’s footsteps and contributes to the ongoing dialogue not through additions to the scholarly record but through his own poetic insights.\u003c\/p\u003e\n\u003cp\u003ePages: 224\u003cbr\u003eDimensions: 170 × 224 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English, Chinese\u003cbr\u003eYear: 2022\u003cbr\u003ePublisher: Jiazazhi\u003c\/p\u003e","brand":"Jiazazhi","offers":[{"title":"Default Title","offer_id":40741954355285,"sku":"JITS1084","price":7700.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_a2b731c4-97c8-4bd5-8631-784af617f6ce.jpg?v=1703668532"},{"product_id":"slanted-43","title":"Slanted Magazine #43—Ukraine","description":"\u003cp\u003eThis Slanted issue is not about war. Instead, it delves into the lives of remarkable individuals within the creative industry in and hailing from Ukraine, as they endeavor to maintain a semblance of normalcy amidst their diligent efforts. This narrative underscores the inseparable bond between culture and design, raising the question of its feasibility.\u003c\/p\u003e\n\u003cp\u003eDuring the NEED conference in Warsaw in early September 2023, the Ukrainian delegation motivated the Slanted team to initiate a magazine dedicated to the Ukrainian design sphere, advocating that “better now than never!” Without their invaluable assistance, input, and valor, such an endeavor would have been inconceivable. The editorial policy refrains from producing issues centered on a city or country if physical presence isn’t feasible, as the essence of a place cannot truly be captured from a distance. However, with each new connection established, the palpable tension among individuals becomes increasingly apparent, underscoring the universal impact of current circumstances.\u003c\/p\u003e\n\u003cp\u003eThe sheer volume of nearly 1,500 submissions was overwhelming, and the selection process inherently subjective. Despite meticulous deliberations, every decision, formulation, and work runs the risk of being perceived as flawed, insufficient, or misunderstood. The compilation features 20 interviews with designers and creatives both within and beyond Ukraine, offering diverse insights, responses, and perspectives.\u003c\/p\u003e\n\u003cp\u003eMany of the showcased works and texts reflect upon the ongoing war, which has persisted for over two years. Despite this, there remains a glimmer of hope for its resolution, with a collective aspiration for design discourse to eventually transition to other topics. This issue serves as a significant contemporary time capsule, a testament to the profound impact of design, and an expression of Slanted Publishers’ unwavering commitment to this cause.\u003c\/p\u003e\n\u003cp\u003ePages: 224\u003cbr\u003eDimensions: 160 × 240 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2024\u003cbr\u003ePublisher: Slanted Publishers\u003c\/p\u003e","brand":"Slanted Publishers","offers":[{"title":"Default Title","offer_id":40820234027093,"sku":"SPSM1167","price":4180.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_c5f5665c-f906-4870-ae5b-29f69ba4ec76.jpg?v=1715331641"},{"product_id":"thecityasahouse","title":"TheCityAsAHouse","description":"\u003cp\u003e“TheCityAsAHouse” is a visually stunning art book that challenges the concept of the private home. In this experiment, a 30-year-old European lives in Tokyo without a private home, relying only on a smartphone. Traditional private spaces such as bedrooms, kitchens, and bathrooms are abolished, and public spaces become the norm for daily needs. The book explores the implications of the shift of privacy to non-domestic spaces and asks whether a new form of nomadic living is emerging.\u003c\/p\u003e\n\u003cp\u003eIt also explores the potential for new artistic and architectural possibilities and infrastructure for society. The book includes various types of data collected during the experiment and offers a digital journey through the game experiences to discover new perspectives. “TheCityAsAHouse” invites readers to reflect on the future of society and living without traditional homes, and encourages them to embrace the possibilities that lie ahead.