{"title":"Urban Memory","description":"\u003cp\u003eThe changing cityscape and the lives etched within it.\u003c\/p\u003e","products":[{"product_id":"knives","title":"Knives","description":"\u003cp\u003eKnives is an elegy for American manufacturing made over several years, using photography to trace the shifting relationships between masculinity, myth, and violence in a rural town whose economic base remains eviscerated by globalisation. The book published by New York based fine art photographer \u003ca href=\"http:\/\/www.koxvold.com\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eJason Koxvold\u003c\/a\u003e (b. 1977). His works has been published in Wired, Esquire, Wallpaper*, Newsweek Japan, National Geographic Traveler, and others.\u003c\/p\u003e\n\u003cp\u003eAuthors: Jason Koxvold \u0026amp; Stanley Wolukau-Wanambwa\u003cbr\u003ePages: 140\u003cbr\u003eDimensions: 244 × 304 mm \/ 9.6 × 11.9”\u003cbr\u003eBinding: Hard Cover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2017\u003cbr\u003ePublisher: Gnomic Book\u003cbr\u003eOrigin: Netherlands\u003c\/p\u003e","brand":"Gnomic Book","offers":[{"title":"Default Title","offer_id":975806300172,"sku":"GBKN55","price":7645.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_135cff3f-1386-4f66-b668-4966a3614326.jpg?v=1540264915"},{"product_id":"flaneur-issue-8","title":"Flaneur Issue 8: Kangding Road \/ Wanda Road, Taipei","description":"\u003cp\u003eThe eighth issue of ‘Flaneur’ is devoted to the intersection of Kangding Road and Wanda Road in Taipei, a crossroads of layered colonial and urban histories. Taipei had always held a certain fascination for the editorial team, so when the opportunity arose to do a three-month artist residency at Taipei Art Village Treasure Hill, they seized the moment. In an interdisciplinary, collaborative effort, the axis is mapped out from different angles, revealing the layers, colonial implications, unvoiced stories, and contradictions of this place of displacements. With diverse contributions by more than fifteen local artists and writers, the magazine delves into the oldest part of the Taiwanese capital.\u003c\/p\u003e\n\u003cp\u003ePages: 220\u003cbr\u003eDimensions: 240 × 310 mm \/ 9.4 × 12.2”\u003cbr\u003eBinding: Softcover\u003cbr\u003eLanguage: English, Chinese\u003cbr\u003eYear: 2019\u003cbr\u003ePublisher: Edition Messner\u003cbr\u003eDesign: Studio Yukiko\u003cbr\u003eOrigin: Germany\u003c\/p\u003e","brand":"Edition Messner","offers":[{"title":"Default Title","offer_id":30349394477141,"sku":"EMFI34","price":3080.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/f1_3ca01f6a-6393-42bb-9be4-e5c51e43c90a.jpg?v=1570640826"},{"product_id":"may-25-is-now-october-1","title":"May 25 is now October 1","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eThis publication has been used for display purposes, has been damaged in transport or has defects in printing or binding. Please note that returns and exchanges are not possible.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e・Used for display purposes\u003c\/p\u003e\n\u003cp\u003eWith more autonomy in 1974, Kosovo saw an upsurge in urban planning and architectural freedom, enabled by modernism and in turn expressed through competitive sports and a shift away from ethnic particularities, which signalled a shift West. This image collection by Bardhi Haliti is the result of seven years of research in Kosovar newspapers published between 1974 and 2018. The images have been variously cropped, zoomed, and paired by similarity. The choreography is not meant to render them valuable objects, but rather to help find their meaning beyond that which is found within the now unfashionable sports halls constructed throughout Kosovo during the Yugoslavian period.\u003cbr\u003e\u003cbr\u003ePages: 662\u003cbr\u003eDimensions: 170 × 240 mm \/ 6.6 × 9.4”\u003cbr\u003eBinding: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eDesign: Bardhi Haliti\u003cbr\u003ePublisher: Cpress\u003c\/p\u003e","brand":"Cpress","offers":[{"title":"Default Title","offer_id":31371635327061,"sku":"CPMA123","price":2000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_cab650e0-506d-46f4-863b-fbcba7550b10.jpg?v=1575389603"},{"product_id":"ghost-witness","title":"Mårten Lange: Ghost Witness (Signed)","description":"\u003cp\u003eChina has a rich tradition of ghost stories and supernatural beliefs. There are tales of ghosts that can shape-shift, or turn into air, or pure darkness or light. In Ghost Witness, Mårten Lange tells the story of a country rushing towards the future with the past following silently behind, like a spectre in the smog.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn his time in China, Lange visited urban metropolises that have expanded rapidly in recent years, as a result of hyper-accelerated growth and development. Walking through these megacities, Lange explores the bleeding edge between rationalised urban planning and messy everyday lives. Ghost Witness engages with the unique quality of light in the urban environment, where the sun filters through the polluted air and the vast arrays of LEDs twinkle in the rain – revealing the world indirectly, like a mirror.\u003c\/p\u003e\n\u003cp\u003eThe images in Ghost Witness inhabit and replicate the machine-like rational logic of the grid to interrogate overlaps and fissures between architecture, technology, surveillance and the future. Lange’s precise photographs often describe those fissures: indecipherable codes, broken windows, decay and entropy within the order of glass and steel. Suspended in a liminal state between constant construction and expansion, Lange questions what it means for humanity to dwell inside environments that are planned, designed and repeated, with little recourse for history, transition and change.\u003c\/p\u003e\n\u003cp\u003eMårten Lange (born 1984, Gothenburg, Sweden) is an artist working on a wide range of topics including nature, technology and the urban environment. He has published several books, including Citizen (Études Books, 2015), Another Language (MACK, 2012), The Mechanism (MACK 2017) and Chicxulub (self-published, 2016). Lange studied photography in Sweden, Japan and the United Kingdom. His work has been shown internationally, most recently at Foam in Amsterdam, Hamburger Kunsthalle and the Moderna Museet in Stockholm.\u003c\/p\u003e\n\u003cp\u003eSigned by Mårten Lange\u003c\/p\u003e\n\u003cp\u003ePages: 168\u003cbr\u003eDimensions: 233 × 340 mm\u003cbr\u003eBinding: Softcover\u003cbr\u003eYear: 2020\u003cbr\u003ePublisher: Loose Joints Publishing\u003c\/p\u003e","brand":"Loose Joints Publishing","offers":[{"title":"Default Title","offer_id":32993920811093,"sku":"LJGW388","price":6600.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_76a15476-4881-4dba-af2d-497b3ecdfc8e.jpg?v=1613273559"},{"product_id":"amen-break","title":"Thomas Prior: Amen Break","description":"\u003cp\u003eThe Amen break is a singular sample of a four-bar drum solo that went on to change the course of music in the twentieth century. 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Prior evokes the Amen break to consider how singular events—the murder of George Floyd, the choice to wear a mask or not, or an untruth uttered by a leader—can create ripples on the future, a beat and rhythm against which history is composed.\u003c\/p\u003e\n\u003cp\u003eThe images in Amen Break hover delicately around the tumult and uncertainty of this year, effecting an uncanny mix of tranquillity and stillness, under which bubble tension, emotion, and isolation. A swirling, rushing city comes to a deceptively peaceful stop. Missed-delivery slips litter empty windows, yellowing newspapers decompose on stoops, and naked mannequins bear witness to one of the greatest periods of economic and social turmoil in living memory. 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Yet instead of resorting to the familiar, this series of photographs straddles time to capture the city through certain historical contradictions, illuminated and expounded by two essays from architect Wendy Gilmartin, and art historian David Misteli.\u003c\/p\u003e\n\u003cp\u003eIt considers how to evoke the myriad ironies of time passing that the cityscape embodies. Complex fabrics of old hope and new failure, old failure and new hope. Nothing ever turns out the way it was supposed to. We start in the light. That famous LA light that gave birth to an industry is there in the not-quite whiteness of the cover’s uncanny glow. Drawling through traffic, a word-dense landscape that preys on the car-bound with advertising slogans promising this deal or that one. Please do not disembark your vehicle here.\u003c\/p\u003e\n\u003cp\u003eInterspersed with this street-view safari are eight images of the interior of the Bullocks Wilshire building. 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The silence and poise of this well-preserved interior is contrapuntal to the hazy uncurated din of present day Los Angeles where social security is again so clearly lacking.