\u003c\/p\u003e\n\u003cp\u003ePages: 196\u003cbr\u003eDimensions: 190 × 270 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, Japanese\u003cbr\u003eYear: 2023\u003cbr\u003eEditor: Rebecca Merlic\u003cbr\u003eTexts: Rebecca Merlic, Gerfried Stocker, Michaela Wimplinger, Manuela Hillmann, Helen Starr, Franz Smola, Dominik Strzelec, Andreas Spiegl\u003cbr\u003eDesign: Studio Es\u003cbr\u003ePublisher: VfmK\u003c\/p\u003e\n\u003c!----\u003e","brand":"VfmK","offers":[{"title":"Default Title","offer_id":40837079990357,"sku":"VFTC1178","price":8360.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_59500b42-432a-459c-be77-602b481febfb.jpg?v=1716368462"},{"product_id":"shi-yangkun-retrotopia","title":"Shi Yangkun: Retrotopia","description":"\u003cp\u003eFrom 2018 to 2021, Shi Yangkun spent four years photographing three villages, Huaxi Village in Jiangsu, Nanjie Village in Henan, and Dazhai Village in Shanxi. The street scenes, buildings and people's clothing there are not much different from other small towns in China. The pictures are all daily scenes and persons. The space in the village is silent, and the postures and expressions of the persons are also calm.\u003c\/p\u003e\n\u003cp\u003eWhat a photo can only obtain is a slice of a certain time and space, which creates a tension between the detailed and true reality in a moment and the unrecordable reality as a whole. These three villages that once shared the era of collectivism have finally come to today's individual, fragmented and fluid contemporary era, with no clear vision of the future. This is the familiar scene after industrialization and marketization, which provides mixed feelings.\u003c\/p\u003e\n\u003cp\u003eJust like the title “Retrotopia” implies, Shi Yangkun's record strives to capture a series of fleeting portraits of a huge dream in the fleeting history. This dream was once lost, but it continues with difficulty in the form of nostalgia. The authenticity provided by this series of photographs amounts to a forced direct examination of these marginalized memories and the current status of those who carry them.\u003c\/p\u003e\n\u003cp\u003ePages: 134\u003cbr\u003eDimensions: 220 × 270 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: Chinese, English\u003cbr\u003eYear: 2024\u003cbr\u003ePublisher: Jiazazhi\u003c\/p\u003e\n\u003c!----\u003e","brand":"Jiazazhi","offers":[{"title":"Default Title","offer_id":40869465555029,"sku":"JISR1213","price":7150.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_b932c20f-dba3-4731-8df8-9ea80e1c92da.jpg?v=1721212267"},{"product_id":"control-refresh","title":"Toma Gerzha: Control Refresh","description":"\u003cp\u003e‘Control Refresh’ documents the lives of young people in Russia, strongly influenced by tradition, social media, and politics. A Russian passport gave Toma Gerzha (RU\/NL) access to (remote) cities in Russia over the past three years. She captured her peers living, dreaming, and enjoying themselves while surrounded by war propaganda. These are difficult times for Russian Gen Z’s. They are afraid to speak out against the war. They see the military propaganda around them and fear being drafted to fight in Ukraine. 'Control Refresh' features a variety of photographs, captions, and a timeline of events from Russia’s recent history to provide context for the youth’s well-being.\u003c\/p\u003e\n\u003cp\u003ePages: 160\u003cbr\u003eDimensions: 230 × 320 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2024\u003cbr\u003ePublisher: The Eriskay Connection\u003c\/p\u003e","brand":"The Eriskay Connection","offers":[{"title":"Default Title","offer_id":40909904707669,"sku":"ECTC1278","price":6600.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_f58b7f55-8564-42a9-81b3-5d1e61da6114.jpg?v=1729497215"},{"product_id":"deponie","title":"Tobias Kruse: Deponie","description":"\u003cp\u003eDeponie is a publication by photographer Tobias Kruse, exploring feelings of fear, anger and aggression in contemporary East German society, reminiscent of Tobias’ own youth, growing up in 1990s East Germany after the fall of the Berlin Wall. The title Deponie (Deposit) refers to the toxic-waste dump Ihlenberg near the city of Schwerin, where both the former Eastern and Western Governments would dispose of their toxic waste.