\u003c\/p\u003e\n\u003cp\u003eNew Deal then is both the new deal and a new deal. One was an earnest promise, in the wake of the Great Crash in 1929, the other is emblematic of the logic of late capitalism—which is no kind of logic really—where everything is new and everything is a deal until, like the Bullocks Wilshire, we realise there is nothing left to sell.\u003c\/p\u003e\n\u003cp\u003eLeila Peacock\u003c\/p\u003e\n\u003cp\u003ePages: 64\u003cbr\u003eDimensions: 245 × 320 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English\u003cbr\u003eDesign: Samuel Bänziger, Rosario Florio, Larissa Kasper\u003cbr\u003ePublisher: Jungle Books\u003c\/p\u003e","brand":"Jungle Books","offers":[{"title":"Default Title","offer_id":39486452596821,"sku":"JBJB468","price":4290.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_503933f1-def9-4edc-8cd8-bc7a10efd2b3.jpg?v=1628234115"},{"product_id":"paris-nord","title":"Myr Muratet: Paris Nord","description":"\u003cp\u003eMyr Muratet’s first monograph offers a sensitive look at the fragile, precarious, and inventive forms developed by populations living on the margins. 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Vast Land by Wolfgang Bellwinkel is a photographic study of the country‘s last three capitals: Mandalay (1857–1885), Yangon (1885–2005) and Naypyitaw (since 2005). All of them were planned on the drawing board; all are shaped by the political aspirations and the self-image of those who built them. Using these three cities as case studies, Bellwinkel tells the story of a country where one tragedy follows the next, from colonial oppression to the current state of emergency. World war, civil war, natural disasters, military dictatorship, ethnic conflicts, and displacement have left their marks of the capitals’ cityscapes. In contrast to the drama of rapidly unfolding events, Bellwinkel‘s images are sober and precise photographs that reveal the character and various historical layers of the three cities. In doing so, Bellwinkel undertakes nothing less than an archaeology of Myanmar‘s recent history. Complementing the photographs, the 20-page essay by sociologist Heinz Schütte offers an in-depth look at the history and present of the featured cities.\u003c\/p\u003e\n\u003cp\u003eWolfgang Bellwinkel (*1959) completed his degree in photography at the Folkwang University of the Arts in Essen in 1994 with a project on the war in Bosnia. Urbanization, social upheaval, political ­violence – but also his personal position in the world – are the major themes of the projects Bellwinkel realizes and exhibits internationally. Bellwinkel teaches at universities in Germany and Asia, living and working both there and in Berlin.\u003c\/p\u003e\n\u003cp\u003ePages: 144\u003cbr\u003eDimensions: 240 x 315 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English, German\u003cbr\u003eYear: 2022\u003cbr\u003eDesign: Sebastian Bissinger, BANK™\u003cbr\u003ePublisher: Hartmann Books\u003c\/p\u003e","brand":"Hartmann Books","offers":[{"title":"Default Title","offer_id":40569568591957,"sku":"HBWV875","price":8470.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_5af47dbf-c24c-4e73-8e77-dafcd0c90f38.jpg?v=1681464512"},{"product_id":"michael-wolf-architecture-of-density-hong-kong","title":"Michael Wolf: Architecture of Density Hong Kong","description":"\u003cp\u003eSince its first publication in 2012, “Architecture of Density” has become a milestone in the history of the photo book. The series has won many awards and the photographs have also become a symbol for the megacity Hong Kong - the photographer’s adopted home from 2002 to 2019. The new edition also contains 9 additional unpublished images from the photographer's archive. Focusing on the specific visual elements of Hong Kong, Michael Wolf has depicted life in architectural and social densification in one of the most crowded cities in the world and developed a distinctive photographic style. He removes any skyline or horizon from the image, achieving a flattening of space until it becomes a relentless abstraction of urban development from which the viewer’s eye can no longer escape. With this visual irritation, Michael Wolf conveys the feeling of an expansion of the buildings into infinity, which may also be the spatial experience of Hong Kong residents.