\u003c\/p\u003e\n\u003cp\u003eThe newspaper format publication, both edited, designed and published by HelloMe, breathes new life into one of the most disposable forms of print publishing. This limited, signed and numbered edition is published on the occasion of a series of exhibitions held at Deichtorhallen Hamburg, Fotoforum Frankfurt and FOAM Amsterdam.\u003c\/p\u003e\n\u003cp\u003ePages: 16\u003cbr\u003eDimensions: 320 × 480 mm\u003cbr\u003eFormat: Newspaper\u003cbr\u003eLanguage: English, German\u003cbr\u003eYear: 2020\u003cbr\u003eDesign: HelloMe\u003cbr\u003ePublisher: HelloMe\u003c\/p\u003e","brand":"HelloMe","offers":[{"title":"Default Title","offer_id":40915410747477,"sku":"HMTD1292","price":2090.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_28da1801-cfdc-4492-a24f-72a8caca772c.jpg?v=1729893701"},{"product_id":"vic-bakin-epitome","title":"Vic Bakin: Epitome","description":"\u003cp\u003e‘Epitome’ by Kyiv-based artist Vic Bakin combines photographs from his archive with recent images made in war- torn areas, all printed in a makeshift darkroom in his apartment. Collectively, the entangled images create a personal visual poem exploring themes of fragility, beauty, masculinity, war and uncertainty.\u003c\/p\u003e\n\u003cp\u003eBakin, a self-taught photographer, had been making images of Ukrainian youth for many years, often focusing on queer communities and sub-cultures—all united by the shared experience of coming of age. He began to revisit his archive of work to create a project exploring themes of masculinity and youth. For this purpose, in 2020 he began to print his work in a darkroom in his bathroom, enjoying the alchemy of the process and the tactile nature of the prints with all their imperfections. Then war came to Ukraine and the tone of the project began to metamorphosize. Some of those in the portraits would now be enlisted to fight in the war.\u003c\/p\u003e\n\u003cp\u003eBakin began to photograph landscapes scarred by war alongside damaged trees, rivers and fields of marching sunflowers. He would now develop the prints during air raids with a womb- like red light of the darkroom providing a place of safety and escape from reality. At one point he ran out of paper fixer and continued to use the same mixture until it was exhausted. The chemical imperfections also resulted in red and purple visual bruises on many of the images, an allegory for blood on the land.\u003c\/p\u003e\n\u003cp\u003ePages: 176\u003cbr\u003eDimensions: 210 × 260 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2024\u003cbr\u003ePublisher: Void\u003c\/p\u003e","brand":"Void","offers":[{"title":"Default Title","offer_id":40947954942037,"sku":"VOVE1361","price":8910.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_6eec1e77-a36f-4f9f-91cb-31cb13779087.jpg?v=1734679047"},{"product_id":"superstorm","title":"Superstorm: Design and Politics in the Age of Information","description":"\u003cp\u003eWith politics and the internet increasingly interwoven, new media design confronts the cultural challenges of the present. Over the past two decades, the relationship between politics and new media has tightened steadily, giving rise to a \"superstorm\" of sorts. Within this intersection, politics mingles with entertainment and communication is hyper-mediated through algorithms, memes and alternate realities. Anchored in a nostalgic past, designers who want to interact with politics face a great number of challenges involving issues such as agency, mediation and authorship. At the same time, it might be precisely this uncertain future that holds the key to questioning, critiquing and reformulating their role and purpose within the political sphere. Written from a historical-critical perspective, Superstorm: Politics and Design in the Age of Information traces the development of the superstorm from the 1960s to the present and proposes new coordinates that designers can follow in order to, eventually, face its relentless evolution.