\u003c\/p\u003e\n\u003cp\u003ePages: 128\u003cbr\u003eDimensions: 240 x 310 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2022\u003cbr\u003ePublisher: Buchkunst Berlin\u003c\/p\u003e","brand":"Buchkunst Berlin","offers":[{"title":"Default Title","offer_id":40592478732373,"sku":"BBMA898","price":8910.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_89b16598-7702-4872-87ab-bfa438b86634.jpg?v=1683106966"},{"product_id":"flaneur-issue-9","title":"Flaneur Issue 09: Boulevard Périphérique, Paris","description":"\u003cp\u003eFlaneur's ninth edition focuses on the Boulevard Périphérique in Paris – choosing the former city wall and current city limits of Paris is intended to pose the question of how narratives of the peripheries could challenge centralist power and pave the way for a city of the future that reflects the reality of a multitude of communities rather than a normative majority. In an attempt to mirror this idea in its editorial approach, the editors have decentralized the making process for Issue 09 by inviting four curating editors (Alix Hugonnier, Annabelle Lacroix, Heryte Tefery Tequame and Justinien Tribillon) who, together with the team of Flaneur, conceptualized the issue in constant exchange and collaboration.\u003c\/p\u003e\n\u003cp\u003ePages: 192\u003cbr\u003eDimensions: 240 x 310 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, French\u003cbr\u003eYear: 2023\u003cbr\u003ePublisher: Edition Messner\u003c\/p\u003e","brand":"Edition Messner","offers":[{"title":"Default Title","offer_id":40631721820245,"sku":"EMFI922","price":5060.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_962e74f9-3bd4-4544-9002-7d7b7864ccfe.jpg?v=1686383832"},{"product_id":"through-the-mines-of-iglesias","title":"G. Meloni, G. Peghin: Travels in Sardinia - Through the Mines of Iglesias","description":"\u003cp\u003e‘Voyages en Sardaigne (Travels in Sardinia)’ is a collection of unconventional thematic guides on this island in the middle of the Mediterranean. They offer to the reader different ways of observation and restitution of its territory, always characterized by an uncertain temporality: the present and the past merge to build a unique landscape, far from the convulsive setting of the contemporaneity.\u003c\/p\u003e\n\u003cp\u003e‘Nelle miniere di Iglesias \/ Through the Mines of Iglesias’ is the first part of an exploration that focuses on soil, excavations, incisions, mutations, transpositions and silence of Sulcis-Iglesiente, a territory marked by an industrial history. A wandering through time and space of a region «built», transformed, crossed by different types of works, infrastructures, relationships between things. These signs, these scars, are today the distinctive features of an extraordinary mining landscape. A space to discover through visual and textual narration. \u003c\/p\u003e\n\u003cp\u003ePages: 128\u003cbr\u003eDimensions: 240 × 270 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, French, Italian\u003cbr\u003eYear: 2022\u003cbr\u003eDesign: Spassky Fischer\u003cbr\u003ePublisher: Caryatide\u003c\/p\u003e","brand":"Caryatide","offers":[{"title":"Default Title","offer_id":40648753545301,"sku":"CATT973","price":5500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_b03baef3-21c0-43ca-a825-78a7d7e632b5.jpg?v=1689842647"},{"product_id":"black-coffee-no-sugar-genoa","title":"Giovanna Silva: Black Coffee No Sugar. Genoa","description":"\u003cp\u003eThe protagonist of this new book by Giovanna Silva is the city of Genoa. From spontaneous walks through Genoa, in search of its contemporary architecture—hidden between causeways, sea, and steep hills—Silva moves to Franco Albini's interiors. Albini, called to design and rethink the city's museum system by the legendary figure of Caterina Marcenaro—the first historian of Italian art, thwarted by the entire male clan of the time—builds and perfects pieces of Genoa making it a more modern city. Silva's book is a look at these places that combine the past of historic buildings with the contemporaneity of the first modern museums. Her photos are in dialogue with those of Paolo Monti, who instead photographed Albini's work during construction at the end of the forties.\u003c\/p\u003e\n\u003cp\u003ePages: 196\u003cbr\u003eDimensions: 160 × 220 mm\u003cbr\u003eBinding: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2023\u003cbr\u003ePublisher: Mousse Publishing\u003c\/p\u003e","brand":"Mousse Publishing","offers":[{"title":"Default Title","offer_id":40661924216917,"sku":"RPKS992","price":5170.