\u003c\/p\u003e\n\u003cp\u003ePages: 256\u003cbr\u003eDimensions: 110 x 170 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2024\u003cbr\u003ePublisher: Onomatopee\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":40947954974805,"sku":"ONSD1362","price":3630.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_67fea800-295e-47a1-9966-b43667dcee20.jpg?v=1735579956"},{"product_id":"promises-then-the-storm","title":"Promises, Then the Storm: Notes on Memory, Protest, and the Israel–Gaza War","description":"\u003cp\u003eOn the outbreak of the war in Gaza in October 2023, Melani McAlister began to use her journal to track the rapid development of the conflict and the parallel evolution in the ways it was represented in the US media. Drawing on McAlister’s decades of experience as a scholar of US–Middle East relations, as well as her personal history in activism, this incisive and dynamic text traces the devastating development of the current war in real time, identifying echoes with previous moments in the history of the region and the protests and artistic responses they prompted. This series of meditations explores the enduring power of narrative and memory, threading throughout the work of Arab and Arab American poets and musicians to tell a story of Palestinian resistance and resilience.\u003c\/p\u003e\n\u003cp\u003eEncompassing the earliest political promises, made and broken, that laid the ground for the Israel–Palestine conflict, subsequent wars and attempts at peace, through to the flashpoint campus protests of 2024, this text serves as a primer to the history of the region and its unique place in global consciousness. Promises, Then the Storm is a reflection on the significance of Palestinian liberation at a moment when it has never been more urgently at stake – one that reckons with possibilities for justice and equality and the hopes carried by activists and artists, against all odds, into the future.\u003c\/p\u003e\n\u003cp\u003ePages: 185\u003cbr\u003eDimensions: 125 x 195 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2024\u003cbr\u003ePublisher: MACK\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":40947955302485,"sku":"MAPT1372","price":3300.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_bcd46ef4-21a6-418f-8d6c-be8cf7aaafac.jpg?v=1734799937"},{"product_id":"deffarge-troeller-stern-features-and-films","title":"Deffarge \u0026 Troeller: Stern Features and Films","description":"\u003cp\u003eMarie-Claude Deffarge and Gordian Troeller's features and film documentaries: an oustanding legacy of 20th-century journalism.\u003c\/p\u003e\n\u003cp\u003eMarie-Claude Deffarge (1924–1984) and Gordian Troeller (1917–2003) collaborated as freelance journalists from the 1950s on, reporting subjectively and controversially from all over the world. This first comprehensive book on their work celebrates their outstanding features and film work that reveal the evolution of 20th-century critical photojournalism and has lost nothing of its relevance: Deffarge \u0026amp; Troeller investigated the roots of political conflicts that continue to shape world events to this day.\u003c\/p\u003e\n\u003cp\u003eMore than 1000 images—photos, entire reportages and film previews, book maquettes, contact sheets, film stills and scripts, as well as other documents—are supplemented by texts that contextualize Deffarge \u0026amp; Troeller’s core topics, their approach, and the reception of their work. In addition, media professionals from some of the countries Deffarge \u0026amp; Troeller reported from comment on the duo's reportages and documentaries, offering new, contemporary perspectives on a journalism that, despite its critical stance, was inevitably shaped by a Eurocentric view of the world.\u003c\/p\u003e\n\u003cp\u003ePages: 294\u003cbr\u003eDimensions: 225 x 315 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, German\u003cbr\u003eYear: 2024\u003cbr\u003ePublisher: Scheidegger \u0026amp; Spiess\u003c\/p\u003e","brand":"Scheidegger \u0026 Spiess","offers":[{"title":"Default Title","offer_id":41039161622613,"sku":"SSDS1439","price":10010.