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_c3462562-8e6f-4dfb-8642-d2cd9d035e9a.jpg?v=1692186443"},{"product_id":"sem-langendijk-haven","title":"Sem Langendijk: Haven","description":"\u003cp\u003eSem Langendijk witnessed the disruptive effects of gentrification during his upbringing in a peripheral area of a large city. For nearly 30 years, he lost his connection to the place where he lived. His work therefore involves examining the identity of a place and the relation people have with their environment. His first book, ‘Haven’, tells the coming of age story of a boy in a rapidly changing place – a long-term research project into shifting demographics, waterfront development, and the dynamics of gentrification. Here Langendijk looks at the environments of different port cities in a documentary fiction, emphasising the transformation of disused docklands and the communities that reside there.\u003c\/p\u003e\n\u003cp\u003ePages: 152\u003cbr\u003eDimensions: 220 × 300 mm\u003cbr\u003eBinding: Hardcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2022\u003cbr\u003ePublisher: The Eriskay Connection\u003c\/p\u003e","brand":"The Eriskay Connection","offers":[{"title":"Default Title","offer_id":40661924347989,"sku":"ECSH996","price":6600.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_a5de98fa-7dba-483a-bb67-9239352c08d4.jpg?v=1692186374"},{"product_id":"golden-times","title":"Feng Li: Golden Times","description":"\u003cp\u003eAfter finishing an intense filming job in Tokyo, I returned to Chengdu. When I swiped a small video on WeChat, I saw that not far from my home, there was a place called “Golden Beach”, where a lot of people were playing wild disco, and driven by curiosity, I decided to go and have a look.\u003c\/p\u003e\n\u003cp\u003eThat is a piece of airport elevated wilderness, every evening from seven to nine o‘clock, the local villagers, will spontaneously go there to jump, because it is a piece of wild field, in addition to the dancing crowd, there are food stalls under the bridge, children‘s playgrounds, very much like when I was a child on New Year‘s Day in the countryside temple fair, especially joyful, festive.\u003c\/p\u003e\n\u003cp\u003eAfter the dissemination of small videos on the Internet, the venue gradually got hot and bothered. At most, there were five or six thousand people jumping together. At seven or eight o‘clock in the middle of summer, the light was at its best, and the afterglow of the setting sun was golden on everyone‘s face.\u003c\/p\u003e\n\u003cp\u003eMost of the dancers were in the twilight of their lives in terms of age, but in the heat of the summer, they could dance for two or three hours without stopping, and I was deeply moved by a certain passion for life. I went there five times in a week to film them dancing in the twilight. Later on, they moved the dance venue, but fortunately, I was able to capture the moment of their wildly dancing life.\u003c\/p\u003e\n\u003cp\u003e— Feng Li\u003c\/p\u003e\n\u003cp\u003ePages: 120\u003cbr\u003eDimensions: 220 × 305 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eYear: 2023\u003cbr\u003ePublisher: Jiazazhi\u003c\/p\u003e","brand":"Jiazazhi","offers":[{"title":"Default Title","offer_id":40741954289749,"sku":"JIFG1082","price":7480.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_9d922b79-d394-4754-8466-666524b226b0.jpg?v=1703668449"},{"product_id":"a-hometown","title":"Zhang Xiao: A Hometown","description":"\u003cp\u003eSince 2011, Zhang has shifted all his work to the hometown he knows best, a place closely associated with his growth and memory. At the beginning, he created a series of works through polaroid emulsion lift, as a metaphor for the process of tearing and repairing himself and his hometown, and through these collage images, to find a balance between memory and reality.\u003c\/p\u003e\n\u003cp\u003eAnd the Zhang Xiao at that time, to the hometown, is more like a wandering kid in the village, aimlessly looking for the hometown “ruins” in the reflective coins. He dumped all the old stuff out of the old drawers of his house, rummaged through his relatives‘ old photo albums, roamed the photo studios hidden in the market, and even borrowed the village council‘s rural cooperative medical certificate for everyone in the village in order to get a portrait of all villagers.\u003c\/p\u003e\n\u003cp\u003eIn his work on hometown, Zhang Xiao quotes Fei Xiaotong in His work Rural China : “Every specific living group has its special language, and there are many words and phrases that cannot be translated in other languages. These images of hometown are just some language that projects the complex relations in the local society into the flat consumption ideology and aesthetic logic.”\u003c\/p\u003e\n\u003cp\u003eDuring the research of his hometown, Zhang Xiao gradually built up, or rediscovered the rural “aesthetics” surrounding him at his early ages, that various kinds of visual perception, schema, text, color which is in compatible to the urban, fashionable, modern, however, to some extent, sources from people’s imagination to the city, the authority and yearning of a better life .\u003c\/p\u003e\n\u003cp\u003eIn his scattered exploration of his hometown, the symbol “Apple” is of more significance to Zhang Xiao than other works. If all of Zhang Xiao’s works about his hometown are spread out on a map, we will find that Zhang Xiao‘s works about apples, as if in the center of such a village, build an orchard. He said: \"From the macro perspective of ‘Them’ and ‘Coastline’, to the return to my hometown, and then to Apple, my creation has a process from ‘surface’ to ‘line’, from ‘line’ to ‘point’. 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It is a book that intends to offer a photographic view of buildings in Abidjan that bear the imprint of a certain «tropical modernism».\u003c\/p\u003e\n\u003cp\u003eMore precisely, Album Architectures, Abidjan is the testimony of an encounter between two individuals who live and share an aesthetic and emotional attachment to the lagoon city. Issa Diabaté, architect, contemporary actor of the architectural future of this city that never stops reinventing itself. François-Xavier Gbré, a photographer who has made architecture his preferred medium for apprehending the muted history of places by envisaging architectures as the sedimentary traces of the social and political changes of a country, the Ivory Coast.\u003c\/p\u003e\n\u003cp\u003eThis book, and the Album Architectures collection more broadly, aims to initiate a reflection on the definition of the notion of contemporary heritage through the valorisation of rich and singular architectural landscapes, not always identified, often invisibilised, of cities in perpetual urban change.\u003c\/p\u003e\n\u003cp\u003ePages: 122\u003cbr\u003eDimensions: 240 × 320 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, French\u003cbr\u003eYear: 2022\u003cbr\u003eDesign: Spassky Fischer\u003cbr\u003ePublisher: Caryatide\u003c\/p\u003e","brand":"Caryatide","offers":[{"title":"Default Title","offer_id":40820233928789,"sku":"CAAA1164","price":6600.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_41fd4ba8-38a7-4937-b407-534a301777f5.jpg?v=1715594238"},{"product_id":"london-vertical","title":"Horst Hamann: London Vertical","description":"\u003cp\u003eWith his Vertical series, photographer Horst Hamann goes against the standards in architectural photography and convinces. After his great success “Paris Vertical” and “New-York Vertical”, the new coffee table book “London Vertical” is now published. In it, Hamann presents well-known sights from a completely new perspective, namely upright, and thus amazes his fans with a completely new view of these buildings and landmarks of the world-famous metropolis on the Thames.\u003c\/p\u003e\n\u003cp\u003eThe passionate photo artist was born in Mannheim in 1958 and discovered the camera for himself at the age of eleven. Having grown up on two continents, Europe and America, he began an intensive artistic exploration of the extreme format of panorama photography in 1985. But it was not until 1991 that what Hamann's followers adore about him today happened: He turned his camera to portrait format for the first time at the intersection of 41st Street and Avenue of the Americas and has since been called the \"inventor\" of vertical photography among insiders. His photographs not only testify to his great skill and compositional talent, Hamann manages in a unique way to stage well-known motifs in a completely new way. As a reader, you look at his pictures with curiosity and look forward anew to recognising the sights in each photo.\u003c\/p\u003e\n\u003cp\u003e“London Vertical” is a delight both for lovers of the British capital and for fans of Hamann's work. Whether Big Ben, Tower Bridge, London Eye or The Shad, Hamann presents all these sights, which have already been photographed thousands of times, in his own creative way and thus creates something completely new. 