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_1d7216a5-e350-43cb-ba67-4e7cfdb1e4b4.jpg?v=1741767044"},{"product_id":"strikethrough","title":"Strikethrough: Typographic Messages of Protest","description":"\u003cp\u003eA powerful new look at history-making uses of lettering, type, and design to amplify resistance and inspire change. In chapters exploring the many ways to voice dissent (RESIST!, VOTE!, STRIKE!, TEACH!, and LOVE!), Strikethrough charts a typographic chant of resistance across more than a century of protest graphics—from nineteenth-century antislavery broadsides to the colorful affiches of the Paris 1968 uprising, and from the revolutionary Black Panther newspaper to the public awareness posters of the AIDS crisis.\u003c\/p\u003e\n\u003cp\u003ePages: 280\u003cbr\u003eDimensions: 198 x 250 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2022\u003cbr\u003ePublisher: Letterform Archive\u003c\/p\u003e","brand":"Letterform Archive","offers":[{"title":"Default Title","offer_id":41050781220949,"sku":"LAST1453","price":11000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_e813fd8c-b398-4768-a629-855164895710.jpg?v=1742720753"},{"product_id":"i-find-myself","title":"Barbara Steveni: I Find Myself","description":"\u003cp\u003e‘I Find Myself’ invites us to embark on an intimate and transformative journey. Published with the first retrospective exhibition of artist-activist Barbara Steveni (1928–2020), the book presents her influential work as an artist, organiser, negotiator, and pioneer of social practice. Focusing on her collaborative practice, it brings together archival documents, images of the artist at work, assemblage pieces, and Steveni’s efforts with the Artist Placement Group (APG). Her surrealist practice encourages conversation and engages with the performative art of everyday work, reminding us of the importance of art in the context of industrial and governmental processes.\u003c\/p\u003e\n\u003cp\u003ePages: 320\u003cbr\u003eDimensions: 170 × 240 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2025\u003cbr\u003ePublisher: Modern Art Oxford\u003c\/p\u003e","brand":"Modern Art Oxford","offers":[{"title":"Default Title","offer_id":41425970069589,"sku":"MABI1546","price":6930.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_20fc05fd-1ee2-4645-94c4-d6fd45b9b9a6.jpg?v=1751873678"},{"product_id":"chinese-propaganda-posters","title":"Chinese Propaganda Posters","description":"\u003cp\u003eMao’s starring role in Chinese propaganda art.\u003c\/p\u003e\n\u003cp\u003eWith his smooth, warm, ruddy face which radiated light in all directions, Chairman Mao Zedong was a fixture in Chinese propaganda posters produced between the birth of the People’s Republic in 1949 and the early 1980s.\u003c\/p\u003e\n\u003cp\u003eChairman Mao, portrayed as a stoic superhero (aka the Great Teacher, the Great Leader, the Great Helmsman, the Supreme Commander), appeared in all kinds of situations (inspecting factories, smoking a cigarette with peasant workers, standing by the Yangzi River in a bathrobe, presiding over the bow of a ship, or floating over a sea of red flags), flanked by strong, healthy, ageless men and “masculinized” women and children wearing baggy, sexless, drab clothing. The goal of each poster was to show the Chinese people what sort of behavior was considered morally correct and how great the future of Communist China would be if everyone followed the same path toward utopia by uniting together.\u003c\/p\u003e\n\u003cp\u003eThis book brings together a selection of colorful propaganda artworks and cultural artifacts of Chinese propaganda posters, many of which are now extremely rare.\u003c\/p\u003e\n\u003cp\u003ePages: 512\u003cbr\u003eDimensions: 156 x 217 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2026\u003cbr\u003ePublisher: Taschen\u003c\/p\u003e","brand":"Taschen","offers":[{"title":"Default Title","offer_id":42848316686421,"sku":"TSCP1897","price":6820.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_fa4591bb-43ce-4578-8a73-dbfdb8b0a23f.jpg?v=1786436121"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/collections\/2_cb7e6d6e-73ce-4710-ae38-efc4011c2c49.jpg?v=1750613094","url":"https:\/\/www.northeastshop.com\/en\/collections\/politics.oembed","provider":"North East","version":"1.0","type":"link"}