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Boats have no fixed routes and float freely on the water, just as Koji Onaka did when he was taking photographs.\u003c\/p\u003e\n\u003cp\u003eThis book “A Slow Boat To China”, co-published by Jiazazhi and Place M, which pays homage not only to Koji Onaka's own black-and-white masterpiece “Slow Boat”, but also to Haruki Murakami’s short story “A Slow Boat To China”. 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The street scenes, buildings and people's clothing there are not much different from other small towns in China. The pictures are all daily scenes and persons. The space in the village is silent, and the postures and expressions of the persons are also calm.\u003c\/p\u003e\n\u003cp\u003eWhat a photo can only obtain is a slice of a certain time and space, which creates a tension between the detailed and true reality in a moment and the unrecordable reality as a whole. These three villages that once shared the era of collectivism have finally come to today's individual, fragmented and fluid contemporary era, with no clear vision of the future. This is the familiar scene after industrialization and marketization, which provides mixed feelings.\u003c\/p\u003e\n\u003cp\u003eJust like the title “Retrotopia” implies, Shi Yangkun's record strives to capture a series of fleeting portraits of a huge dream in the fleeting history. 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This architecture can be compared to that completed during the city’s previous anniversary in 1923. It can also be related to a longer tradition of buildings constructed in connection with anniversaries and world exhibitions.\u003c\/p\u003e\n\u003cp\u003eFrom this perspective, sociologist Karl Palmås and photographer Kalle Sanner explore Gothenburg’s built environment. In a survey that includes film, photography, and text, they trace the visions of the future that underpin the city’s new buildings. Supported by discussions with architecture critic Mark Isitt and author Lydia Sandgren, they pose the question: In what way does the anniversary architecture represent the art of our time?\u003c\/p\u003e\n\u003cp\u003eKarl Palmås (b. 1976) is a researcher whose work focuses on the relationship between the built and the conceptual. Drawing on sociological perspectives and visual methods, he studies how design professions shape the built environment. 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His images document the growth of global megacities and portray buildings by prominent contemporary architects including Herzog \u0026amp; de Meuron, Rem Koolhaas, and Zaha Hadid. The first large retrospective of the Dutch photographer’s work will open at the Vitra Design Museum in autumn 2023. Baan’s vibrant realism puts the focus on people and their relationship to the built environment.\u003c\/p\u003e\n\u003cp\u003eHis observant eye presents architecture not as an abstract ideal, but as the setting of everyday life, an organic part of the urban fabric – be it suburban sprawl or the booming metropoles of Africa and Asia. The exhibition will include a number of Baan’s iconic works, many of which are familiar from magazines and books, as well as photographs of vernacular and informal architecture all around the world, from the round Tulou of southern China to the rock-hewn churches of Ethiopia. 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Featuring photography by Giovanna Silva, it captures the postcolonial city’s evolving landscape and social fabric, serving as a lens to explore changes to its streets, public spaces, and urban adaptation. Interviews with Ana Tostões and Ana Raquel Machava provide insights into Maputo’s architectural heritage and challenges, while architects Matteo Poli and Luca Astorri discuss its possible futures and enduring legacies, examining resilience and identity.\u003c\/p\u003e\n\u003cp\u003eGiovanna Silva (born 1980 in Milan) is an Italian photographer, writer and publisher. Her photographic books have been published by Mousse, Hatje Cantz, and Nero among others. Her work has been shown at the 10th and 14th Venice architectural biennales, MACRO in Rome, Fondazione Bevilacqua La Masa in Venice, the Triennale in Milan, the American Academy in Rome, FRAC Orléans, c\/o Berlin, the Biennale de Rabat 2019, and the Italian Cultural Institute in New York. 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